Simon Collison

@colly.com

Creative director & digital designer, human, etc. Music and art as Site Nonsite: https://bsky.app/profile/sitenonsite.com

A few people asked, so… Yep, something new is coming next year. An album of personal stories, set within landscapes shaped by politics, society, memory and loss. Some songs are done; others need a little longer. I’m not rushing, because this project means more to me than anything I’ve ever made.

Paid my respects to the Major Oak today, in the kind of weather that’s hastened its demise. I expected to feel sad, but something about its exposed knottiness seemed even more majestic. (For context, here's something I wrote last month: colly.com/journal/the-... )

A photo taken today of the deceased Major Oak tree in Sherwood Forest, showing its naked branches against a clear blue sky.

For over a decade I’ve traded as Obvious Things, a name that’s only really appeared on paperwork. Later this year I’ll finally be launching OT properly as a focused art + design practice, which I’m really excited about. 1/2

Ranging from minor noises and moving objects, to physical harm and even (in the worst cases) possession, investigators have identified seven stages of poltergeist escalation. I've finally finished a new illustration for the Supernatural Detective's Field Guide 😅

7 Stages of Poltergeist Escalation

Poltergeists are supernatural entities characterized by physical disturbances—escalating from loud noises and moving objects, to physical harm and even (in the worst cases) possession.

supernaturaldetectives.com

Another time-consuming but deeply rewarding home repair. I love this amp far too much to replace it, and there’s no excuse when there’s a detailed YouTube video of a Turkish chap repairing the very same 44-year-old Technics amp. I came close to despair with the input switches, but I bloody did it.

Top-down view of a disassembled 1982 Technics SU‑Z15 amplifier laid out on white paper, with screwdrivers, tweezers, Leatherman, brushes, cleaning alcohol, DeoxIT D5 and FaderLube F5, plus switch caps, springs and other small parts beside the chrome front panel.

Good haul from this Tokyo trip — focused on classic 70s/80s city pop and YMO/Sakamoto, but couldn’t resist the 1978 Japan pressing of The Kick Inside, a 1985 Hounds of Love tape, and that Kid A obi. (See ALT text for details)

Non-Japanese artists, clockwise: Japan, Tin Drum; David Sylvian, Brilliant Trees; Rockin’ On magazine, Radiohead cover; Fleet Foxes, Crack-Up cassette; Kate Bush, Hounds of Love cassette; Kate Bush, The Kick Inside 1978 Japan pressing; Radiohead, Kid A with Japanese obi.City Pop, clockwise: Toshiki Kadomatsu, Touch & Go; Tatsuro Yamashita, Ride on Time; Mariya Takeuchi, Request; Akiko Yano, Oh Hisse Oh Hisse; Akiko Yano, Ai Ga Nakuchane; Shigeru Suzuki, Band Wagon cassette; Tatsuro Yamashita, Circus Town.Ryuichi Sakamoto, clockwise: Thousand Knives of, Async, Opus 4 x LP box set 2024 Japanese edition; two magazine specials.Yellow Magic Orchestra, clockwise: debut album, Japanese edition; Solid State Survivor; Public Pressure.

Happy Setsubun ("seasonal division," the day before spring in the old Japanese calendar). I was half-blind from staring into the sun, but managed to catch a packet of beans, which should help me ward off a few demons.

Holding the beans I just caught at the Setsubun event. Sunlight is illuminating the beans in their packet, and the crowd and buildings are in the background.

Many Sakamoto moments on this trip. Watched the Tokyo Melody 4K restoration and also got up close with his Fairlight CMI. The highlight was an afternoon at Sakamoto Library (secret location, strictly no photos). Quietly reading a book that I know he cherished and finding his pen notes was moving.

Vinyl, magazines, and stickers from this trip.Ryuichi Sakamoto’s Fairlight CMI, as featured in the Tokyo Melody film.Illuminated Tokyo Melody film poster at 109 Cinemas Shibuya.Fairlight data samples on floppy disks and other materials on display in a metal case.

Yet to come down from last night’s Radiohead gig. We were lucky to get codes and decided we’d stump for vip tickets if that’s all there was, and got front row. I’ve seen them several times, including Glasto ‘97, but last night was perfect, the entire band giving everything. Just… wow. Here’s Jonny…

Side project launch time! This one is for fans of Stars of the Lid & ambient/classical music. I've made a site in @getkirby.com to archive all the live recordings and of act as 'SOTL’ site as none exists. Adam Wiltzie also provided the previously unseen video footage: starsofthelidforever.com

Home

Stars of the Lid Forever is a fan-led project to archive their live recordings from over the years, all compiled in one place for your listening pleasure.

starsofthelidforever.com