H L Birdsong

@smidgeonpress.bsky.social

Artist, etc. in Portland, OR (she/her/they/them) https://heatherleebirdsong.com/news Represented by Russo Lee Gallery https://russoleegallery.com/

Thought I had the fussy math worked out for how to most efficiently tear down this paper (5 pieces per sheet!) to pull an edition for this wonky-sized plate. Then I remembered it’s a mould-made Euro paper, so I measured the sheet. It’s ~1/4 inch bigger on each side than I calculated. Sigh.

partner snapped this pic of the sky going crazy heading south from seattle tonight. a few minutes earliery it was mostly a wildfire hazey orange and a few minutes after this the lightning & rain started

photograph of a multilane highway wity a few cars on the road near dusk. there are green trees on each side of the road going inti the distance and a strip of hazy orange and pink under crazy lookimg blue to purple clouds. kinda a maxfield parish pallete in the sky

“… the history of printmaking is fundamentally a history of the democratization of art. And we could all use a little more democracy right now.” That’s partly why I fell in love with printmaking. Guess I have a new book for my reading list.

Hyperallergic@hyperallergic.com · 3w ago

Holly EJ Black’s new book "The Story of Printmaking: A Global History of Art" is “an ideal introduction to the art form [whose history is] fundamentally one of the democratization of art," says writer Bridget Quinn.

Came across my 2007 notebook for History of Printmaking at PNCA, when it was taught in the Gilkey Center at the art museum. Under Max Klinger (whose work I love), I wrote: “QUESTION: what is UP with the Germans?” I have no idea if that was my question or if it was humorously posed by Morgan Walker

Squarespace is leaning hard into enshittification. Researching options for artist’s websites is back on my to-do list! And strongly advising current clients to /not/ update their Squarespace site templates until/unless they’re ready to jump ship.

A museum squeezing the staff who ensure daily operations are even possible, while taking nothing from the top? Color me surprised. /sarcasm Laughable to claim “bargaining in good faith” while making unsustainable decisions for the lowest paid when admin makes ~8x as much and sacrifices nothing.

Hyperallergic@hyperallergic.com · last mo.

Negotiations for the second contract with the Guggenheim Museum in New York City are entering their sixth month, with an emphasis on job security after abrupt layoffs last year. Unionized staff across several departments have voted to authorize a strike if necessary.

Listening is such an under-rated skill. We often assume that if one can hear, listening is innate, which is nonsense. It takes conscious effort and practice to develop those skills. I’m often a bad listener, I admit. But at least I know it.

Giving this plate another layer of etching to deepen and enrich the dark areas, and bring out the flower centers. Tom Prochaska taught me that every time you put a plate back in the mordant, you give it more character, so it’s actually better if you don’t nail it the 1st (or 2nd) time. #printmaking

Small etched plate, coated in asphaltum ground, set in a mat board carrier on a desktop easel. A test print pulled from the plate is next to it, green ink on tan paper. An etching needle with squishy green finger grip sits on the rim of the easel below.
H L Birdsong@smidgeonpress.bsky.social · 2mo ago

Etching seems to have gone well, mostly! Step-bitten in vinegar + hydrogen peroxide mordant. I worried that I didn’t see bubbles forming in the middle flower’s center in the mordant bath, and sure enough, it didn’t etch. Will have to fix that. #EmeraldPrintExchange #printmaking

I mostly enjoy the freelance work I manage to get, and I have some great regular clients, but often I wish I had the freedom to just be an artist. For that to happen, I need working class people to be able to reliably afford luxuries like original art. Workers’ rights and the arts are inextricable.

Ready to get my reversed drawing on a grounded plate. I use Saral white transfer paper for this, rather than the much more romantic (& messy) dragon’s blood method I learned from Tom Prochaska. I’m planning this edition for the annual Emerald Print Exchange organized by Whiteaker #Printmakers.

Small top-bound sketchbook open to a page with a small ink drawing of trillium flowers in the woods. A small asphaltum-grounded plate in lower left is wrapped in tracing paper, with a reverse of the drawing on it, ready to be transferred. A pen and pencil lay down the upper right, giving a sense of scale (I hope).