Vance Maverick

@vancemaverick.bsky.social

Computer programmer and composer in San Francisco vancemaverick.com

#HATM made me curious, but I realize my taste is pretty different from many others on here. Two minor points: 1: As a teenage aspiring composer, I once met Bill Conti, and he was kind to me. That said, his music here is irritating.

Not sure which is likelier or which would be better -- that Laura Miller of Slate has never read a famous "Autobiography" which is neither by nor really about its nominal subject, or that she figures we can't be trusted with that information.

Cusk is an experimental novelist, one known for incorporating elements from her own life into her fiction, and Life of M, which comes out on Aug. 25, is particularly tricksterish piece of work in that respect. From the beginning of the novel, Cusk hints broadly at the dubious veracity of her (unnamed) narrator’s account of M’s life. In the first sentence, the narrator recalls telling M that “I was thinking of writing her autobiography.” An autobiography is, of course, written by its own subject, and since the narrator isn’t offering to work as M’s ghostwriter but to produce the book entirely on her own, the statement is nonsensical.

I made an irritating comment in response to something. As I waited for it to post, I noticed a dumb typo. The realization freed me from the compulsion to make a dumb remark, so I immediately deleted. Guess I’m more afraid people might catch me in error than that they might clock my pedantry

Compatible with what Will is saying is a tone of whimsical irony. The elaboration is for fun — “As if we should want to make this funny!” And he succeeds in spinning out a mild pleasantry about getting being better than spending into a paragraph worth reading.

Will Wilkinson@wlknsn.xyz · 5d ago

I’ve been thinking a lot about the thoughtlessness of AI writing. One of the many things that makes Melville’s prose so dazzling is the EXTEME rigor of the way he surprises, deepens and extends his metaphors and cultural touchstones. AI simply can’t, and not for the same reason that most of us can’t

I think Aaron is being willfully curmudgeonly here, striking a rhetorical pose that rejects Eliot’s striking of a rhetorical pose. (The enjambments might irritate me if there were a clear meter going on.)

aaron boothby @ellipticalnight.bsky.social · 6d ago

"april is the cruellest month," no it isn't, shut up, but more specifically the god damn -ing verb enjambments of the first five out of seven lines in The Waste Land drive me up the fucking wall

On FB, a composer in my circles posted a variation of the familiar thought that contemporary classical music is unpopular because it lacks melody, with a starting list of composers that she feels are writing melodic work. The old USENET quibbler in me wants to respond on the piece's own terms ...

Has there been discussion of the quality of Wilson's blank verse? I remember being a bit unsure of it with the Iliad, but convinced by the Odyssey. It's not just a conservative choice but a hard one with illustrious predecessors (both Brownings!), and I think she makes it work.

I found myself thinking of the concept of proprioception, as I was cutting up a chicken. I realized that I had one hand in the cavity while I carved into the chicken from the outside with the knife in my other hand. I paused a moment and changed my grip.

One of the beliefs or prejudices I picked up along the way, New Critical perhaps, is that the real action is inside the frame, and the museum merely a means of access. Occasionally I get surprised by the effect of the space, as with the Guernica at the Reina Sofía.

The Guernica, in a room by itself, crowds held back on the right.
I go by Rob@papashot.bsky.social · 2w ago

The sheer weight of history, I’ll grant you, but to me the beauty of the Louvre is traversing through the big galleries, hot and crowded, of which the Mona Lisa is a part, and then escaping up to the dark, quiet, cold and lonely section for Flemish paintings. Transcendent.

In "A Most Wanted Man" (2014), the American actors have richly worked-out German accents, which slip for some reason on proper names. "Bachmann" and "Hamburg" sound, it's true, not like American pronunciations but not German either