@zakthepainter.bsky.social

In Bugonia, when he starts playing "Basket Case" and hooks Emma Stone up to the torture machine to see if she is an alien, I assumed the test was gonna be that if she could listen all the way from the early stuff to American Idiot then she couldn't be human.

I am now going to randomly quote some paragraphs from Jules Verne's fantasy classic 20000 Leagues Under The Sea. ...others from the Gulf of Mexico, remarkable for their imbricated shell; stellari found in the Southern Seas; and last, the rarest of all, the magnificent spur of New Zealand...

Nate Silver wrote a post-mortem on the business side of FiveThirtyEight and there's probably all kinds of stuff people will argue with but an interesting upshot seems to be that on big media balance sheets having a Really Really Popular Website still counts for fuck-all

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While this dichotomy applies broadly to an idea like "What world do you build? 'Relevant' dystopia or 'escapist' utopia/funhouse?" I think there's more to it than just reflect or distract: art can push audience's minds into a space where they learn skills and habits of thought that'll help survive.

What is it like to serially announce political positions that are trivially obvious to everyone you hang out with irl and then they go viral? Is that a fulfilling hobby?

BlueSky is the only platform where people will complain about my art being ‘sexualised’ omg get a grip… even if that were true, u guys realise sex and sexuality are not Bad right. It’s okay to have body parts and to draw desirable characters like

in this very serious french cop show, the provincial police chief is a grumpy middle-aged woman who likes death metal, the detective is a hot trans blonde and when they make the conspiracy wall they cut out the victim's head like a little valentine