yuling

@tongyuling.bsky.social

I’m drawn to abstractions & absurdities • twt: https://x.com/tongyuling3 • i: @Soe_chimi, b: @svioress

another point to make. earlier that day she told ayb to “face your troubles… as I face my reflection” (self-confrontation). her soliloquy, however, externalizes trouble into fate and dramaturgy. i think that contradiction implies that she needs performance to look in the mirror at all.

yuling@tongyuling.bsky.social · last yr.

if ope loses the satsuki sho, she addresses the stars as “witnesses” of her failure. a soliloquy involves a speaker who is usually alone and typically reveals hidden emotions/motivations/internal struggles. even alone, she requires an audience, real or imagined, to make her existence feel meaningful

ope’s method of teaching the others to get into character for their play is by telling them not just to “act” their parts, but to immerse themselves in the characters (to speak, think, and practice as though they are those roles). hm, someone is projecting their own method here…

for me to enjoy opdt, i need them to both suffer. ope is too much for doto; doto is not enough for ope. ope thinks she’s giving doto a crown; doto feels like she’s been handed a guillotine. they adore each other as rivals but the way they express it makes them both miserable.

opekun's debut had only a single reporter attend. this memory threatens to unravel her entire constructed identity: if she was ignored then, what if her current success is indeed just merely a dream? somewhere deep down, she knows her identity as the Overlord requires constant reinforcement.

ep 6 of opera o's character story makes her loneliness textually explicit: opera o declares “only one person could ever stand as my equal—me,” then adds, “I will have to bear my solitude,” and the trainer immediately thinks: “Hm… I wonder if she feels lonely”.

i didn’t expect so many people on twtter to be unsettled by my drawing of ope being stabbed in the back by doto. After all, it’s something ope herself references directly in her dialogue—albeit metaphorically—so it doesn’t feel that extreme to me…?