Ben Towle

@benzilla.bsky.social

Cartoonist, five-time-time Eisner nominee, programming co-chair Cartoon Crossroads Columbus (CXC), adjunct comics prof @ CCAD, intergalactic trader & general nuisance. Four-Fisted Tales, Oyster War, etc. Columbus, OH (Comics City, USA!)/Palm Springs, CA

Got semi-decent camera now and am trying to figure out how it works--specifically doing a tutorial about aperture/depth-of-field. Recruited these two to experiment on

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Check out the steaming pile of AI garbage that just won $1,000 first prize in the Ohio State Fair poster contest. It's especially tragic since the 5th place, drawn by an actual human, is great. Rooster (OH fair has biggest poultry show in US) riding the "butter cow" (exactly what it sounds like).

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I got so exasperated last week with my recently purchased Kindle color that I just ditched it. I was spending hours converting things, trying to figure out how to get, etc. Shouldn't be a battle to get my own legitimately purchased content onto my own device. Replaced it with a Pocketbook Inkpad 4.

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I reread Jesse Hamm's almost book-length essay, HAMM ON TOTH, every few years. Genuinely think it's one of the best pieces of writing on the visual aspects of comics. An appreciation of Alex Toth, but also an examination of process of learning, analysis of design, and a love letter to the art form.

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Watched the first ep of the new Ghost in the Shell last night. I really liked it. I suspect some of the overt goofiness will throw off purists. (Tho, I'd argue the super-serious tone is from the original anime. The manga has some goofiness to it.) Love the 90's-style animation and character designs!

I'm sure this British newspaper that asked me for a few quotes (I assume because of the upcoming new Spider-Man movie) about why Ditko's art is so bizarre and unsettling will be sorry they asked me since this is turning into a War and Peace-length essay.

Interesting. The author of this biography says directly afterwards that this is an exaggeration, but Jean-Pierre Doinnet claims that Dan O'Bannon basically drew The Long Tomorrow, including the famed cavernous city view, flying squad car, etc. and that Mobius essentially finished his tight pencils.

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