Simon Beattie

@simon-beattie.bsky.social

Antiquarian bookseller, literary translator, choral composer. New album here: https://www.orchidclassics.com/releases/orc100398-the-world-to-me/

I was pleased to come across this book, from 1860, which includes Milton’s Chalfont St Giles and Horton (where his father, also John, a composer, lived); William Penn at Jordans; Gray at Stoke Poges; Shelley’s Marlow; Isaac d’Israeli’s Bradenham; and Cowper’s Olney.

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In terms of overall design (matching sprinkled endpapers and slipcase, and those striking orange boards), I think this might be the most stylish publisher's binding, for its date (1804), I have ever seen.

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I once read the following phrase somewhere online: ‘No one asked you to write anything, and nobody will realise if you stop.’ It wasn’t directed at me personally, but it has stuck with me. Because it’s true: who, if you create something, will read or listen to or look at that piece of work?

A collection of self-published booklets telling the story of various Parisian streets, the majority on the Left Bank, by a local resident. It feels like a zine. Would that be a good term for it?

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Some exciting post this morning. Amazing to see my work published by ‘the world’s leading classical music publisher’ and joining the likes of Britten, Finzi, and James MacMillan (not to mention Rachmaninoff, Copland, Stravinsky, etc). More to follow in the coming months!

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