Brian Cartwright

@rewindfee.com

Part of Impossible Coin He/Him 
 “You yell 'Barracuda,' everybody says 'Huh? What?' Yell 'Shark,' we've got a panic on our hands on the 4th of July.”
 I love film! My passions run toward horror, naturalism, microbudget, & emotional authenticity

Thinking about the existential threat posed to Toontown by Judge Doom’s capitalist aspirations and how Coyote Vs. Acme was the liberalization of the threat. Tax write offs as The Dip.

Prometheus The Counselor Alien Covenant The Last Duel Late era Sir Ridley is best when he’s not writing, has a great cast and is making the movie about how he’s angry at God. This is my “maybe The Dog Stars will be good” post.

Andrew Kevin Walker: I’ve had this script riding around in a drawer since kindergarten. I keep it between a hand turkey and paper snowflake. Various idiot producers including Eli Roth for the last 19 years: Shit yeah! Let’s make Psycho Killer! *does cocaine*

Introduce yourself as what almost killed you: Hi, I’m 12 cops with drawn guns outside a Staples because someone called the cops on a guy in a Lucha mask on Halloween. I’m also a water slide at Busch Gardens.

Oscar Goff@theoscargoff.bsky.social · last wk.

Introduce yourself as what almost killed you: "Hi, I'm a traffic cop who just spotted a mildly convincing bloody corpse in the back seat of a teenager’s car driving down a dark backroad late at night.”

The first The Fast and The Furious is a homoerotic masterpiece where it feels HEMIs are extensions of broken hearts and the leads are gonna lick Mountain Dew off each other’s dicks. The sequels devolve into Zack Snyder’s Ocean’s Eleven. What a downgrade.