Regional Theatre Young Director Scheme

@rtyds.bsky.social

The UK's longest running training scheme for theatre directors. Currently running FAIR PLAY, an initiative to tackle socio-economic inequity in theatre. www.rtyds.co.uk

Let’s talk about the elephant in the room - SOCIAL CLASS. What is it really like to be working-class in theatre? ARTISTS TALK is a video series where working-class artists speak about their experiences, the realities and what matters to them. Watch the first ep: youtube.com/watch?v=xix3lc74KDI

RTYDS

Regional Theatre Young Director Scheme (RTYDS) seek out talented theatre directors at an early stage of their careers and work in partnership with regional producing theatres to develop their skills a...

youtube.com

We asked our Fair Play Advocate Matthew Dunster to share his thoughts on the relevance of working-class storytelling, especially towards welcoming new audiences to theatres. He's currently directing The Battle which is performing at Birmingham Rep until Sat 07 Mar.

We’re delighted to announce the three directors & theatre makers who will be joining RTYDS for our Fair Play Associate Artistic Director residency. A big welcome to: - Jamie Sophia Fletcher at Leeds Playhouse - Rikki Henry at Bristol Old Vic - Yusra Warsama at Liverpool Everyman & Playhouse

Three headshots of the Fair Play Associate Artistic Director residencies, along with logos of theatres. Jamie Sophia Fletcher at Leeds Playhouse. Rikki Henry at Bristol Old Vic. Yusra Warsama at Liverpool Everyman and Playhouse.

WE ARE RECRUITING! We're looking for an exceptional Executive Director who is committed to addressing the inequity experienced by working class artists in theatre. 21 hrs (3 days) per week £28,800 (£48,000 pro rata) Remote/Manchester More info: www.rtyds.co.uk/jobs Deadline: 12 noon, Mon 15 Dec

We are recruiting - Regional Theatre Young Director Scheme - RTYDS

The Regional Theatre Young Director Scheme (RTYDS) is recruiting!

rtyds.co.uk

Our next three Actions for Change for Fair Play are: Sustainability, Time & Financial Accessibility. If the sector adopted all six of these actions, we believe it could be transformational for artists & companies from working class & low socio-economic backgrounds in sustaining their careers.

RTYDS Fair Play - Actions for Change.
Sustainability.
Freelancers are often given the advice; ‘it’s a marathon not a sprint’. 
If we recognise that completing a marathon without access to equipment and practice, a coach, and dedicated training is impossible, then we should understand the same is true for creative freelancers. 
Ask your freelancers and employees who are from working class/ low socio-economic backgrounds what they need to stay in for the long run.RTYDS Fair Play - Actions for Change.
Time.
Organisations need to provide sustained support and investment over a consistent period for working class creatives. Support given over one to two years has the most significant impact as it provides a stable base of resources. This should be provided at all levels of experience and not just for early career workers and freelancers.RTYDS Fair Play - Actions for Change.
Financial Accessibility.
We need organisations and independent producers to understand and address the financial reality for working class/ low socio-economic background people working in theatre. We need an industry that is more benefits literate and knowledgeable about the impact of precarious self-employment on those claiming Universal Credit.

As part of Fair Play, we've developed six Actions for Change. We believe that these actions implemented across the sector could make real change for artists, companies & creative workers from working class & low socio-economic backgrounds. The first three actions are: Ownership, Evidence & Equity.

RTYDS Fair Play Actions for Change. Ownership. 
The sector needs to own and address the problems faced by artists who are working class and from low socio-economic backgrounds to recognise how structures isolate and exclude. 
We need organisations to take responsibility for leading on conversations around financial, social, and cultural capital in areas including programming, creative processes, workforce, representation and HR including wellbeing.RTYDS Fair Play - Actions for Change.
Evidence.
We need data that is specific to theatre. Data that can accurately paint the picture of the specificities of socio-economic backgrounds and how it intersects with all the protected characteristics – and data that considers geographic location in relation to class.
We need to be more inclusive around differing lived experiences of socio-economic marginalisation, including experiences such as the care system, benefit system, criminal justice system and immigration system.RTYDS Fair Play - Actions for Change.
Equity.
We need targeted funding opportunities aimed specifically at freelance artists, workers and companies who are working class or from low
socio-economic backgrounds, and the organisations who want to create opportunities for them. 
Without targeted funding, very little systemic change can happen.

Hi 👋 We are RTYDS & we're running Fair Play, a nationwide initiative addressing socio-economic inequity in theatre. Our vision is an industry where working class leaders can thrive & where our theatre sector is robust, socially just, & able to recognise, develop & nurture working class talent.