Carol Atack

@carolatack.bsky.social

Ancient politics and political thought, modern art, Plato and Xenophon. Fellow of Newnham College, FRHistS. Cambridge and elsewhere. Recent books: Plato: a civic life (Reaktion) and Xenophon (Greece & Rome New Surveys in the Classics, Cambridge).

Fascinated by the Etruscan death goddess and psychopompos Vanth, depicted on a group of late 4th century BCE vases in Orvieto's wonderful Museo Claudio Faina, and clearly one of antiquity's more kick-ass deities.

Red figure vase with a central band of imagery showing a winged female figure arrying a torch and with a determined stride and expression.

the Fitzwilliam Museum has re-arranged its Italian gallery and now has both its Nicolas Poussin paintings on display. Thanks to the curators for introducing their work and bringing out some drawings too - here’s Poussin possibly depicting Bacchus and Erigone

My inbox is full of AI-generated messages telling me I'm not doing enough to promote my work... So here's some promotion for an online course I'm teaching in September, via Roundtable by The 92nd Street Y: 'Plato and Classical Athens: The Philosopher in the City'. roundtable.org/live-courses...

Plato and Classical Athens: The Philosopher in the City

One philosopher described the whole Western philosophical tradition as footnotes to Plato, the philosopher who lived and worked in classical Athens. This class looks at Plato’s thought as a product of...

roundtable.org

These numbers are grim, but really just confirm what precarious academics have known all along. A 30% drop in Classics ECR numbers since 2012/13. At the same time, a 29% increase in professorships. Our discipline is eating its young.

Within the humanities, several subject areas have shown particularly marked long-term decline in early career staff numbers between 2012/13 and 2024/25:

History -32%
Classics -30%
English Studies -19%.
These declines at early career level have been accompanied by stable or slightly increasing numbers at mid career/established and senior levels, and substantial growth at professor level (23% for History, 29% for Classics, and 25% for English Studies), indicating a particularly concerning trend for the future talent pipeline in these disciplines.
The British Academy@britishacademy.bsky.social · 3w ago

What can we learn from data about the current trends in university staffing in the humanities, social sciences and arts subjects? 🧵 Read on for key insights or see the full analysis: www.thebritishacademy.ac.uk/policy-and-r...

A group of academic staff members, sitting on chairs and reading documents.

Just arrived: James Warren on 'Political Unity in Plato and Aristotle', an important & timely topic, with model acknowledgements to the author's intellectual community. Interested to set Warren's account of homonoia against political scientists' interpretations of Athenian democracy.

A book sitting on a wooden table. The book's grey cover bears the title 'Political Unity in Plato and Aristotle - James Warren' above an image in which a woman of superhuman size, Concordia (Latin for Homonoia) sits enthroned looking at a group of citizens in long robes.

Escape Room - the Greek pavilion at the Biennale is transformed into Plato’s Cave as an 80s nightclub, through which artist Andreas Angelidakis contemplates how communities are constructed and how the Greek pavilion at the Venice Biennale was initiated in the fascist 30s.

Video in Escape Room: under a red neon sign ‘Escape’ an image of an archway provides the background for the test ‘along the way, a hypothetical city is constructed’, part of a video discussing Plato’s Republic.When Plato met Peggy - a garment bag hanging from a clothes rail is printed with this text and an image of a bust of Plato wearing the geometric sunglasses associated with Peggy Guggenheim, whose collection is displayed in Venice.Video wall in the installation with multiple refracted and pixelated images of a viewer standing on a glass floor lit by red LEDs.General view of the Escape Room dance floor, with soft sculptures printed with chains and oadlocks suspended over a glass floor lit by red LEDs.

On the train to Manchester for the Classical Association conference, where I’ll be chairing a panel on Aristotle’s political thought on Saturday. Sad to leave the seaside behind - as seen earlier this morning.

The orange sun rises through clouds over a reasonably calm sea, casting an orange beam over the waves.

V excited to receive page proofs for a chapter I submitted in 2016 (!) for the forthcoming Brill's Companion to the Reception of Xenophon, on a topic which remains fascinating - Aristotle's use of Xenophon's thought and his exemplary narratives as a source for his own ethnical thought.

A page proof containing the following text: 
Chapter 3
Xenophon’s Reception in Aristotle and the
Aristotelian Corpus
Carol Atack
There are clear shared themes within the political and ethical thought of
Xenophon and Aristotle.1 Both are interested in human life in its extreme
forms, from the slave to the absolute monarch, in the structure of the household
and its relationship to the wider political and other responsibilities of the
male citizen who was its manager, in the constitutions of cities, ideal and otherwise,
and in the practicalities of implementing the ideals that underlay the
politeia. However, Aristotle’s use of Xenophon’s texts has often been treated as
limited to the extraction of useful data about, for example, Spartan educational
and political practices, rather than as a critical engagement with Xenophon’s ethical and political thought itself.2 Common subject matter may simply be...

Halfway through Athena’s Sisters - a vital read for anyone interested in the social history of classical Athens, and in questions of historical method.

Cambridge University Press@universitypress.cambridge.org · 6mo ago

Watch as illustrator Katie Idle recreates her cover design for 'Athena’s Sisters' @cambridgebookshop.bsky.social 🎨🤩 Katherine Backler's new book transforms our understanding of Classical Athenian culture and society by approaching it from women's perspectives. Read more 🔗 https://cup.org/3MwAzY5

Fabulous Alexander the Great, painted by the Master of the Story of Griselda in the 1490s, currently visiting the Courtauld Gallery in London from the Barber Institute in Birmingham, originally from Tuscany.

Detail of tent with miniature Alexander standing in front of it.Alexander the Great, depicted as a living statue with flowing blond hair, extremely fancy armour, hot pink stockings and a very sassy attitude, by the Master of the Story of Griselda, c. 1490s. Behind him a grassy scene with a military encampment- a miniature version of him stands in front of the left tent.Detail of Alexander’s cuirass with gorgon head and mythical beasts picked out in gold.