XingWu🐉ChineseFolklore

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@x1ngwu on X. I collect, translate and write about ancient Chinese folklore, mythology, and history. Love books and cats. Mythology | Yaoguai(妖怪) | Ghost(鬼) | Art | Myth | Fantasy | History

In Chinese #mythology, Penglai(蓬萊山) rises from the Bohai Sea as the dream of immortality itself, a radiant island where wonder never fades. Emperors such as Qin Shi Huang and Han Wudi sought its sacred herbs and hidden sages, hoping to claim eternal life. There, 1/2

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In Chinese folklore, the Hidden Spirit, Cangshen, appears as a boy in white robes, a guardian of what is unseen, buried, and secretly kept. Said to dwell within a bottle, he reveals himself only to those who approach with sincere devotion and proper ritual respect. 1/2

曹秋岳先生之叔諱某者因家貧日奉藏神拜求掘藏乆之忽有一白衣童子自稱藏神云奉我未䖍故不與汝今後必每日供奉豊厚我心若怏方肯見藏因賣田拮据供給年餘其童子有形有声飲食興人無異但夜分即去平日間每見秋岳即便隱形因稱其叔與秋岳起釁使不相往來後其叔病篤藏竟不可得舉家供給困甚而無法遣去適秋岳來探病其怪隱匿床下瓶内家人宻告之秋岳因取瓶書曹溶封三字并用一圖記緘之但見其瓶旋轉不息数日方止放之于河其怪遂絶而其叔病亦尋愈矣此秋岳未遇時事名醫薛楚玉嘗聞人患貧往往舉以爲誡云 ~《述异记·东轩主人》求藏見怪

Fusang (扶桑) is the mythic isle where dawn begins. In Chinese mythology, it rises in the eastern sea with two immense mulberry trees intertwined at its heart, forming the sacred Fusang tree, a living pillar between night and day. Each morning, the sun goddess Xihe arrives 1/2

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Yingzhou (瀛洲) drifts through Chinese mythology as one of the radiant Isles of Immortals in the East Sea. Spanning 4,000 li, it is imagined as a paradise of jade peaks, sacred herbs, and luminous waters. At its heart flows the Jade Elixir Spring, whose nectar is said to 1/2

瀛洲在東海中,地方四千里,大抵是對會稽,去西岸七十萬里。上生神芝仙草。又有玉石,高且千丈。出泉如酒,味甘,名之為玉醴泉,飲之,數升輒醉,令人長生。洲上多仙家,風俗似吳人,山川如中國也。

Gaozhou Puppet Theater (高州木偶戏), also called Kuixi (傀戏), is folk magic carved into wood. Born from Ming-era Fujian puppetry and rooted in Gaozhou, it turns small figures into living spirits: eyes blink, mouths move, flames burst, and even beheadings unfold 1/2

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Yue Fei, 岳飛 (1103–1142), became the Southern Song’s enduring image of loyalty: a general who stood unyielding against the Jin, with a soldier’s courage and a scholar’s soul. He was more than a battlefield hero. As poet and calligrapher, his ink carried the 1/2

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The Dragon Maiden(龍女)moves through Chinese mythology as guardian, guide, and daughter of the Dragon King. Her flock is no earthly herd. The “sheep” she tends are water spirits, shimmering beneath her father’s oceanic dominion, carrying the mystery of rivers, rain, and 1/2

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In Chinese mythology, Shaohao (少昊), son of the Yellow Emperor and one of China’s legendary Five Emperors, entered the world beneath an omen of five phoenixes descending from heaven. As leader of an ancient tribal people, he was remembered as the God of the Hundred Birds, 1/2

🎨 《白帝少昊》雪魚 Shaohao also established a unique system of government: using various kinds of birds as civil and military officials. The specific division of labor was based on the characteristics of the different bird species.  The phoenix was in charge of all the birds, followed by the swallow, who was in charge of spring; the bee-eater, who was in charge of summer; the parrot, who was in charge of autumn; and the peacock, who was in charge of winter. In addition, Shaohao appointed five other birds to manage daily affairs. The filial pigeon was in charge of education; the fierce hawk was in charge of the military; the fair cuckoo was in charge of construction; the majestic eagle was in charge of the law; and the eloquent turtledove was in charge of speech. Nine other birds were in charge of agriculture, and five pheasants were in charge of five different trades: carpentry, lacquer work, pottery, dyeing, and leatherwork.

In Chinese #mythology, the phoenix 鳳凰 (Fènghuáng) is revered as the sovereign of all birds. Feng was male and Huang was female; together, they became a sacred image of balance: yin and yang, strength and grace, heaven’s order and earthly prosperity. Unlike the Western 1/2

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Kuilong, the one-footed dragon-like being of early Chinese mythology, moves through ancient art with strange, quiet force. Unlike the familiar dragon, its single foot marks it as sacredly otherworldly, a creature of imbalance, power, and mystery. This form became a 1/2

📷 动脉影

Among China’s ancient literati, admiring plum blossoms was never just a leisure ritual. It was a way of living poetry. A Tang tale set in the Sui era tells of Zhao Shixiong, who visited Fuluo Mountain and dreamed of sharing wine with a graceful woman wrapped in 1/2

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Ma Yuan’s Twelve Shapes of Water turns water into a living language. Painted in the Southern Song dynasty, these twelve scenes reveal water not as one element, but as endless transformation: ripples, currents, mist, stillness, thaw, and ice. Each image carries a different 1/2

He abandoned the traditional fish-scale painting technique and extensively used an improved net-pattern method, employing lines to validate the artistic conception of 'water's ever-changing form' and 'emptiness leaving traces more compelling than visible marks.'BildBild

Kang Nang (傒囊) drifts through Chinese folklore as one of its strangest mountain beings: childlike in form, silent in presence, and deeply unsettling. When seen, it stretches out a hand as if asking to be led away. But the moment someone takes that hand and pulls it from 1/2

 干寶,搜神記十二,"兩山之間,其精如小兒,見人,則伸手欲引人,名曰「傒囊」,引去故地,則死。"

Xing Tian (刑天) is Chinese mythology’s fiercest image of defiance. In the Shanhaijing, he dares to challenge the Yellow Emperor and is beheaded, but defeat is not the end. Headless, he rises again, seeing through the eyes in his chest, roaring from the mouth in his navel, 1/2

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In The Illustrated Study of the Creatures in the Mao Edition of the Book of Songs (《毛詩品物圖考》), Okamoto Genpō and illustrator Tachibana Kunio turned China’s oldest poetic canon into a visual garden of memory. This 18th-century Japanese work studies the plants, 1/2

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Creation is a sacrifice etched into the land itself. In the beginning, there was only chaos: a shapeless, endless mist. From it rose Pangu, the primordial giant of Chinese #mythology, who forced heaven and earth apart with his own body. For 18,000 years he grew, lifting 1/2

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In Chinese culture, the suanming xiansheng(算命先生), or fortune-teller, reads destiny through ancient arts: the I Ching, astrology, feng shui, face reading, and palmistry. From a birth date, a palm line, or the shape of a face, they trace the hidden currents of luck, fate, 1/2

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In Chinese #folklore, the Dragon Kings of the Four Seas rule the waters of East, South, West, and North, commanding wind, rain, rivers, and tides. Born from ancient rainmaking rites, they rose into powerful Daoist deities, each guarding his sea and answering mortal prayers 1/2

The Dragon Kings of the Four Seas (Housed in Beijing's Baiyun Temple)

In Chinese #mythology, the turtle(靈龜), Linggui, is the ancient guardian of time and the wisest of the Four Spirits, standing beside the Qilin, Phoenix, and Dragon. Its long life speaks not only of longevity, but of deep, enduring wisdom. Some legends say a divine turtle 1/2

A mural depicting the Black Tortoise, featuring the images of a turtle and a snake, was unearthed from the tomb of Han Xiu from the Tang Dynasty (618–907).
Image source: Shaanxi History Museum.

Rising unstained from the mud, the lotus became one of Chinese culture’s purest emblems: virtue, grace, and a heart untouched by corruption. Confucians saw in it the ideal gentleman: upright, noble, and clean amid a troubled world. In Buddhism and Daoism, its bloom 1/2

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In Chinese folklore, Yugong, the “Foolish Old Man,” teaches that persistence can move mountains. Two peaks trapped his village, so he gathered his family and began digging, year after year, stone by stone. Mocked by a “wise” elder, Yugong answered that 1/2 #folklore

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Magu (麻姑), goddess of longevity, is eternity wearing a human face. In Chinese mythology, she has watched the sea turn into mulberry fields three times, making her a witness to worlds rising, vanishing, and returning again. Legends say she crossed waters in wooden clogs and 1/2

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In Chinese #mythology, Yaoji (瑶姬), the Goddess of Mount Wu (巫山神女), lives at the meeting point of grief, beauty, and myth. The gifted third daughter of the Yan Emperor and sister of Jingwei, she was famed for her grace and martial spirit, yet died young. Her soul became 1/2

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Fangzhang Mountain (方丈山) is one of the three sacred isles said to rise from the East Sea, a square realm so vast that each side spans 5,000 li. In its golden palaces, jade springs nourish fields of immortal herbs, and dragons wheel through the shining air. 1/2 #art

方丈洲在東海中心,西南東北岸正等,方丈方面各五千里。上專是群龍所聚,有金玉琉璃之宮,三天司命所治之處。群仙不欲升天者,皆往來此洲,受太玄生籙,仙家數十萬。耕田種芝草,課計頃畝,如種稻狀,亦有玉石泉,上有九源丈人宮主,領天下水神,及龍蛇巨鯨陰精水獸之輩。

Chong Ming (重明鳥), the twin-pupiled bird of Chinese mythology, is no ordinary creature of omen. Shining like a radiant rooster yet crying with the voice of a phoenix, it was revered as a guardian whose very presence drove away danger. 1/2 🎨 安年丫丫 #art


晉王嘉《拾遺記》卷一:「堯在位七十年……有掋支之國,獻重明之鳥,一名雙睛,言又眼在目。狀如雞,鳴似鳳。時解落毛羽,肉翮而飛。能搏逐猛獸虎狼,使妖災群惡不能為害。」

The Porcelain Tower of Nanjing(南京大報恩寺琉璃塔)once rose from the Ming dynasty like a pillar of light. Praised in the West as a “wonder of the Middle Ages,” its fame even entered Andersen’s imagination in The Garden of Paradise, where bells and porcelain 1/2 #art

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