Candace Richards

@circa-candace.bsky.social

Museum type. Mediterranean archaeologist. Coeliac traveller. Typo aficionado. Current research project: Reuse and recycling practices, Nea Paphos, Cyprus. A/Curator at CCWM Sydney Uni. Lives on unceded Gadigal land. She/her πŸ“Έ my own unless credited

I had a chance to visit the London Mithraeum and would love to hear other peoples thoughts! Located under the Bloomberg building in central London, in the heart of the ancient Roman city, are the foundations of a 3rd C temple of Mithras, conserved and displayed in an immersive initiation experience.

In a dark room the ruins of stone and brick walls are preserved unevenly about a metre high. In the centre light shines on the outline of a figure riding a galloping bull wearing a billowing cape and soft beanie-like hat

Essential reading! "Scientists must also attend to their own racism. It is not enough to be non-racist. Structural issues and inequities exist in the Western academy. Those who avoid engaging with racism and colonialism in scientific works and spaces merely promote the status quo." πŸΊπŸ“œπŸ›

Dr Tara McAllister@taramcallister.bsky.social Β· 12mo ago

Our new piece is out in @nature.com big mihi to all my co-authors it was a pleasure to work with you on this @lanipai.bsky.social @niiyokamigaabaw.bsky.social @napaaqtuk.bsky.social @sereananaepi.bsky.social @1nativesoilnerd.bsky.social Bradley Moggridge and Brittany Kamai tinyurl.com/yc4y9kfk

Fabulous new article on the experience of girlhood in Ancient Egypt by the phenomenal @julia-hamilton.bsky.social - great research and great teaching as always πŸ”₯

Antiquity Journal@antiquity.ac.uk Β· last yr.

πŸ“° We know little about the lives of children in Ancient Egypt, and even less about that of non-elite girls. @julia-hamilton.bsky.social explores how ordinary girls lived, perhaps working as apprentices to adults 🏺 #ArchaeologyNews @aunz.theconversation.com 1/3 theconversation.com/work-wages-a...

The final chapter, 20, offers a distribution guide to the known publicly accessible collections in the region - 66 in total. Each institution is given a short entry that situates the ancient Med. artefacts within its broader collections, with the aim of increasing visibility of these materials πŸΊπŸ“œπŸ›.

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 19 by Caleb Hamilton offers new perspectives and a distinctly Māori framework, exploring whether the use of tikanga could be offered to mummified Egyptian human remains held within museums in Aotearoa New Zealand, aligning with attitudes towards the display and care of kōiwi tangata.πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 18 is on developing collaborative holistic research practices for the ethical care, treatment, interpretation, and display of Egyptian human remains at CCWM. The authors aim to encourage all who care for human remains in their collections to think more critically about β€˜best practice’ πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 17 from ANU Classics Museum discusses recent restitution of three Italian objects and shares detail of the processes in a way that might benefit other institutions, hoping to encourage a wider dialogue around restitution that focuses on the realities and opportunities that can arise.

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 16 by Brit Asmussen and @cairojim.bsky.social explores the sticky-ness of objects. They consider the relevance of antiquities held in museums and the varied contributions they make to the contemporary world via people’s engagement with them today.

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 15 by Lilly Withycombe focuses on a screen-based exhibition interactive that the National Museum of Australia developed to introduce visitors to ancient polychromy through a playful medium and to encourage a closer interaction with objects within blockbuster travelling exhibitions πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 14 by the Hellenic Museum team explores recent projects 'WHO ARE YOU? Athens, Aotearoa and the Art of Marian Maguire', 'Becoming You' and 'Greek Love' as practical examples of the use of ancient Mediterranean-based collections for social wellbeing and the exploration of identity πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 13 from the CCWM at Sydney Uni team uses four case studies to demonstrate how we are widening participation with ancient Med collections through OBL, community co-developed programming and taking collections out of the museum environment. πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 12 by Diana Burton reviews a recent collaboration between Victoria University Wellington's Classics Museum and School of Design to develop innovative ways for students and the public to engage with the Museum’s artefacts through 3D printing techniques. πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 11 explores the remote learning opportunities offered by the UNE Museum of Antiquities as part of a rural university traditionally serving a wide geographic dispersal of students. Hands on learning and practical experience delivered from afar and with significant pedagogical outcomes πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Mediterranean Collections in Australia and Aotearoa New Zealand | Pers

This volume brings together academics and museum professionals responsible for ancient Mediterranean collections across Australia and Aotearoa New Zealand to

taylorfrancis.com

Chapter 10 explores the TΕ«hura Otago Museum numismatic collection of over 2500 ancient coins. The authors offer a case study of their work integrated learning internships that help digitise the collections and add narrative value for the museum's visitors online and for future in gallery displayπŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 9 focuses on the new archaeological teaching collection at ANU gifted by the late Graeme Clarke, largely from the Jebel Khalid excavations in Syria. Author Georgia Pike-Rowney demonstrates how the collection is activated for multidisciplinary teaching and its value for teacher training. πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 8 begins the pedagogical themed papers. Andrew Jamieson of Uni Melbourne reflects on the development of Arts West and its architectural design that supports object-based learning. A case study for how new university developments can embed collections in their design processes πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 7 by Alina Kozlovski takes us through the Powerhouse collections, exploring the reception of antiquities in a technology museum and revealing their complicated role as objects that can disrupt the linearity of temporal boundaries that form the standards in current and past museum practice πŸΊπŸ“œ

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 6 focuses on the Antiquities Collection of the Uni of Queensland in the mid 20th century and the journey of the Classics department to form the RD Milns museum. It provides a historic framework from which to understand the place of ancient world studies in contemporary Australian education.

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...

Chapter 5 is all about the Egyptian collections of the Australian Museum. The authors explore the intersection of collecting and colonialism focussing on two major sources Ernest Wunderlich and the Egypt Exploration Fund/Society. πŸΊπŸ“œπŸ›

Candace Richards@circa-candace.bsky.social Β· last yr.

Out now! A collaborative volume that explores provenance, pedagogy, participatory programming and ethics for managing ancient Mediterranean collections in this region by #museum experts and researchers. πŸΊπŸ“œπŸ–ΌπŸ› www.taylorfrancis.com/books/edit/1...