Thomas Mareite

@thomasmareite.bsky.social

Historian @ehess.fr École des Hautes Études en Sciences Sociales. Slavery & Emancipation / Revolutions & Refugees; Age of Revolutions (US, Greater Caribbean & Spanish America).

📩 Ami.e.s américanistes, il vous reste plus de deux semaines pour envoyer vos propositions pour le colloque « Réactions, recompositions, réinventions : la question de la « relance » des empires coloniaux français et espagnols (Amériques, 1763-1898) » ! Date limite : 25.09.2026 calenda.org/1416058

Réactions, recompositions, réinventions : la question de la « relan...

Ce colloque a pour but de faire dialoguer les historiographies sur les empires français et espagnol autour de la notion de relance impériale, en mobilisant la plasticité de cette catégorie pour int...

calenda.org

Un préfet « assume » de violer les lois de la République en bloquant le droit d’accès à son administration. Et donc « assume » de jeter des personnes dans l’irrégularité alors même que nos lois peuvent leur accorder un droit au séjour. Mais ce préfet n’est pas révoqué. Il est encensé & s’en vante.

«J’assume avoir coupé le robinet» : accusé de bloquer le renouvellement des titres de séjour, le préfet des Hauts-de-Seine visé par une plainte

Une association d’avocats proche de l’ultragauche impute à Alexandre Brugère les difficultés rencontrées par les étrangers du département pour renouveler leur titre de séjour. Chiffres à l’appui, le p...

lefigaro.fr

Today we’re seeing a variety of these tawdry attempts to blame only Cambridge for Arday’s death, by putting a target on his back. As if those who chose to aim at that target - to destroy a black autistic man so they could win an EDI argument - are blameless. www.thetimes.com/article/jaso...

Jason Arday, former Cambridge University professor, found dead

Academic at centre of plagiarism row was found unresponsive in Battersea. Police said his death was not believed to be suspicious

thetimes.com

Dear American Friends, for an upcoming paper in the French press, I’m looking for testimonies about this year 4th of July celebrations (250) I’d love to receive your account at simon.grivet [a] univ-lille.fr Thank you so much for your help!

WILD shot in the electronic dark: does anyone know the population of Fort-de-France and Saint-Pierre (Martinique) in 1860? Preferably urban vs. whole municipality? 🗃️ I WILL THANK YOU FORMALLY!

19 mai 2026 à 18h 🕕 Archives départementales de la Gironde 3️⃣ 3️⃣ D’un long dialogue avec ma collègue Sibylle Fourcaud (UBO) sur les exils dans les espaces caribéen et atlantique est née l’idée de la conférence grand public « Exils Atlantiques : Bordeaux, ville carrefour d’un empire en révolution ».

BildBild

I am glad to see that the introduction to our special issue has been published. In it, @thomasmareite.bsky.social and I seek to further historicize the category of “refugee.” Early historiography on this topic focused primarily on its modern definition as established by...

Labelling and Looking for Refuge during the Eighteenth and Nineteenth Centuries: An Introduction | Itinerario | Cambridge Core

Labelling and Looking for Refuge during the Eighteenth and Nineteenth Centuries: An Introduction

cambridge.org

✍️ Happy to share the publication of this article. It examines the relief policies implemented in Cuba for Spanish subjects from Santo Domingo and former French colonists from Saint-Domingue who remained loyal to Spain, after Santo Domingo's cession to France (1795) www.cambridge.org/core/journal...

A Benevolent Empire? Exile, Politics of Relief, and Subjecthood in Havana (1790–1810) | Itinerario | Cambridge Core

A Benevolent Empire? Exile, Politics of Relief, and Subjecthood in Havana (1790–1810)

cambridge.org

🗣️ New publication! In this introduction, @nagonzalezq.bsky.social and I revisit the historiography on refugees and explore how the category of “refugee” (or its historical equivalent) was constructed in Atlantic and Mediterranean societies (18th–19th c.) ... www.cambridge.org/core/journal...

Labelling and Looking for Refuge during the Eighteenth and Nineteenth Centuries: An Introduction | Itinerario | Cambridge Core

Labelling and Looking for Refuge during the Eighteenth and Nineteenth Centuries: An Introduction

cambridge.org

🗣️ New publication! In this introduction, @nagonzalezq.bsky.social and I revisit the historiography on refugees and explore how the category of “refugee” (or its historical equivalent) was constructed in Atlantic and Mediterranean societies (18th–19th c.) ... www.cambridge.org/core/journal...

Labelling and Looking for Refuge during the Eighteenth and Nineteenth Centuries: An Introduction | Itinerario | Cambridge Core

Labelling and Looking for Refuge during the Eighteenth and Nineteenth Centuries: An Introduction

cambridge.org

« A ver, yo solo conocía la calle » Interaction ordinaire avec un madrilène autour de la statue du général Martínez Campos (vétéran des guerres espagnoles à Cuba et en Afrique au 19e s.) dans le parc du Retiro à Madrid

BildBild

I'm going to do a thread of all the references and context behind Bad Bunny's performance and what it means for Puerto Ricans to see this on the biggest stage. The opening title screen is a street mural in Puerto Rico that comes to life with footballs as coconuts. Follow along!

A vibrant, wide-angle photo of a colorful outdoor mural promoting the "Super Bowl LX Apple Music Halftime Show." The mural is painted on a long blue wall in a sunlit, tropical setting with real palm trees and bright pink bougainvillea flowers cascading over the top.

The artwork features a playful, surreal collage of cultural and football-themed elements:

    Central Text: The Apple Music logo in bold yellow and red 3D lettering is flanked by "SUPER BOWL LX" above and "HALFTIME SHOW" below.

    Iconic Imagery: Large illustrations of a golden trumpet, pink sunglasses, maracas, dominoes, and a cup of coffee with a musical note in the foam.

    Football Elements: Brown footballs are depicted growing on palm trees like coconuts and resting on the ground.

    Foreground: A young girl in a yellow dress walks along the sidewalk in front of the mural, passing a small goalpost illustration where a green parrot is perched.

The overall aesthetic is warm, festive, and celebrates a fusion of Latin-inspired culture and American football.