Howard Dafuq

@zwlocklin.bsky.social

She’s with the mole rats now, mole rats ruined her life He/him

Corporate digital comics archives & major academic digital archives have different priorities but one thing in common: they generally cost money, creating barriers to entry. In contrast, fan-made archives are often free, suggesting a democratized alternative. Let’s explore the pros & cons. 1/12

A screenshot for the website banner of ComicBookPlus.com.

Fascinating that everybody loved The Odyssey up until the very SECOND I purchased tickets for it and now every post is HERE’S WHAT’S WRONG EIYH THE ODYSSEY Now Bluesky is like playing frogger with reviews

An excellent thread on a major issue we face in teaching comics—sourcing comics for students is a nightmare. Digital archives are one solution, and many student will choose to read everything digitally anyway. At the same time, I can’t assign my students a subscription to Marvel Unlimited

Sequential Scholars@sequentialscholars.bsky.social · last wk.

The impact of digital archives on comics pedagogy is a history that’s still being written whilst raising a number of key questions about our understanding of comics in a modern college or university classroom. There are opportunities here, but metaphorical landmines along the way.#comicsstudies 1/13

A trend I really don’t like is places like Criterion and Arrow doing multi-format sets and pricing the hell out of them. Criterion’s Complete Kubrick is 13 films + 3 shorts—stretched to 30 disks—for SIX HUNDRED DOLLARS. I don’t care how good the quality is, I can’t justify $600 for 13 films.