Shane Boyle

@shaneboyle.bsky.social

fka brechtfast

I'm starting with the section on Marxist feminism—the focus is on the 1920s work of Berta Lask and the criticism of Eleanor Marx. Lask was, arguably, the first Marxist feminist playwright and Marx the first Marxist feminist theatre critic. Both are as extraordinary as they are under-appreciated.

Here's the draft table of contents: Introduction: Marxism on Stage Chapter 1: Karl Marx’s Theatrical Critique of Political Economy • The Value of Performance • Proletarian Theatres Chapter 2: Theatre in Marxist Theory • Western Marxism • Marxist Feminism • Black Marxism

The five most memorable things I read this year: -Berta Lask, Thomas Müntzer -Katie Mack, The End of Everything -Lyndal Roper, Summer of Fire and Blood -Ludovico Silva, Marx’s Literary Style -Volker Weidermann, Dreamers: When the Writers Took Power, Germany, 1919

The UK’s Theatre and Performance Research Association (TaPRA) passed a BDS resolution today. 📣 It took an amazing group a lot work, but the vote was overwhelmingly in favour.

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Mahmoud Khalil’s letter is a manifesto for our times: it is our generation’s Letter from a Birmingham Jail “I have always believed that my duty is not only to liberate myself from the oppressor, but also to liberate my oppressors from their hatred and fear” inthesetimes.com/article/mahm...

My Name is Mahmoud Khalil and I Am a Political Prisoner

A letter dictated by Mahmoud Khalil over the phone from ICE detention in Louisiana.

inthesetimes.com

question for people who know the antideutsche better than I do—is Tocotronic an antideutsch band or are they just run-of-the-mill German liberals at home with taz and Texte zur Kunst?