Cara McKinnon Crawford. (b.1962, Scotland) Autumn Glory, The River Shiel, Scotland. oil on canvas, 2022.
Daniel Svitek
@dasvitek.bsky.social
Space. Engineering. Science. Mechanical engineering in the aerospace sector. Moralistic garbage. Currently clean on OPSEC. Hiding behind due process. Account run by an organized gang of wine moms. In a multicultural economic zone dasvitek.substack.com
Fiona Haldane (b. Scotland) Autumn, Glencoe. Pastels on paper. 2019.
© Mher Chatinyan. 'Road Home.' Oil on canvas, 2021. 50 × 40 cm.
© Gerhard Munthe. 'Evening in Eggedal.' Oil on canvas, 1888. 94 × 71 cm.
© Emile Gruppe. 'River Seine, Pont d’Ilena and Eiffel Tower.' Oil on canvas, 1917. 76.2 × 60.96 cm.
We build on the scaffolding provided by a lot of other scholars, but my own "breakthrough" on the subject came out of my dissertation, where I tried to understand the international power-political dimensions of the Protestant Reformation.
The Struggle for Power in Early Modern Europe
press.princeton.edu
SUBVERSION, by Jill Kastner and William Wohlforth, is an accessible "realist" -- if that's your cup of tea -- take on the subject.
A Measure Short of War: A Brief History of Great Power Subversion
Abstract. This book is a primer on the history of subversion—hostile domestic interference to undermine or manipulate a rival—among rival great powers. It
academic.oup.com
Next, John Owen's THE CLASH OF IDEAS IN WORLD POLITICS, which examines periods of transnational ideological polarization — you know, like we're living through RIGHT NOW. Guess what? Demonstration effects — electoral outcomes, uprisings, etc. — in other countries really, really matter.
The Clash of Ideas in World Politics
press.princeton.edu
First up, @seva.bsky.social's excellent AFTERSHOCKS. "... the evolution of modern regimes cannot be fully understood without examining the consequences of clashes between great powers, which repeatedly... sought to cajole, inspire, & intimidate other states into joining their camps."
Aftershocks
press.princeton.edu
It Won't Stay Warm... Peter Shostak 1991
Late Fall, Manitoba Lionel LeMoine FitzGerald 1917
Blanche Hennebutte-Feillet — Vue de Fontarabie, 1864.
Don't forget the Cheesecake Factory owner built a cult compound to last for 700 years in order to welcome the return of Meher Baba, the Sufism Reoriented guru and inspiration for the song "Baba O'Reilly" The House Of Worship The Cheesecake Factory Built | The FADER share.google/HcHXc1OXPeg8...
The House Of Worship The Cheesecake Factory Built
Sufism Reoriented, a small, well-funded California religious group, announced plans for a new sanctuary. Then the battle lines were drawn.
share.google
Joseph Zbukvic (Croatian/Australian, born 1952) "Paris on a Rainy Day", 2015. Watercolor Painting, 73.7 × 53.3 cm. Private Collection. #art #painting #artist #BlueSkyArt
John Atkinson Grimshaw (British, 1836–1893) "Twilight", 1871. Oil on Card laid down on Panel, 56 × 38 cm. Private Collection. #art #painting #artist #BlueSkyArt
Hanie Soltani (Iranian, b.1992) "Zahra on My Balcony," 2022-23 Oil on canvas diptych 100 x 70 cm #art #painting #artist #BlueSkyArt
George Handrahan (American, b.1949) "Last Light, Sharon, Vermont," Oil on linen 16 x 20 in #art #painting #artist #BlueSkyArt
Mia Bergeron (American, b.1979) "Mirage," 2024 Oil on aluminum 24 x 36 in #art #painting #artist #BlueSkyArt
Pekka Halonen (Finnish, 1865–1933) "Winter Landscape, Myllykylä", 1896. Oil on Canvas, 69 × 48 cm. Finnish National Gallery, Ateneum, Helsinki. #art #painting #artist #BlueSkyArt
Mar 23, 2008: Seamstresses stitch a sun-shade for Skylab after its thermal protection shield was lost during launch, ensuring the safety of the crew and equipment. www.nasa.gov/image-article/seamstresses-stitch-sun-shade-skylab-2/
Berry Picker by Hanna Frosterus-Segerstråle (Finnish) 1888 Oil on canvas 52 cm x 32 cm Private collection #art #painting #artist #BlueSkyArt
Albert Bierstadt (1830-1902) Autumn Woods, Oneida County, State of New York, 1886. oil on canvas.
© Hanie Soltani. 'Zahra on My Balcony.' Oil on canvas diptych, 2022-23. 100 x 70 cm.
© Tim Kent. 'Mayfair.' Oil on canvas, 2026. 40 x 40 inches.
© George Handrahan. 'Last Light, Sharon, Vermont.' Oil on linen, n.d. 16 x 20 inches.