Side

@sidegallery.bsky.social

Est. in 1977: Side is dedicated to lens-based documentary. We are home to the UNESCO-listed AmberSide collection, showcasing film and documentary photography on working-class life from the North East and beyond. Sidegallery.co.uk

🔥 In the final week of Sunderland’s National Glass Centre, Juan Fitzgerald photographed a place still full of heat, skill and public feeling. 📷 National Glass Centre, Sunderland, 2026 ©Juan Fitzgerald 📰 Photographing an important event in our region? Submit to side.gallery@amber-online.com

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🏳️‍🌈 Looking back to last weekend, when Newcastle Pride filled Leazes Park and the city streets with running, marching, colour, noise and joy. All photographs © David Whinham. Recording an important North East moment? Send it to side.gallery@amber-online.com

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🌊 86 years ago today, Weegee photographed Coney Island at 4pm, from on top of the lifeguard station. Humorous and recognisable - the seaside promise is simple: cooler air, open space, a break from the city. The reality is that everyone else has had the same excellent idea.

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🌱 Pride is protest, party, friendship, care, and sometimes a very good allotment. For Newcastle Pride, we’re sharing images from TopSoil, a queer gardening project run by The NewBridge Project. A space for community, safety, soil, pond life, fruit trees, and turning up as yourself. ©possy / ©Chan

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📣 Side Shout Outs: Congratulations go to Neil Ferdowsian! Neil’s photographs "Vendor" and "Partners" have been selected for Carlotta Gallery’s online "Europe" exhibition. Find Neil on instagram: nfphotocraft Send your wins for next Friday's shout out to: side.gallery@amber-online.com

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🛒 Poolside browsing encouraged, but not required. The Side Shop is online, with photobooks, zines and publications from independent creators, Side and our collaborators. New products added regularly. Every purchase supports Side. 🔗 shop.amber-online.com

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📣 Side Shout Outs! Congratulations... James Sebright’s The Body & The Blood has been shortlisted for the Urban Photo Awards’ Mark Power Special Prize and will be exhibited at Trieste Photo Days in October. Fingers crossed for the next stage.

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📣 Side Shout Outs! Congratulations... Maggie Jary ARPS was recently a category winner in the World Food Photography Awards with a photograph taken at Beamish Museum on an old iPhone 5. Four women, a bag of chips, and a missed moment that wasn’t missed.

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📣 News from the AmberSide Collection. With support from The National Lottery Heritage Fund, the Collection will be deposited on loan with Newcastle University Special Collections, opening up new opportunities for research, teaching and public access. 🔗 Read more: sidegallery.co.uk/blog/relo...

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⚽ One ball in to win. No pressure, England. Posting this ahead of tonight’s World Cup match because nothing says national confidence like a penalty shootout stall. 📷 World Cup Penalties Again, 2026 ©David Whinham

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🥁 Today Durham turns up for The Big Meeting. For Durham Miners’ Gala, we’re sharing two MySide submissions from last year’s Gala: Daniel Bunney’s "Marras" and Alastair Smith’s "The Big Meet". A living act of memory, pride and solidarity.

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📣 Got good news? We’re starting Side Shout Outs. Every Friday we’ll share a recent win from the photography community: a finished project, exhibition, publication, prize or something you’re proud of. Submit by sending an image, handles + short note to side.gallery@amber-online.com

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☀️ It’s too hot to be at work, and we all know where we'd rather be... From Sirkka-Liisa Konttinen’s Writing in the Sand, her study of beach life in the North East, 1973–1998. ...this one's for everyone planning the quickest route to the coast.

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Six years ago Alys Tomlinson began "Lost Summer". Between June and August 2020 she photographed teenagers whose school proms had been cancelled due to Covid. Made in gardens, backyards and local parks, the series records a missing rite of passage. The series is now part of the AmberSide Collection.

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🔥 From the Side archive - poster for "Nicaragua: Susan Meiselas", shown at Side in 1982. Susan Meiselas first travelled to Nicaragua 48 years ago, in June 1978. It was her first experience working in conflict photography, photographing a country moving through fear, resistance and revolution.

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