Chimeratio

@chimeratio.bsky.social

soundcloud.com/chimeratio | patreon.com/chimeratio

was sent in panic at a peak bad moment. mostly it's broadly scary/uncertain however, following from anyone near pittsburgh is still very needed: -anyone who can drive -ability to get a phone -contacts in area for backup -temp safer spots to stay -knowledge of spots to run with free computer access

Chimeratio@chimeratio.bsky.social · 4d ago

my friend is currently trapped in a violent situation in pittsburgh and has lost access to phone & may be stuck with $0 & lack of access to communication due to abuse if you are in the area or know anyone who is. message me.

my friend is currently trapped in a violent situation in pittsburgh and has lost access to phone & may be stuck with $0 & lack of access to communication due to abuse if you are in the area or know anyone who is. message me.

whenever I get to the part of vagrant story- kali where I cant tell where the notes start or end despite it being in ""23/16" and every sound at the same time is stacked plucked strings with fading in ocean wave attacks i am inside of a steam

because of the precise exposure I had as a kid I had come to the conclusion that "anime" meant animated things where there were some elements in an uncannily smooth framerate contrasted with elements in an uncannily slow frame rate and this was the defining factor

I was listening to andreas vollenweider and then really loud hip hop started playing out the window at a different-tempo-but-related-enough to it and it became like fire-toolz or cryptovolans music suddenly

I honestly just really miss things like pidgin & imo dot im they werent perfect. but at best phases allowed it to be where like single friends who were stubborn about only ever talking on a specific obscure platform could talk to me without having to compromise. underrated internet era structurally

FM synthesis parameters: carrier amplitude = soft ↔ loud carrier frequency = low ↔ high carrier decay = hit ↔ blown mod amplitude = hum ↔ twang mod frequency = bass ↔ bell mod decay = chiff ↔ gong mod feedback = pure ↔ distorted