Dr Sophie Hay

@pompei79.bsky.social

Just an archaeologist who works at the Archaeological Park of Pompeii

What an immense joy and satisfaction to see the fragments of the ceiling fresco from Region IX excavations reassembled. The vibrant colours and the intricate details of the highest quality are mesmerising. Currently on display in the Large Palaestra, #Pompeii

Detail of a mask set on a garlandPart of the still life garland with mask and geometric borders framing a personification of SpringDetail of Spring

I utterly adore the fresco of a fountain that was revealed in recent excavations in #Oplontis (room of the peacocks). The three spouts fixed on the wall each with a jet of water filling the marble basin which is supported on those beautiful curved legs. It silently creates an air of fresh coolness.

Fresco detail: Against a red wall a presumably white marble basin is being filled with water from a jet of water arcing out of a gold coloured spout fixed into the wall.Fresco detail: Against a red wall a presumably white marble basin supported curved legs ending in animal paws is being filled by a jet of water arcing out of a gold coloured spout fixed into the wall.Against a red wall a presumably white marble basin supported curved legs ending in animal paws is being filled by three jets of water arcing out of gold coloured spouts fixed into the wall. There is a gentle sense of perspective as the basin is at an angle to the viewerFresco detail: A jet of water is coming out of a gold coloured spout fixed into the red wall

One of the most remarkable objects in #Pompeii is a marble table support with P. Casca Longus inscribed on it. Longus was the 1st assassin to stab Julius Caesar on #IdesOfMarch (today in 44 BC). On his death Longus’ possessions were auctioned & this table was bought by a Pompeian

A white marble table leg in the form of a lion head and descending into a claw as the foot. The view is from above and since there is no table top the inscription of P. Casca Long can be seen engraved into the table top support.View across an atrium of the so-called House of Casca Longus (he never lived here!). To the left a blue painted wall. In the centre-right an impluvium basin with a circular ceramic cistern head nearest to us on one side. On the far side the white marble tripod table support.

A day filled with poignant reflection as the permanent exhibition dedicated to the plaster casts of ancient Pompeians opened in #Pompeii. At last they are given context: where, when and how they were found, what they were found with, and details such as their sex and approximate age.

View down the portico of the Grande Palaestra of the display cases housing the castsOne of the casts lying on his back. Behind him the Grande Palaestra is bathed in sunlight. A reflection of one of the casts on display

An undeniably emotional experience seeing the other half of the ‘peacock room’ in Oplontis being excavated and meeting their counterparts: the two peahens that graced the facing wall. What a delightfully playful idea by the artist. Compliments to my colleagues, excavators & conservators. Spectacular

Fragments of fresco retrieved during excavations of one the peahens striding along the yellow cornice against a backdrop of a colonnade.Two excavators digging the other half of the peacock room in Oplontis. Behind them the facing wall being revealed and the fresco that mirrors the known wall coming to light. One of the peahens can be seen in situ on the the left side above a panel of bright red.The excavation site from above showing where the excavators are working in the foreground in relation to the known half of the peacock room behind the hoarding in the background.The peacock from the well known peacock room in Oplontis. It stands on the yellow cornice with its tail draped over the edge. Behind it the colonnade painted in perspective.

Possibly the most sublime Roman fresco of a temple. The architectural detail of the spiky-topped wooden barrier, the painted relief in the pediment, & the offerings burning on the altar; it’s a symphony of observations. Archaeological Museum of Capri (no provenance) #FrescoFriday

Fresco of a facade of a Roman temple. A short flight of steps leading up to a portico with Corinthian columns. Between the double colannade is a decorated wooden barrier with lattice work and a spiky top. The wooden doors to the temple are closed. The pediment contains a painted relief. In front of the steps is an ornate altar on which offerings burn.

Happy #Halloween! A wonderful 2nd century AD Roman mosaic found near Antioch, Turkey showing a skeleton, cup of wine in hand, reclining on the floor of a dining room in a house reminding guests to enjoy life: ‘ευφρόσυνος’

Detail of a black mosaic with a white skull, the boney arm of the skeleton raised, and a few ribs.Mosaic with black background, reclining skeleton with cup of wine in hand with two loaves of bread and an amphora upright in a stand.

Surprisingly yet pleasingly complex - the tile elements required to reconstruct a Roman roof over the House of the Faun, #Pompeii. Beautiful watercolour, pencil, and ink illustrations by Pasquale Maria Veneri dating to 1843 on display in the National Archaeological Museum In Naples.

Watercolour showing different tile elements both flat (tegulae) and curved (imbrices) and antifixes and water spouts needed for a Roman roofPlan of the House of the Faun in watercolour showing the reconstructed rooflines.Reconstruction of a roofline in plan and sectionFull image of the three elements as one watercolour illustration

ITALIA! In onda stasera un nuovo e finale episodio di ‘Pompei le Nuove Verità: La Casa dei Tesori’. mediasetinfinity.mediaset.it/video/pompei... È una meravigliosa lettera d'amore a Pompei e ai suoi antichi abitanti, celebrata attraverso le ultime scoperte degli scavi a Regio IX.

Pompei: le nuove verità: Ep. 4 - La casa dei tesori Video | Mediaset Infinity

Gli archeologi completano lo scavo più grande dell'ultima generazione, dove trovano oro e lusso in una delle case più ricche di Pompei.

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