VenetiaJane’s Garden

@venetiajane.bsky.social

Sharing the wonders of flowers and nature, gardening, plant history, folklore, art, and poetry. Bedfordshire photographer for the National Garden Scheme charity. #SolaceInNature #DailyBotanicalBeauty https://www.venetiajane.co.uk

Echinacea purpurea was introduced to England from Virginia in the late 17th century. In 1699, Oxford Physic Garden’s Jacob Bobart called it Dracunculus virginianus, “little dragon of Virginia” – perhaps inspired by its traditional use for snakebite or its spiked, flame-like cone.

Close-up photograph of pink and coral Echinacea flowers in a summer garden, their petals surrounding prominent spiky, reddish-brown central cones, with soft green foliage in the background.

“And in the feathery aster bees on wing Seize and set free the honied flowers, Till thousand stars leap with their visiting: While ever across the path lazily flit, Unpiloted in the sun, The dreamy butterflies… “ – from ‘The Garden in September’ by Robert Bridges (1844-1930).

Collage of late-summer garden flowers and visiting insects. A bumblebee feeds on a vivid pink aster, while purple-blue asters attract butterflies and a bee. A brown butterfly rests on a pale lilac aster, with a final view of a cluster of bright pink aster blooms.

The morning glory, Ipomoea tricolor, is the second birth flower of September. In old England it was known as “life of man” for its flowers are in bud in the morning, open by noon and wither by evening. In the Victorian language of flowers it is an emblem of affection. #folklore

A collage of morning glories. Left: a botanical illustration by Pierre-Joseph Redouté (1759–1840) showing blue and deep purple blooms with heart-shaped leaves. Top right: a close-up photo of a vivid blue morning glory flower. Bottom right: a Japanese woodblock print by Katsushika Hokusai (1760–1849) depicting various morning glory flowers in soft blues, purples, and pinks with trailing vines and foliage.

September’s birth flower, the Aster, takes its name from the Greek word for ‘star’. Legend tells that Astraea, goddess of innocence and truth, fled the troubled Earth, becoming the constellation Virgo. Looking sorrowfully from heaven her tears fell to Earth, where asters bloomed.

Collage of asters: a bumblebee feeding on pale pink flowers and a mass of small white asters with golden centres, beside an 1889 trading card depicting Astraea, Goddess of Truth, beneath a crescent moon and stars, issued by Wm. S. Kimball & Co.

Last day of August: “… The turn has come; Night-hidden messengers have touched the scene; And, in the morning, when we greet, we say 'My love, my dear, the summer days have been.'” — from ‘The Turn of Summer’ by Augustus Radcliffe Grote (1841-1903).

Collage of colourful late-summer flowers in a garden: a golden-yellow daisy-like bloom, orange Heleniums with rounded brown centres, pink-purple coneflowers, rich violet-purple roses, and a loose planting of pink, cream, yellow and orange everlasting flowers. Lush green foliage and softly blurred flowers fill the backgrounds, capturing the garden at the end of August.

St John’s Wort (Hypericum perforatum) bears dark red spots, said to appear on 29 August, the day St John the Baptist met his terrible fate. His gold-flowered plant was also known as Sol Terrestris, the “earthly sun”, its light believed to drive away spirits of darkness. #folklore

Collage of St John’s Wort (Hypericum perforatum). Left, a vintage botanical illustration showing its yellow flowers, stems and leaves alongside Hypericum maculatum, with detailed studies of the leaf and plant structures. Right, two photographs of St John’s Wort: a mass of golden-yellow flowers growing in the wild above, and a close-up of the flowers and dark-spotted buds below. Botanical illustration by Carl Axel Magnus Lindman, from ‘Bilder ur Nordens Flora’, plate 230.

St John’s Wort (Hypericum perforatum) bears dark red spots, said to appear on 29 August, the day St John the Baptist met his terrible fate. His gold-flowered plant was also known as Sol Terrestris, the “earthly sun”, its light believed to drive away spirits of darkness. #folklore

Collage of St John’s Wort (Hypericum perforatum). Left, a vintage botanical illustration showing its yellow flowers, stems and leaves alongside Hypericum maculatum, with detailed studies of the leaf and plant structures. Right, two photographs of St John’s Wort: a mass of golden-yellow flowers growing in the wild above, and a close-up of the flowers and dark-spotted buds below. Botanical illustration by Carl Axel Magnus Lindman, from ‘Bilder ur Nordens Flora’, plate 230.

It’s raining at last and there’s a fabulous, intense scent of petrichor outside. The word comes from Greek petros (stone) and ichor (the fluid said to flow in the veins of the gods), beautifully evoking rain releasing an almost divine essence from the earth. A wonderful word!

Virgo, the sixth zodiac sign, begins around 23 August and lasts until 22 September. An earth sign represented by the Maiden, it has ancient links with harvest and is traditionally shown holding an ear or sheaf of wheat. Virgo’s brightest star is Spica, Latin for ‘ear of grain’.

Hand-coloured engraving of the constellation Virgo, Plate 21 from ‘Urania’s Mirror’ (1825), engraved by Sidney Hall. Virgo is depicted as a winged maiden in red and green robes, holding an ear of wheat. The constellation’s stars are marked across her figure, with Spica shown at the wheat in her hand.

The sunflower, Helianthus annuus, is the flower dedicated to St Bartholomew, whose feast day is 24th August. In late summer its brilliant blooms shine like reflections of the sun. Traditionally known as “St Bartholomew’s Star”, it is a symbol of constancy and devotion. #folklore

Close-up photograph of a bright golden-yellow sunflower in full bloom, its overlapping petals streaked with warm amber around a tightly patterned green and brown centre. Large green leaves and dark burgundy foliage form a softly blurred background.

The wild service tree (Sorbus torminalis) is a rare relic of ancient woodland. It bears fruits known as chequers, once sold at markets and given to children as sweets. Said to taste like dates, they were used to flavour beer and may have inspired the name of ‘Chequers Inns’. #FolkloreSunday

Botanical illustration of the wild service tree (Sorbus torminalis), showing clusters of white flowers, brown chequer fruits, deeply lobed green leaves, seeds, seedling and twig. Drawn and lithographed by W. Liepoldt for Gustav Hempel and Karl Wilhelm’s ‘Die Bäume und Sträucher des Waldes’ (1889), Plate LIII.

Late in August, the gracious sun, His pleasant task completing, Smiles at the work so nearly done, And reddened the apple cheeks every one, With ripening kisses; and then begun Was the feast of the high-top sweeting. – from ‘The High-Top Sweeting’ by Elizabeth Akers (1832-1911)

A collage of apples ripening in a late-summer garden. On the left, clusters of rosy red and green apples grow against an old brick wall. At top right, bright red apples hang among glossy green leaves, while below, pale yellow-green apples ripen on a leafy branch.

The Agapanthus or ‘African Lily’ is the ‘flower of love’, its name derived from Greek ‘agapē’ meaning love and ‘anthos’, flower. A piece of its root kept as an amulet is said to protect those who fear thunderstorms and to ward off thunder. #folklore

Close-up photograph of Agapanthus in a summer garden, with clusters of vivid violet-blue, trumpet-shaped flowers and unopened buds held on tall green stems. Softly blurred white, green and purple flowers fill the background.

Echinacea takes its name from the Greek word “echinos”, meaning hedgehog, inspired by its prickly central cone. Long valued as a medicinal herb, in flower magic Echinacea is also associated with strength and is said to increase the potency of spells. #folklore

A colourful mass of pink-purple echinacea flowers in full summer bloom, their drooping petals surrounding prominent spiky orange-brown central cones. Green leaves and unopened flower buds fill the gaps, with flashes of orange flowers in the background.

In folklore, harebells are believed to belong to fairy folk, who shelter beneath them. They must never be tampered with! These flowers may help mortals see fairies and glimpse their realm. Witches are said to use the juice in flying ointment or to transform themselves into hares.

Close-up photograph of a single blue-purple harebell hanging from a slender, arching green stem, its delicate bell-shaped flower sharply focused against a softly blurred green background.

According to legend, during a solar eclipse in 1177, the shepherd boy St Bénézet had a vision telling him to build a bridge across the Rhône at Avignon. When he protested that he must tend his sheep, he was told the angels would watch over his flock while he carried out his task.

Collage illustrating the legend of St Bénézet: Eleanor Fortescue-Brickdale’s illustration of the young saint carrying a great stone before the bridge at Avignon; Bengt Nordenberg’s Solar Eclipse, showing figures watching the darkened sun; and a photograph of the surviving Pont Saint-Bénézet over the Rhône by Dimi Talen.

A legend inspired by the Poems of Ossian tells of Malvina, weeping for her beloved, killed in battle. A messenger brings her a sprig of purple heather, his final token of love. Her tears turn it white. Though a symbol of her sorrow, she wishes white heather to be lucky evermore.

Vintage postcard showing a sprig of white heather tied with a tartan ribbon and decorated with a small stag’s head. Below are the words, “A Sprig of White Heather For Luck!”