Toby Miller

@tobytram.bsky.social

Video editor. Nebraskan/East Anglian, so possibly inclined towards flat lands. Once talked about cinema on the radio, but now mainly take photos with prisms and pinholes and polaroids. Being kept for my decorative seed head. A stones throw from Cambridge

Surprise rain! Instead of me running outside to bring laundry and sundries in, I had to step aside as everything in my house - Mary Poppins style - ran outside in excitement.

Me, waiting for something probably horrible to happen with work. Something horrible happens with work. Lovely Mitten and less lovely (but really still lovely) Cinnamon. Neighbour’s cats, visiting me for a second dinner. Mitten, as ever, carrying the worries of the world

Two cats. A very furry one standing under a garden table. With her frown and endlessly sad eyes, mitten looks horrified that the universe has been allowed to continue.

On top of the table a very large marmalade cat looks at his sister (by household)A moment later and the large marmalade cat has jumped down - he has stretched himself into a bookmark of sunset orange. 

mitten, the furry cat, looks even more horrified

This hour long episode of Mears' TV show, where he builds a canoe, is a hallmark of slow television, and an example of the thing youtube now does so well - letting you sit alongside an expert and a teacher. There's no ticking clock, no invented rush, no talking down to you. youtu.be/ZqmHqrHr8xg?...

Ray Mears' Bushcraft S02E01 - Birchbark Canoe

YouTube video by darkorian

youtu.be

Neon Genesis Ewangelion@ewacat.bsky.social · 2d ago

we don't champion Ray Mears enough, as a country

Our radar as seen through glass. The local airbase radar, via a Polaroid, in low sun, and with extra lenses and glass prisms stuck over the Polaroid lens with BluTac. Some extra technical details in the alt text.

Polaroid of a large military radar dish atop a concrete pillar. The sky is and odd bruise of a colour.

This is just a normal Polaroid, shot on automatic, through with the f-stop dialed down about 2 stops to take some of the brightness out of the sky.

This is too many stops, I can now see. I have started to dial down the f-stop when I have extra glass in front of the Polaroid camera’s lens, as that extra glass seems to throw light around and muck up the exposure, so I let less light in at the source. Polaroid of the radar dish atop- only with a semi-fish eye lens stuck over the Polaroid lens. Just stuck over with BluTac. Because of this lens the claustrophobic nature of  a Polaroid frame is thrown wide open - we can see the radar building roof, and so much more sky. It all bends in distortion, which is very pleasing.

Very very pleased with this. Here the extra 2 f-stops down has worked a treat. I must remember this. Again, a Polaroid of the radar. Only it is shattered in the frame, with sky above and below it.

This is because a glass decanter - a complex prism of glass - was stuck over the  Polaroid lens. I had no idea if this would work.

Again, an f-stop up here would have helped the final image pop a bit more.And lastly, the radar through just the Polaroid lens, though with a better exposure level. It looks very pleasing. Like a watermark.

12 years in this town, and tonight I found a new path, a new fence down, a rattle of field edges to a corner of a wood only ever seen from a distance, and an acre of scrubland that will soon be an acre of blackberries. I also snuck past some caravans with open doors and bright interiors. Great fun.

Toby Miller@tobytram.bsky.social · 6d ago

No rain here, but it came within a field or two. Close enough that we could hear the rain laughing, hear the rain handing out crisp new five pound notes, hear the rain praising home decoration choices of the houses it fell upon.

A heavy band of rain on the wrong side of town. A parched field of watches as it passes.

No rain here, but it came within a field or two. Close enough that we could hear the rain laughing, hear the rain handing out crisp new five pound notes, hear the rain praising home decoration choices of the houses it fell upon.

A heavy band of rain on the wrong side of town. A parched field of watches as it passes.

The dreadful sun leaves a nightclub. As this flower kept moving out of the light, I left the Polaroid flash on. Brilliantly it now resembles a Weegee photo - a Manhattan showgirl caught in the glare of flash bulb as she’s escorted from a 3am crime scene.

A Polaroid of a single large sunflower, blue sky (with pointless rainless clouds) behind. The use of a flash has separated the flower from its background.

Had to wrap my shirt around my head* to stop the grain triggering my asthma, and then fell over leaping a dry river bed to creep up on this beast, but I am fond of the in and out of the corporeal realm supernatural heft of a harvester at dusk. *of course then my phone won’t recognise me to unlock

A combine harvester, wrapped in a cloak of grain dust, with the hot hot hot sun setting just behind the cabin.

Locked the back door as I headed out on my evening walk…but some of the plants look tired and thirsty, so back door open again so I can fill the watering can. Then a cat wanted treats, then a butterfly wanted to be photographed, then I sat down, and now I feel like I may just have a little sleep.

Evening walk. I pass a tall man with a pinhole camera and, full of the sunshine of the day, I stop to ask him about it. He and his wife (equally tall) are from New Mexico. Soft spoken, like my father, another tall American. “I’m using infrared film. Infrared is perfect for England” he explains.

A long, wooden bodied, pinhole camera on a tripod. Being held by a man in front of a church.

Windows and doors at the Unitarian Church in Cambridge. Eye caught by the firework of flowers behind the frosted glass, and then the long grass beginning to envelop the door and the bike.

A white wood mullioned window, with frosted glass hiding the interior of the church.

Behind the glass a display of flowers - a wide fan of flowers sitting in a small decorative vase. A side door to the brick church. Wood painted black; drain pipe painted black; a blue bike is propped up against a parking instruction. Thick and knotted grass has burst from the pavement and is beginning to spread like gossip.

You can still watch the recent Sky at Night special on Jodrell Bank, which details the e-Merlin system (and how it incorporates other small telescopes around the UK, including Cambridge), has great archive photos, and shows the diversity of the scientists based there. www.bbc.co.uk/iplayer/epis...

The Sky at Night - Jodrell Bank: Tuning Into the Universe

The team explore the remarkable story of Jodrell Bank Observatory and its towering Lovell Telescope, which scientists have used to listen to the cosmos for almost 70 years.

bbc.co.uk

I’ve been standing stock still in this wood for about 10 minutes while I mess about with a photo on my phone. I look up, notice the shape, and slowly crouch down to film This has made me so happy I feel I could cry. It’s as close to magic as I hope to get.

The wood with bees in it. Walking to this wood, which I recall has a tree with bees living in a split in a tree trunk. I’m listening to a recent Radio 3 Late Junction on headphones, and as I near the wood they happen to play a track which begins with a field recording of bees.

A small wood stop of a hill. A hot blue sky behind and above.

Three different photos of the wood, taken with different glass in front of the phone camera lens, combined.

Walking a path that brushes a farm. They’re bringing the grain in, and just look at the magic Spielberg light spilling into the barn. Then I heard a tractor so I scarpered.

The inside of a huge metal barn. A grain mountain, 30 feet tall, and several smaller grain containers, are lit only by shafts of light coming through a single window.

I've struggled with my Polaroid - it stopped working for a bit; then it started up again, but I can only trigger a photo using the app on my phone. Every photo is a waiting room yellow, which I quite like here - a walled garden with prisms in front of the polaroid's lens. Accidentally atmospheric.

A Polaroid of two glasshouses end to end. A prism under the lens reflects the rood of the glasshouse and hides the floor. it's a tunnel of (over exposed and yellowing) glass.A beehive with the same prism trick - so the beehive seems to hover in mid air. Plants and pinned pear tress surround it. A red brick wall in the background.

Again, over exposed and oddly yellowing.the glass houses again, only now with a fish-eyed lens over the Polaroid lens. This creates a great wide tunnel of glass, with a horribly overexposed middle to the image. But the extra layers of lenses I suppose confuses the camera's sensor and the photo isn't good in any technical sense. It just looks neat.