Christina Riggs

@christinajriggs.bsky.social

Writer and historian: photography, art, archives, museums, colonialism (Egypt, Sudan). Chair in the History of Visual Culture @durhamhistory.bsky.social. Author of Treasured: How Tutankhamun Shaped a Century. https://christinariggs.com

Save the date: Friday September 14th we will host a vernissage for Faces Of Exile, the travelling exhibit on men charged with same-sex infractions in Mussolini's Italy. With a roundtable featuring me, Patrizia Gentile, Alessio Ponzio, and Antonio Cazorla Sanchez.

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Dangers of working from home: the recently cut hay field across from my house caught fire 20 mins ago - could see and hear flames as the breeze whipped it up to the village. Tinder dry even after a shower overnight. All safe - I hope including the birds and rabbits who were gleaning the stubble.

View of a road and field beyond, obscured by smoke

The first PhD for my new ERC funded project is now being advertised (the project begins in 2027). This one is practice based – I’m looking for an outstanding person with a masters degree. This is unfortunately only available to UK and Ireland students. See here: www.liverpool.ac.uk/courses/ai-a...

AI-Assisted Photography | Courses | University of Liverpool

The project researches the new paradigm of photography embedded in contemporary mobile phone cameras and promoted as “AI-assisted” since 2024.

liverpool.ac.uk

From Cesare Pavese’s diaries, published after his death (by suicide) as ‘Il Mestiere di Vivere’ - the craft of living. These lines were written in 1936, while he was internally exiled in Italy by the fascist regime. 🇮🇹 (photo shows carved stone slab with Italian quotation and yellow flowering plant)

Sally Hayden@sallyhayd.bsky.social · 4d ago

"What world lies beyond this sea I do not know, but every sea has another shore and I will arrive." - seen in a cemetery on Italian island Lampedusa, where people who die at sea are buried.

The photography studio founded by the Alinari brothers in Florence in the 1850s played a large part in shaping how the rest of the world came to see Italy. Today, writes Sophie Barling, the extraordinary archives the firm left behind are a testament to this technological and artistic revolution.

View-finding in Italy

Established in 1852 by three brothers, the Alinari firm produced many of the oldest photographs of Italy. Sophie Barling visits its vast archive in Florence

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Since the early days of photography, people have wanted to capture their pets on camera. (Read on to find out why we want to see yours!) These postcards collected by the artist Tom Phillips (1937–2022) are now held in the University of Oxford’s Bodleian Libraries.

An elderly man with a long beard sits on a chair outdoors, holding a black cat. There are vines and a brick wall in the background.

Five years old today! 🥳🎂😻 Mitzi has only been with me since September, but her first family shared this pic when I adopted her - she hadn’t yet reached full fur. She needed rehoming when her owner went into end-of-life care. Clearly much loved since birth - all animals should be so lucky. 💙🐈🐈‍⬛ #cats

Black and white kitten, very small, lying on a beige sofa with a white human hand stroking her back. Long haired black and white cat lying on top of a circular cat ‘tree’, looking off to left, with a large window behind and blue sky beyond.

Down an Internet Archive rabbit hole (again): here, a beautiful 1909 book by Sir William Arrol & Co #Glasgow, featuring one of their own bridge projects in #Sudan. 🦋 doesn't seem to allow image and link, but book title is Bridges, Structural Steel Work, and Mechanical Engineering Productions. 🗃️📷

Screenshot of a digitized book (Bridges, structural steel work, and mechanical engineering productions, by Sir William Arrol, 1909 - on Internet Archive) - on the left, two paragraphs of text headed 'Sudan Railway Bridges' and on the right, perpendicular, a black and white photograph of two bridge spans inside an industrial building, captioned 'Sudan Railway Bridges - girder spans completed at the Glasgow works for ready transport'.

A surprising amount of my 'research' involves rotating gazillions of study photos taken in archives - chiefly of photograph albums. 🗃️📜📷📸 Also, kudos to whoever decided thick black marker reading 'KHARTOUM' would clear up any confusion about the identity of this one, from the Cleveland Bridge Co.

Dark green photograph album cover, with leather binding and corners, resting on a modern table; stamped gilded letters in the centre read KHARTOUM - and at top right, someone has used a modern black marker to write the same thing, for the capital city of Sudan. Album dates to c. 1910 and belongs to the Cleveland Bridge Company collection at Teesside Archives, Middlesbrough.

Working in partnership with the Baltic Centre for Contemporary Art, the Food Museum, the Glasgow Life Museum, the Hastings Museum & Art Gallery and the Museum of Free Derry, the Migration Museum (London) is seeking 10 Community Curators. Might this be you?

Migration Museum partners with museums and galleries to launch new UK-wide Community Curators programme

The Migration Museum is partnering with five museums and galleries across the UK to launch a new programme bringing diverse voices, lived experiences, and perspectives into the creation of a series of...

migrationmuseum.org

For #ArchiveHour: today I visited Teesside Archives in the Dorman Museum, Middlesbrough, built by steel magnate Sir Arthur Dorman (of Dorman Long) as a memorial to his son George, who died of illness in the South African War. Opened 1904, though the archives moved here only a few years ago. 📜🗃️

Red brick entrance with pilasters and decorative pediment, topped by a cupola, to the Dorman Memorial Museum, against a blue sky.

Sudan is one of many parts of the British Empire poorly remembered in popular history today, but it dominated late 19th-cent imperial imaginings. Upstairs at the same museum, Kordofan (a region of Sudan) is the name of this candle-holder designed by Christopher Dresser and sold by Liberty. 🗃️📜

Bronze-coloured candle stick, c 1880s,  with curved wooden handle to right, and the candle stick body made of two metal half-spheres joined by a cylinder. Stands on a Perspex mount in a museum case lined with pale blue fabric, and a label in front reading R Perry & Son Chamberstick, galvanised tin, sold by Liberty & Co as the Kordofan. Dorman Museum Dresser Collection.
Christina Riggs@christinajriggs.bsky.social · 2w ago

Cleveland Bridge Company of Darlington, of course (Dorman Long of Middlesbrough also built bridges in Sudan; both archives in the Dorman Museum). Here, a section of the Blue Nile Bridge ready to ship to Khartoum, as signs at the base explain. Photograph dated November 1907, Teesside Archives. 🗃️📜📷

My chapter “Archaeologies of Unfree Labour and Liberal Fantasies of Abolition” is out now in The Oxford Handbook of the Comparative Archaeology of Slavery, ed. by J Webster and M Leone. Proud to have led this piece, written with X Ayán Vila, R Bernbeck, H Burke, B Serrazina, C Smith, and C Westmont.

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Durham University@durham.ac.uk · 2w ago

How can archaeology deepen our understanding of slavery's legacy? New research led by @ruigomescoelho.bsky.social from our Archaeology department explores how archaeology can help uncover the material traces of unfree labour across the modern world 👉 bit.ly/4fb9XaP

Image of the Monte Alegre plantation, Barra do Piraí, Brazil

Cleveland Bridge Company of Darlington, of course (Dorman Long of Middlesbrough also built bridges in Sudan; both archives in the Dorman Museum). Here, a section of the Blue Nile Bridge ready to ship to Khartoum, as signs at the base explain. Photograph dated November 1907, Teesside Archives. 🗃️📜📷

Large black and white photograph of a section of bridge in the Cleveland Bridge Company steelworks, Darlington, November 1907, with three men standing on it, to left, 
 a brick industrial building just seen to left, steel rails and implements in foreground.
Christina Riggs@christinajriggs.bsky.social · 2w ago

I’m in an archive! Which is in a museum! And has giant photos of giant bridges! Exciting. This is Goz Abu Goma bridge on the White Nile in #Sudan, built by the Cleveland Bridge Company, Middlesbrough - and a workforce including hundreds of Egyptians, Sudanese, West Africans, and Italians, too. 🗃️📜

Blue metal trolley in an archive room, with a large black and white photograph on top, and archival envelopes below. Photograph shows a bridge across a wide river.

I’m in an archive! Which is in a museum! And has giant photos of giant bridges! Exciting. This is Goz Abu Goma bridge on the White Nile in #Sudan, built by the Cleveland Bridge Company, Middlesbrough - and a workforce including hundreds of Egyptians, Sudanese, West Africans, and Italians, too. 🗃️📜

Blue metal trolley in an archive room, with a large black and white photograph on top, and archival envelopes below. Photograph shows a bridge across a wide river.