Istambul cafe interior for Netflix's "Leviathan" 「リヴァイアサン」の美術設定
Yann Zaitsu Le Gall 財津ルガル・ヤン
@yannlegall.bsky.social
アニメ演出///美術監督///デザイナー @E&Hプロダクション Episode director /// background director /// designer /// @E&Hproduction
Some views of an uchronian Istambul for Netflix's "Leviathan", directed by Christophe Ferreira @lebuta.bsky.social 「リヴァイアサン」の美術設定
I worked as background director for #undeadunluck Winter special. Here are some screenshots of cuts I painted the background for アンデッドアンラック美術監督やらせて頂きました。 自分で描いたカット美術背景の何枚かです。 #アンデッドアンラック #ウィンター編
I worked as background director for #undeadunluck Winter special. Here are some screenshots of cuts I painted the background for アンデッドアンラック美術監督やらせて頂きました。 ジャングルのBG何枚か描きました。 #アンデッドアンラック #ウィンター編
Undead Unluck: Winter Arc 1-hour Special is now streaming on Hulu! www.hulu.com/series/1e7b2... #UndeadUnluck
アンデッドアンラック ウィンター編のPVが公開されました。 美術監督として参加してます! The trailer for the winter special episode of Undead Unluck was released. I'm working as background director on this! youtu.be/JabRUQXRbEg?...
【ティザーPV】アニメ『アンデッドアンラック』1時間スペシャル│Undead Unluck | Teaser Trailer
YouTube video by TMSアニメ公式チャンネル【アニメ制作60周年】
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Jujutsu Kaisen director Sung Hoo Park is directing the upcoming 1-hour winter special for Undead Unluck at his studio E&H production!
when ya gotta poop check out BULLET/BULLET on Disney+/Hulu!
オリジナルアニメ「バレットバレット」はディズニープラスで配信開始!8話のコンテ/演出をやらせて頂きました。よろしくお願いします! Original Anime BULLET/BULLET starts airing today on Disney +! I was storyboard artist/episode director on ep 8. Please check it out! youtu.be/vn55wTTk1Uw?...
映画「BULLET/BULLET」(バレットバレット)1st PV | 7.16(水)ディズニープラス「スター」で独占配信!| 7.25(金)&8.15(金)2部作全国公開!
YouTube video by ギャガ公式チャンネル
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Death Stranding anime adaptation currently in development www.videogameschronicle.com/news/a-death... Last year, Kojima mentioned there were several Death Stranding adaptation projects in the works
You can see more images from Leviathan. You'll be able to enjoy it in 2025! 『Leviathan』のさらなる画像をご覧いただけます。2025年にお楽しみいただけます! www.youtube.com/watch?v=j01p...
War of the Rohirrim releases today! I painted a couple of backgrounds for this. My young self avidly reading The Lord of the Rings would never have imagined I could one day help shaping this vision of middle earth! Thanks a lot to BG director Yamane san for the opportunity!
Les gens de Bluesky ! Citez un film préféré en utilisant uniquement des gifs.
a man carrying a briefcase and a stack of papers walks down a sidewalk
ALT: a man carrying a briefcase and a stack of papers walks down a sidewalk
media.tenor.com
Les gens de Bluesky ! Citez un film préféré en utilisant uniquement des gifs.
Some backgrounds I designed and painted for the Cannon Busters anime pilot back in 2016
Hi i'm Robbie, i'm an artist based in London! I love colour, light and painting fantastical worlds ! I'm currently open for work as a Visual Development/Colour Artist. 🎨http://artstation.com/robbie-aldis ✉️robbiealdis51@gmail.com
More meiji era inspired anime backgrounds
Early Meiji era Japan inspired backgrounds
Some backgrounds I painted for The Great Ace Attorney 2 (大逆転裁判2)
Nobuo f*cking legend Uematsu in short pants casually playing music on a parking lot for a local event in Jiyuugaoka (Tokyo). I love the fact that I met most of my anime/video game creator heroes in the most unlikely situations/places since I first came to Tokyo
Au-delà des batailles et des SFX, l'identité de la saga Star Wars s'est d'abord forgée sur un bout de papier. À quel moment Vador est devenu le père de Luke dans la tête de Lucas ? Et comment écrit-on une saga qui résiste à ce point à l'épreuve du temps ?
Comment Dark Vador est devenu Anakin Skywalker M. Bobine
★ Soutenez-nous sur kisskissbankbank ► https://www.kisskissbankbank.com/fr/projects/le-cine-club-de-m-bobine★ Soutenez-nous sur Patreon ► https://www.patreon...
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Some Auza City shots for Ninja Kamui Ep 5 and 6. 3D buildings layouts by Johanna Guillaume. Thanks to her work, what could have been very tidious bgs to paint ended up being an enjoyable experience!
And the rough design I provided for modeling
Auza city, the futuristic city build and ruled by an evil tech bro from Ninja Kamui. Probably the background I spent the most time painting on the production. 3D model by Johanna Guillaume.
During my 15 years working for Japanese anime industry I could live happily in complete denial that hand filled time sheets are still a reality here. Now I have to face that reality, and it hits real hard in the face >__<
I was also in charge of the art direction of the ending of Ninja Kamui. Being on a tight schedule I had to quickly come up with a style fitting the mood of the song and not too hard to paint. It's a different style from what I'm used to do, but I'm pretty happy with the result!