Charlotte Schallié

@cschallie.bsky.social

Professor of Germanic Studies at UVic; community-engaged Holocaust education | human rights studies | visual storytelling | arts-based action research | care ethics | visualnarratives.org | Image credit: Barbara Yelin (Emmie Arbel. The Colour of Memory)

The novel was part of a remarkable collaboration between Jilan, Birgit Weyhe (the artist and primary author), as well as myself, Charlotte Schallie (the PI of the Survivor Centred Visual Narratives project), and Leyla - our community liaison with the Yezidi community in Germany.

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Ein Alptraum. Erstmals seit 1945 haben Rechtsextreme mehr als 40% in einem Land erhalten - und das mit einem radikaleren Programm denn je. Unsere Solidarität muss nun den vielen Menschen gelten, die sich in S-A für eine offene Gesellschaft und die liberale Demokratie engagieren.

Traurige Nachricht: Nun ist die Holocaust-Überlebende Rose Lipszyc gestorben. Sie hat als junges Mädchen überlebt, indem sie sich als nichtjüdische Polin getarnt zur Zwangsarbeit in Deutschland gemeldet und bis Kriegsende in Bremen unter falscher Identität in einer Tauwerkefabrik gearbeitet hat.

Andrea Löw@andrealoew.bsky.social · 2mo ago

Für einen Vortrag über die Überlebensgeschichte von Rose Lipszyc und Graphic Novels in der Geschichtsschreibung und Vermittlung des Holocaust habe ich mir eben noch einmal diesen wunderbaren kleinen Film über die Arbeit der Zeichnerin Miriam Libicki und ihre Begegnung mit Rose angeschaut:

Alina Marazzi's important film helps undo the erasure of Gerda Taro's photographic legacy, which became increasingly subsumed under the jointly constructed identity of Robert Capa.

k. radke@kradke.bsky.social · 2mo ago

"The Girl With the Leica" has been selected as the opening film of the Horizons section at Fondazione La #Biennale di #Venezia. The film tells the story of Gerda Taro, the pioneering German-Jewish photojournalist and anti-fascist who has often been overshadowed by her partner, Robert Capa. 1/3

Bei der ersten Begegnung mit Akram Al Saud hat der Zeichner gleich einige wichtige syrische Wörter zu lernen: Mukhabarat - Geheimdienste und Fazia' - das Grauen. Es ist dann auch grauenhaft, was von den Gefängnisaufenthalten des 2016 nach Europa geflohenen Syrers erzählt wird. www.comicforscher.de

Tobi Dahmen/Akram Al Saud: "Al-Fazia' - Das Grauen: Überleben in Syriens Gefängnissen", Carlsen 2026

Shanah Tovah, New York! Wishing all Jewish New Yorkers celebrating a sweet, joyful and meaningful Rosh Hashanah. Here’s to a new year filled with health, happiness and blessings (and yes, even another Knicks championship).

Carl Sagan’s ‘Pale Blue Dot’ photo of the earth, from 3.6 billion miles out, remains one of the most moving images I’ve seen. “To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.” –CS

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For many families in Gaza, meals from WCK's network of kitchens are their only reliable source of food. This week, the team at the Ahel Al Kheir community kitchen served koshari—a traditional dish with fried rice, noodles, lentils, and chickpeas. #ChefsForGaza

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This is Wafaa Akila. She was eight years old when she was killed in an Israeli airstrike while driving with her father in Gaza City. She’s one of about 300 children who have been killed in the Strip since the ceasefire deal was signed last October. (1/3)

A child wearing a blue button-up and a nametag gives a thumbs up to the camera

This week's POLITICO Magazine cover story: Bernie Sanders lets loose on the Democratic Party, the midterms and 2028. The 84-year-old progressive champion built a movement. Could it survive without him? 🔗 politi.co/4czy413 Also in this issue👇🧵

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WCK & our local restaurant partners in Nepal are working together to serve meals to families affected by the floods. The team at Bajeko Sekuwa is serving up plates of chicken curry, rice & mixed vegetables. Because familiar dishes are more than food in times of crisis—they’re comfort. #ChefsForNepal

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I'm on the advisory board of German History and just out of our annual meeting. It is perhaps good for colleagues, VAP, and senior graduate students to know that the journal is VERY KEEN on special issue submissions, especially in new and emergent areas of interest.

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