Queen's Court Games

@queenscourt.games

Multi-award-winning actual play stories about broken heroes trying to save themselves, and occasionally the world. Majority LGBT+. Majority femme. Watch Live: twitch.tv/queenscourtgames Watch Later: youtube.com/@QueensCourtGames

Being a part of the web festival world has led us to so many incredible opportunities. The grants are free to apply for -- literally no downside to giving your show a chance. The final deadline is tonight! Check the pinned post @tabletopartsfund.org if you're having trouble with the link.

Tabletop Arts Fund@tabletopartsfund.org · 9mo ago

Good morning! It's the last day to apply for our 2026 #ActualPlay Grants. Reach out to the serial procrastinator in your life and make sure they get their show in before the deadline! Head on over to apply.tabletoparts.fund/actualplay2026 and make sure our judges get to see your show!

Promotional graphic for the Tabletop Arts Fund 2026 Actual Play Grants. At the top center is the Tabletop Arts Fund logo, featuring a stylized book with a red d6 and yellow d10 on its pages, crossed by a pen and paintbrush inside a circle. 

The Text reads:
2026 Actual Play Grants

“Open to any podcast or video actual play with at least three episodes released in 2025. Grants provide entry fees to all festivals in the 2026 Audio Fiction World Cup. Preference for all awards given to first-time festival participants and creators from marginalized backgrounds.”

At the bottom, bold text states:
Submissions close October 31, 2025

Link: https://apply.tabletoparts.fund/actualplay2026

It is my sad duty to report the end of The All Night Society. We’re deeply proud of the stories we told, the world we built, and the community that found a home in the dark with us. To everyone who listened, supported us, and carried these characters in your hearts: thank you. Truly.

A black square image with white text announcing the end of the podcast The All Night Society. It reads:

"After much consideration, we’ve decided that The All Night Society will not be returning for another season. As of this afternoon, we have agreed as a cast to cease production, and allow the story to end.

This wasn’t an easy decision. We fought hard to bring the next chapter to life. Outlines were written, sessions were planned, recordings had begun, and the story was ready to unfold. But after months of trying to make it work behind the scenes, we had to face the reality that we couldn’t continue the show in a way that lived up to our standards for quality, consistency, or creative integrity.

We’re deeply proud of the stories we told, the world we built, and the community that found a home in the dark with us. To everyone who listened, supported us, and carried these characters in your hearts: thank you. Truly.

Your time, your passion, and your trust meant more than we can say. You are what made the show worth producing."

At the bottom center of the image is a small minimalist crown icon with the letter "Q" beneath it in red. The background fades subtly from black to a soft dark gradient.

Some important news about the future of Queen’s Court Games. We’re scaling down operations as we adjust to changing personal circumstances and real-world obligations. The All Night Society and Road to Hell will continue, but we will no longer develop new projects under the QCG banner.

We want to share some important news about the future of Queen’s Court Games. As many of you have already seen, both Caito and Laura have decided to step away from the company. Their decisions reflect changing personal circumstances and real world obligations that made it difficult to continue our work together in the way we had hoped.

After much reflection and internal discussion, we’ve made the difficult decision to scale down our operations. Moving forward, we will not be launching any new projects or partnerships under the Queen’s Court Games banner.

This choice is ultimately about sustainability. The kind of work we strive to create—high-quality, narratively ambitious actual play—demands time, energy, and resources on a scale that’s no longer feasible for us to support as a company. Rather than overextend or compromise on quality, we’ve chosen to focus on what we can do well. 

The All Night Society and Road to Hell will continue. They remain the heart of our storytelling and the place where we feel we can still do our best work. We’re excited to keep bringing you new episodes and sharing these stories with the same care, depth, and ambition you’ve come to expect.

Additional changes will be coming to Patreon as we evaluate what our supporters are most excited for, and our capacity to deliver different kinds of rewards.

We’re proud of everything we’ve made, and we’re deeply grateful to all of you who’ve listened, shared, and supported us along the way. Additionally, we're grateful to those of you who've shared our tables, lending your passions and talents to the stories we’ve told together. Thank you for being part of this journey. We’re not done telling stories—we’re just doing it a little differently.

A cell of Hunters begin to dig into a friend's untimely demise with the best of intentions... but you know what they say about those. Stream The Road to Hell on YT, Spotify, or wherever you find your favorite podcasts.

Don't stop here! Swing by our feed to learn more about each of this year's selections, the designers, and select commentary from our judges on what makes these games special.

Tabletop Arts Fund@tabletopartsfund.org · last yr.

The 2025 Tabletop Arts Fund TTRPG Grant Winners! We Wander Through Radiant Lights - @percypropa.bsky.social Source of Dreams - Sekayi Edwards Runecycle - @hiskih.fi Legend of the Hidden Folk - @lucienneimpala.bsky.social Why We Fight - @laurieblake.bsky.social #TTRPG #IndieTTRPG #TTRPGCommunity

A promotional banner for the 2025 Tabletop Arts Fund TTRPG Grant Recipients. The title reads "2025 Tabletop Arts Fund TTRPG Grant Recipients" in bold blue text on a parchment-textured background. Below the title are five featured games, each with its name and cover art:

1. *We Wander Beneath Radiant Lights* – Black and white art of a figure walking down a stark alley under a full moon.
2. *Source of Dreams* – A photo of a tabletop playtest setup, including hex tiles, cards, and a clipboard.
3. *Runecycle* – Stylized art featuring a minimalist monolith in a desert, overlaid with concentric rune circles.
4. *Legend of the Hidden Folk* – A monochrome illustration of a dense forest and mountain landscape with hand-drawn text.
5. *Why We Fight* – Comic-style art of a determined woman drawing a bow, with helicopters and a cityscape in the background.

Each game title is displayed in stylized font above its corresponding artwork.

🩸 EPISODE 2 – Cut Me Open🩸 Julian’s been attacked. The cell doesn’t believe in coincidences—not after Kameron. Racing across Marlin Bay, they come face to face with something brutal very real. The Slasher has a name now, and the town's darkness is no longer hypothetical. #worldofdarkness #ttrpg

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Finally! After much deliberation and (too) many rounds of emails, our judges have decided on the winners for the 2025 Tabletop Arts Fund TTRPG Grants! We'll be announcing the good news on Sunday, June 15th. Thanks for all your patience! We're looking forward to celebrating five outstanding works!

🩸 EPISODE 1 OUT NOW 🩸 The Road to Hell begins with "The Body." After a night of partying, the hunters wake to bad news: Kameron is dead. But in Marlin Bay, death is never simple, and never the end. CW: Alcohol/Drug Use, Death, Sexual References #TTRPG #HunterTheReckoning #ActualPlay #TheRoadToHell

Road to Hell

Podcast · Queen's Court Games · In Marlin Bay, Maine, the death of Kameron Ashdown is written off as an accident—until a group of locals starts asking the kinds of questions this town was built to bur...

open.spotify.com