William Germano

@williamgermano.bsky.social

Cooper Union humanities professor, recovering dean, recovering publisher (Routledge, Columbia UP). Books (on writing, revising, teaching, visual measurement, Powell & Pressburger) with Chicago, Princeton, Bloomsbury, the BFI. Next: Shakespeare and opera.

Delighted to post that the University of Chicago Press has brought out a fourth edition (substantially revised and updated) of Getting It Published. I how could I have known twenty-five years ago that this book would be my companion?

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I see more criticism here of Democrats in Congress than I do condemnation of Republicans. And yet it is the GOP who are enabling Trump. It tells me a lot when I see you regularly bash our side but say nothing, ever, about the other. Reflect on your choices. You may be helping the fascists.

Writing as teaching. Still finding my way around this app, looking for my peeps, looking out for the problems on which I work: writing for real people, teaching real students, reimagining the real work of the classroom. Using tech but without succumbing to AI. Helping others to do exactly that.

Back home from the MLA. The sessions were a vast array of specialized ideas in progress, but the in-person conversations were exhilarating and energized my ideas for and about writing. The Publishers exhibit hall was terrific, as always.

With the collapse of Twitter, BlueSky is a good venue for helping writers move their work forward. Here’s a thread of ten tips on revising (thanks to folks who reached out to me about this). Thread is adapted from my “On Revision” (Chicago, 2021).

I have no patience anymore for people (critics or otherwise!) who get so anxious when greatness in any medium is put in front of them that they feel they have to "Yes, but..." it. Huge talent isn't that common. So when you see it, let yourselves be awed! You won't lose credibility, you'll gain it.

Auf Wiedersehen, Frau. Last night’s terrific final performance of “Die Frau ohne Schatten” at the Met, a reminder that in this deeply screwed up moment it’s still possible for people to come together to make something beautiful and tender and, well, great.

A colossal “Frau ohne Schatten”last night at the Met. Nézet-Séguin led the revival of Herbert Wernicke’s gorgeous, multilevel production. Acting-singing from Volle, Stemme, Lindstrom, Van den Heever, plus Russell Thomas thrilling as the Emperor. It’s “Zauberflöte” on drugs only Strauss could brew.

Strauss’s “Die Frau ohne Schatten” begins its run at the Met this Friday in Herbert Wernicke’s dazzly production: Nézet-Séguin; Van den Heever, Lindstrom, Stemme, Volle, Thomas, Green. Can’t wait.

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Cannot recommend highly enough Meylis De Kerangal’s “The Heart” (FSG, 2016), beautifully translated from the French by Sam Taylor. The most moving novel I have read in recent memory. (What’s it about? Being alive. Go read it.)