Zachary Lipez

@zacharylipez.bsky.social

Editor at large for Creem Magazine. I am in a couple bands with people who are in other, more successful, bands. Like your mom, I have a newsletter.

My profile of the Mekons went out on the Creem newsletter today, so I will happily take that as a cue to promote it again! Best band. I’ll be shocked if I don’t win a Pulitzer for the piece. Possibly a Tony Award.

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As we appear to be experiencing a new golden age of all dissenting opinions regarding art being accused of contrarianism and/or pretentiousness, I present to you, without comment: Swamp Dogg on Phil Specter.

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My review of the new Charli XCX won’t run till September CREEM but relevant points are: I enjoy A.R.E. Weapons, shampoo, and No Home. I don’t think Blur’s woohoo song is that great. Also, in 2014, I saw Charli XCX perform “Sheena is a Punk Rocker” at a party for VICE advertisers.

I immediately bought new Nia Archives because it’s a combo of the all the one things I like most of all the genres I don’t pay much attention to. Now I can spend rest of the year listening to nothing but crust-adjacent punk, twisted teens, and Nia Archives’ “Emotional Junglist.”

CREEM's summer '26 issue is out. Read my feature on the Butthole Surfers. We go into their AFTER THE ASTRONAUT album, the HOLE TRUTH doc (if it's cursed), why they won't play again (and that's okay), and more. On sale now. www.creem.com/archive/issu... Photo: Patt Blashill / Art: Chris Downing

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Bob Bert’s record release party was lovely. Missed the Pussy Galore covers but happily caught Knoxville Girls reunion and Kid Congo, Mick Collins, and Bert’s project. And Chrome Cranks filled my heart with light and joy. As Chrome Cranks do.