JDG

@cottonmather.bsky.social

Fan of music & theater & have published much (and/or made public radio) about each. Interests: Phish, Bob Dylan, national parks, Shakespeare, fiction, BBC Natural History Unit, Miles Davis, colonial New England. Lived in Boston, Berkshires, St. Louis.

DID YOU KNOW: The Moog solo at Fenway Parkn that is generally acknowledged to he the greatest everplayed at this venue was 7/31/71, Carl Yastrzemski vs the Orioles.

Oh! And another thing! Note how thrilling the Peak jams in YEM and Crosseyed were. We feel the difference between an organic, oh-so-now-THIS-is-happening climax and a Peak™️ jam that the band seems to have steered toward, as a go-to move. It's important to remember the organic ones can be sick!

As I recall '96 percussion kit jams, they were about coaxing Page into getting pretty down on his clavinet after a slow start, as Fishman remained pretty steady. Nü Phish percussion jams are a cue for Fishman to go nuts, Page to go Moogeriffic and Mike to flip the table. #keepthekit for Fenway?

No need to say "even the mini-kit jams" in Crosseyed were good. Let's admit they were highlights! As were the best kit jams on 95 night (there were just way too many). Fishman is fully capable of leading jams, & w/Page Mooging to the max & Mike playing his fingers off, it's a new style! Nü Phish

Phish, Inc is certainly doing what it can and as an unrepentant Custie I salute it, but if they really wanna separate 1.0lds from our money, they should set up a merch store with that thing they have now where you scan your credit card upon entrance and then just pick up and walk out with anything.

I haven't seen anybody mention this ... I finally looked it up and yes, indeed, that was the first time Harpua ever directly followed Fly Famous Mockingbird. I figured there was a chance it had happened in the 80's maybe, but @phish.net has no record of a precedent.

Totally random note but surely the If I Could at MSG is one of the best versions? Possibly the best ever, given Trey’s improved vocals and the rarity of the acoustic? Waste too seemed elite, factoring in the good segue, apt setlist placement and just how tight and energetic the whole band was.

The reason I think 7/29/26 will hold up as Great Phish for any era, in a way that most Bakers’ Dozen jams don’t—they’re more Great For Their Era—is that the band was so sharp! Each of them was breathing fire. It was the best I’ve heard Trey since probably 1.0? There’s no grade weighting needed!