Marc Singer

@theothermarcsinger.bsky.social

Not that one. Not that one, either. Writer and English professor at Howard University in Washington DC. Author of Breaking the Frames (2018) and Grant Morrison (2012).

Almost forty years after Rick Veitch quit Swamp Thing in protest over one of its covers getting censored, he was finally allowed to finish his story. Now that I've read the ending, I wonder how much of Swamp Thing 1989 was Veitch's original plan and how much was revised for this version.

Cover to Swamp Thing 1989 #88 - published in 2026 but using the 1980s numbering and trade dress.

Superman: The Animated Series, final thoughts. I revisit STAS about once a decade or so, but I hadn't really thought about why until I started to write about it. Some reasons are obvious: the solid grasp of the characters (narratively and visually), the art design, the optimistic setting. 1/

Superman: The Animated Series S4E2, Legacy. STAS goes out with a bang in a two-parter that builds on existing relationships, takes a couple of them to new levels, and builds up to a huge finale. It takes on the daunting task of wrapping up the entire series in two episodes and basically nails it. 1/

Superman leading the forces of Apokolips under his standard

Superman: The Animated Series S3E10, Unity. The series is getting close to the end of its run. Season 3 mostly introduces new characters that expand the DCAU or revisits old ones that have played out their potential. This episode presents a new concept that needed more time on the drawing board. 1/

The Unity creature and its thralls.

Fun thread about the obvious charms and equally obvious flaws of Crisis on Infinite Earths. I especially appreciate this bit:

All the stuff paved over by Crisis - whose effects, like the future, were unevenly distributed - suddenly became the repressed memories of a universe in denial. Bat-Mite and Prez, let alone Supergirl, acquired the sexy cachet of the forbidden (something British writers made considerable bank from)
Tom Ewing@tomewing.bsky.social · last wk.

#EventsDearBoy 11. CRISIS ON INFINITE EARTHS (1985, DC) There are a lot of threads on DC Reddit about "does Crisis hold up" and for the olds it's one of the greatest works in the medium but for the youngs it's more like an ancient illuminated manuscript full of incredible drawings of weird snails

Superman: The Animated Series S3E8, Superman's Pal. Some of Superman's richest mythology and iconography dates to the comics of the Silver Age (late 1950s-1960s). But how do you reference those tropes without recreating the wacky Silver Age plot devices? It's a problem STAS runs into a lot. 1/

Jimmy Olsen looks at his brand-new signal watch.

This is literally how we ended up with Graham Platner. If you select candidates that Democrats hate, you are going to end up with candidates who hate diversity, racial equality, women's bodily autonomy, and other cornerstones of liberalism. And then those candidates will go on to lose anyway.

A.R. Moxon@juliusgoat.bsky.social · 2w ago

Even if the math is right, it’s far easier to win market share by differentiating than copying the leading brand; and DSA policies poll well in a vacuum—it’s Democrats they hate. It seems likely to me that the best way to get Republican voters is with candidates established Democrats fear and hate.

Superman: The Animated Series S3E6, Absolute Power. This episode features the return of the Phantom Zone criminals, General Zod and Ursa... sorry, "General Jax-Ur and Mala." This time they've achieved their dreams of ruling a planet--but it's not Earth, and Superman isn't initially their enemy. 1/

Jax-Ur, Mala, and Superman

I had great experiences at the first two No Kings rallies. I chose poorly at the third; the location I picked seemed to be more about Gaza than Trump and one friendly older guy handed me a flier and started talking about "AIPAC, the pro-Jewish lobby." I left.

ellie lockhart (she/they)@eleanor.lockhart.contact · 2w ago

Yeah I was shouted into leaving the third No Kings after I said out loud “this is antisemitic” after cheer leaders in the crowd started leading everyone in “globalize the intifada” chants

Superman: The Animated Series S3E4, Obsession. Season 3 kicked off with a story about a femme fatale who's pursued by her controlling ex and it didn't really work. Three episodes later, they're telling another story about a femme fatale who's pursued by her controlling ex and it totally works. 1/

Toyman and Darci

Superman: The Animated Series S3E3, New Kids in Town. Now that Superman's world has been fully populated with his supporting cast, a lot of the episodes in season 3 revolve around introducing other superheroes to the DCAU. This one introduces the Legion of Super-Heroes, who fulfill both roles. 1/

The Legion of Super-Heroes (Chameleon Boy, Cosmic Boy, and Saturn Girl) with young Clark Kent

The discussion of Volcana (of all people!) turned into a great thread about Superman foes, courtesy of @chrismaka.bsky.social. If the "dark father" is the classic route for a Superman villain, then "bad son/child" should be an equally potent one... but I can't think of any who fit the bill.

Marc Singer@theothermarcsinger.bsky.social · 2w ago

I think this is right. Volcana is a half-baked (ahem) concept with a great vocal performance, basically the opposite of Livewire. Superman villains need some kind of conceptual hook or parallel that plays on an aspect of his character because power alone will never be enough.

Superman: The Animated Series S3E1, Where There's Smoke. Now that all the classic characters are on the board, season 3 will focus mostly on expanding the DC Animated Universe and introducing other superheroes. But it will also create a few brand-new supervillains, to decidedly mixed results. 1/

Volcana

In plot terms, I can see why Peele made the Armitages faux liberals: they are trying to catch Chris with his guard down. If they're all sporting MAGA hats, he's leaving ASAP. But in practice, it's another movie that forgets conservatives exist and presents liberals as the enemy.

Omar Wasow@owasow.bsky.social · 3w ago

Get Out is an partly liberal film with notable Black nationalist / conservative themes: terrible consequences when dating across the color line, two faced white liberals as villains (“I would have voted for Obama a third time”), rewards to in-group solidarity.

Superman: The Animated Series S2E27, Little Girl Lost. This is one of the last episodes to reintroduce a character from the comics, but they picked a good one. This episode brings back Supergirl, a character with a great concept, a rich history, and a habit of being neglected or mishandled. 1/

Superman and Supergirl over Metropolis

I think people are talking past each other. The people who get angry about calls to cut off funding to rural areas think it means cutting Medicare and Social Security, not contracts and subsidies that go straight to the rent-seekers who directly fund the toxic political culture in those states. 1/

The Fig Economy@figgityfigs.bsky.social · 3w ago

And look, this is all whinging on social media, we’re not making policy here or voting on Medicaid funding levels for rural areas. But I think it genuinely does matter to try to root our politics in the values we say we hold, and to try to see when we’re engaging in pretense to abandon them.