Your Impossible Voice

@yourimpossiblevoice.com

Publishing brash and velvety prose, poetry, CNF, translations, reviews, art, and more. https://linktr.ee/yivjournal

New from Art Beck: Personal Things — essays and poems! A miscellany of essays, poems, translations, and reminiscences from Shearsman Poetry Book that coalesced around a “rather difficult convalescence” the author now looks back on as the "formal introduction to his 85th year." bit.ly/454ioyK

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"hey, you look pretty badass out there. Weathering this weather. I am one of those people who can’t get warm in winter. You can see me peeking out the window above the flower bed, looking like a nomad in my furred coat hood." #flashfiction Letters to My Mailbox by @keithwoodruff.bsky.social!

Letters to My Mailbox | Your Impossible Voice

By Keith Woodruff — Monday dear 9535 hey, you look pretty badass out there. Weathering this weather. I am one of those people who can't get warm in winter.

yourimpossiblevoice.com

"I am off kilter, I am out of whack, and any other saying that softly describes a body that will not function as it should. There is an echo of a sound and it could be a cleaver, the slip of bone on bone, a tear in a vertebral artery." Don't miss To Cleave by @rachelmsmithnz1.bsky.social!

To Cleave | Your Impossible Voice

By Rachel Smith — The C spine snakes upwards; from its mouth lines of blue and red and mustard yellow. Blue for veins, red for arteries, and yellow where the spinal cord merges into brainstem.

yourimpossiblevoice.com

"I am off kilter, I am out of whack, and any other saying that softly describes a body that will not function as it should. There is an echo of a sound and it could be a cleaver, the slip of bone on bone, a tear in a vertebral artery." Don't miss To Cleave by Rachel Smith! #flashfiction

To Cleave | Your Impossible Voice

By Rachel Smith — The C spine snakes upwards; from its mouth lines of blue and red and mustard yellow. Blue for veins, red for arteries, and yellow where the spinal cord merges into brainstem.

yourimpossiblevoice.com

Hi, friends. Some news! My debut chapbook, “Ghost in the Rain,” is out now from Bottlecap Press! It’s got 12 micro & flash stories: lost ghosts, immortal siblings & haunted lovers. I poured years of my heart into this book. So proud & thrilled to see it in the world! bottlecap.press/products/gho...

Ghost in the Rain: Stories, by Matthew Jakubowski

Prose, chapbook, 36 pages, from Bottlecap Features. In these 12 microfictions and flash stories, Matthew Jakubowski traces a terrain of otherworldly-ness populated by lost ghosts, haunted lovers, immo...

bottlecap.press

Smoke by Gabriela Alemán, translated by Dick Cluster, “Rather than a work of ‘historical fiction,’ per se, Smoke is a literary work that indagates and interpellates the concepts of history, historicity, and historiography, while asserting the collective nature of knowledge and memory.”

Smoke by Gabriela Alemán, translated by Dick Cluster - Latin American Literature Today

“Rather than a work of ‘historical fiction,’ per se, Smoke is a literary work that indagates and interpellates the concepts of history, historicity, and historiography, while asserting the collective ...

latinamericanliteraturetoday.org

Two Millimeters In by Jade Kleiner from our latest issue! Kleiner is a writer from New England. Among other places, her poetry can be found in Neologism Poetry Journal and manywor(I)ds, her haiku in Haikuniverse and Cold Moon Journal, and her fiction in Bright Flash Literary Review. tr.ee/wyEFtz1ugz

Two Millimeters In By Jade Kleiner Doing her mascara, Ashley more than poked her left eye. The applicator went two millimeters in. A yellow fluid came out and Ashley gagged. Her name had become Ashley only recently. You could poke through the helixes in her cells, unspool her intestines, invert and splay her lungs, lay out every inch of her veins, and you wouldn’t find her name printed on any of it. Ashley existed as a legal construct approved by a judge and announced in a newspaper, an arcane legal requirement of changing your name for the pre-internet debt collectors.And when the applicator went two millimeters into her eye she had sworn like a man, loudly, gutturally, because she was alone and her guard was down. Then she swore more quietly, more softly, more weakly, more hopefully. read more at the link in our bio

James Nulick returns to YIV with an excerpt from his novel. Don't miss "Montara" in issue 34! James Nulick is the author of several highly acclaimed novels including Plastic Soul, The Moon Down to Earth, and Valencia. “Montara” is an excerpt from his new novel-in-progress, Saint Velour.

Montara By James Nulick It’s hard to tell time this close to the sea, it’s always grey and misty here, like the sun is camera-shy. I don’t wear a watch, watches remind me of old men, like Papa, but my iPhone is close. I don’t go to school, we’re always on the road, moving. I’m never in one place long enough to see my shadow. Papa wears a watch. Papa’s old, Mama’s not as old as him. Today I’m wearing sandals, no socks, basketball shorts, my Yosemite National Park T-shirt, a surfer bracelet of gold and orange string, and a handmade necklaceMama made especially for me from a silver chain, white-cubed letters NICO gathered at the bottom of the chain, the edges of each cube rounded, babyproof.  read more at the link in our bio

Next up in issue 34 is Poor Thing by Claire Salvato! Salvato's work has appeared in The New York Times Learning Network, The Eunoia Review, Nowhere Girl Collective, and Magus Mabus magazine. Click the link in our bio for more.

Poor Thing By Claire Salvato I’d begun practicing feeling the way I wanted to.  Last night, I dreamt I was standing in front of an open landscape composed entirely of garbage: cellophane tubes, striped straws, metal braces, cobalt magnets, lithium batteries, soup cans, plastic bags, leather fabric, frosted wine bottles, apple cores, dryer sheets, lint fibers. All of it piling up and up, springing out of the Earth like tuberous roots, blooming like megaflora. I listened to the soft hiss of my breath as I tried shoving all the air out of my lungs. I stood at the edge of a cliff in my dressing gown, clinging to my white fleece like it was going to pacify me. I wasn’t angry. I remember feeling tired and nauseous and sick with grief—the way you get when you know something has to come out of you, like when something inside of you wants to go. read more at the link in our bio