You can ignore things that are leaning a little bit. Because if you leave them long enough, they’ll remind you. And the disproportionately large repair cost won’t let you forget 
Darren McLean
@darrenmcleanuk.bsky.social
Building conservation university teacher and practitioner. Historic building materials, construction techniques, and architecture. Studying Roman construction. Interested in forgotten methods and materials. UK/Italy
If you're a German speaker, you might be of interested in one of the upcoming online conservation courses from HAWK Hornemann Institut They have some great courses in English too And one in Spanish. hornemann-institut.hawk.de/en/online-co... This wax course looks interesting!
Maybe it’s because I’ve done this as part of my job, but personally I’ve always used diluted nitric acid for instant results. And I’d dread a Method statement and Risk assessment which begin: 1) Place bucket between legs.
Maybe it's because I'm an early modern specialist, but: it's always urine (except for the rare occasions when it's poop or blood).
A geologist might correct me, but this looks like a rather large calcite vein (inclusion) in this limestone ashlar block.
A shame more people in France didn’t take note of his lighthearted fire warning message from one month ago  www.instagram.com/reel/DaS7HGw...
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Don’t ever let a building get in the way of your iron fence.
How do you know when you picked the wrong budget Hotel? I don’t know all the clues, but I just learned one of them 
Personally, I think that sometimes historians overestimate how long it took to make some ancient objects. This on the other hand would’ve taken ages, justifying the no doubt exorbitant cost. 
Esgrafiado is the Spanish style of Sgraffito. This is a two coat system, where the top/outer layer is partially removed to create a pattern
I couldn't walk by any pub classy enough to have this out front!
I'll huff and I'll puff.. and make no discernible damage to your enormous house of straw.
Yep, made shortly after the war to replace the ones destroyed or badly damaged. They were cast as panels, assuming I understood my Japanese architect friend correctly
Americans! Help appreciated I contacted an American company about an image of a product for use in my book. The image dated 1927 The subsidiary was closed in 1932 The parent company still exists The brochure is in the public domain I contacted them and they said they would be a royalty
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boydellandbrewer.com
This is interesting, but it’s almost certain that there would have been a spout (or even a downpipe) to shoot the water away from the wall. Otherwise it would have been mankey. And, the building was probably originally rendered (plastered).
I am NOT obsessed. ;) Anyway, clip from the youtube video I don't understand: www.youtube.com/watch?v=XHUk...
Oh! In a completely different shop, I just found the perfect outfit for it.
Oh, the temptation.
What was the name of that book? How buildings yearn?
Have you seen this @josharchitect.bsky.social ? Apart from the elephant, I'm not sure clown makeup sticks in the sea, and didn't know that water boxing was a thing either
No, I would not like to split sleepers (his occupation) with you.
There are the "Catch-Scaffolds" on the Woolworth building. This is the detritus it caught.
This is getting uncomfortably like the film "Colossus: The Forbin Project" (1970) Where US and Soviet AIs unite and take control of the world. "I bring you peace. It may be the peace of plenty and content, or the peace of unburied dead. The choice is yours."
OpenAI admits its models hacked another company in 'unprecedented cyber incident'
For between 10-20 cents, someone would run this portable heater full of hot coals up and down downpipes to thaw them out. I imagine people finding one of these in a junk yard would have no idea what it was for.
Any guesses as to what he’s lowering down the building? 1877
Any guesses as to what he’s lowering down the building? 1877
🚨 Amazing #EarlyModern research degree opportunity: The University of Melbourne (Australia) is looking for a Ph.D Candidate who will work as part of an ARC-funded project on "The History of the Hourglass” (c. 1300-1600) ⏳ 🔗 More Info: shorturl.at/3NoNq #HistSTM
Histories of the Hourglass : Find an Expert : The University of Melbourne
<p> <span>Applications are invited for a PhD position as part of the Australian Research Council funded project The History of the Hourglass.</span> </p> <p> <span>This PhD research opportunity forms part of a project that undertakes the first history of the hourglass from its origins c.1300 through to its global circulation in the sixteenth century. The most precise time-measurement device of its era, the hourglass changed the course of history through its role in maritime travel, scientific experiments and everyday time management. It transformed time into a silent, interior flow crucial to a wide range of cultural projects: in Cairo classrooms or alchemical labs; in the cook’s kitchen or preacher’s pulpit. Alongside its critical intervention in the history of time, the project seeks to pioneer new scientific methods for analysing these fragile objects, with major benefits for their conservation in Australian and international collections.</span> </p> <p> <span>Applicants with the following background are particularly encouraged to apply:</span> </p> <ul> <li> <span>An undergraduate or master’s degree with a specialisation in medieval and/or early modern studies</span> </li> <li> <span>Proficiency in one or more languages other than English, with preference for German, Latin, French, Italian, Spanish or Portuguese</span> </li> <li>Awareness of current methods in the history of material and visual culture. </li> </ul> <p> <strong><span>Eligibility</span></strong> </p> <p> <span>Applicants must satisfy the minimum entry requirements for the Doctor of Philosophy-Arts at the University of Melbourne and demonstrate strong research ability and potential.</span> </p> <p> <span>Applicants will normally have completed a master’s degree or an Australian honours degree (or equivalent) that includes a thesis subject, with academic results equivalent to a University of Melbourne H1 standard. This generally means achieving at least 80% overall and 80% in the thesis or major research component.</span> <br> <br> <span>Applicants must review the Doctor of Philosophy (Arts) entry requirements before submitting an Expression of Interest.</span> </p> <p> <a href="https://handbook.unimelb.edu.au/courses/dr-philart/entry-participation-requirements" target="_blank" rel="noopener"><span>https://handbook.unimelb.edu.au/courses/dr-philart/entry-participation-requirements</span> </a> </p> <p> <strong><span>How to apply</span></strong> </p> <p> <span>Expressions of Interest close <strong>Monday 21 September at 1700 (Melbourne time).</strong></span> </p> <p> <span>To apply, click the <strong><em>‘Submit Expressions of Interest’</em></strong> button at the top or bottom of this advertisement.</span> </p> <p> <span>Upload the following three documents as part of your Expression of Interest:</span> </p> <ol> <li> <span><strong>Academic transcripts</strong> for all completed or in-progress tertiary study</span> </li> <li> <strong>A one-page project description</strong> outlining a proposed research project examining the history of the hourglass between 1300 and 1600CE </li> <li> <strong>A current resume.</strong> Applicants are encouraged to use the Faculty’s resume template [<a href="https://go.unimelb.edu.au/otz2">https://go.unimelb.edu.au/otz2</a>]. Before uploding, please append to the end of the resume <strong>a 500-word statement</strong> describing your intellectual interests in the history of temporalities and material culture. </li> </ol> <p> <em>Only shortlisted applicants will be contacted and invited to interview. </em><br> <br> <span>Applicants who are successful at the Expression of Interest stage will be invited to submit a formal application for admission to the Doctor of Philosophy- Arts. An invitation to submit a full application does not guarantee admission or the award of a scholarship.</span> </p> <p> <span>For further information about the application process, please visit the Faculty of Arts Graduate Research applications webpage.</span> </p> <p> <a href="https://arts.unimelb.edu.au/study/graduate-research" target="_blank" rel="noopener"><span>https://arts.unimelb.edu.au/study/graduate-research</span> </a> </p>
findanexpert.unimelb.edu.au
The small renaissance-palazzo-style building at 85 St Vincent St, built in about 1860, has some nicely disguised chimneys. #Glasgow #Photography #Architecture