Yun Xie

@yunxie.bsky.social

Passion is a finite research resource. History is at once art and science. Art history and book history, history of knowledge. Hongkong Type matrices. Non Latin typography and typefoundery. PhDing @ UGent. ERC: PhiSci.

New acquisition: Geschiedenis van Baron Sakèndhèr een Javanese verhaal, by Cohen Stuart. 1850, Batavia. With the stamps of Batavian Genootschap and Natuurkundig Vereniging, and signature of Gerret Pieter Rouffaer(1860–1928), an expert of Javanese culture.

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I am a stockholder of Deli railway company, 1000 gulden! If the firm still existed. Deli was founded in 1883 in Amsterdam, running railway near e-coast of Sumatra. This stock features the signature anti-coun symbol of printer Enschede: music note. Acquired the 1917 stock on book market in Deventer.

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New acquired: Suffer the Little Children to Come unto Me. (Rong Hai Jin Wo) 容孩近我. 1917. Printed by the printing press at the Sacred Heart Cathedral ( 张庄天主教堂,or 胜世堂) in Xian county献县, Zhili直隶, printing approved by Bishop Henri Maquet马泽轩 (1843-1919).

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Just acquired: Verslag der Viering van het Honderdjarig Bestaan van het Bataviaasch Genootschap van Kunsten en Wetenschappen. Printed by Landsdrukkerij Batavia, 1878.

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Today I have been to a 17c city library, Librije, in Enkhuizen. The book collection and the wooden furnitures are largely remained at their original location. Librije is housed in a charge but accessible to all citizens since the beginning. A real public library.

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New purchase: The Sacred Edict 圣谕广训. Translated and edited by missionary F W Baller 鲍康宁, printed by China Inland Mission and Presbyterian mission press in Shanghai, 4th edition. 1917. With the signature and notes by missionary John Steele.

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We’re rewriting Archetype[1] and one of the joys of that is introducing new developers to palaeography. Today’s fun was: the first *p* is actually a *wynn* and not a *p* — only the second *p* is a *p* 😏 [1] the framework that powers Models of Authority, DigiPal & at least 30 other projects.

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New purchase: 要理问答,北京救世堂印刷所 (北堂, Noordkerk, Lazaristen Drukkerij), by Peking Bishop Stanislas Jarlin C M 林懋德 (林 準) missionary from France, in Beijing in 1921. Typography with Chinese page style and binding.

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Nothing angered Dave more than being referred to as a ‘lucky duck’. It wasn’t luck at all. He’d worked hard to get to where he was. He paid his own bills, and even managed to create a nest egg for himself - 15th century, Oxford University, St John's College MS 82, f. 148r

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New purchase: Het Chineesch Taaleigen Inleiding tot de gesprokene taal (Noord -Pekineesch dialekt), by Jos Mullie 闵宣化 (1886-1976, Belgian missionary from Congregatio Immaculati Cordis Mariae. Printed in Beijing in 1931, Dutch and Chinese. PeiTang (Noordkerk) Drukkerij 北堂印刷所。

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“preferably in that order” Found a funny footnote in a Sinology paper: “The notion of transcriptional variety even took root in sinological folklore, as the unwritten rites de passage of early European sinology were said to include marrying a Chinese partner, conceiving a transcription for

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The layout of a Ming-era dibao邸报 prop (fig 1, looks handwritten) in 2024 C-drama Blossom九重紫 actually resembles a real Ming dibao (fig 2)! Although this preserved real dibao is a print, historically speaking, Dibao could also be a handwritten copy. So no need to be too harsh on the production team.

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