Observations of Deviance

@obsofdeviance.bsky.social

"Observations of Deviance has become a Wire deadline weekend staple." The Wire (UK) David Mittleman DJ @wfmu.bsky.social Vinyl collector Writing @ We Jazz Magazine https://wfmu.org/playlists/OV

It's great, aye! There's lots of really good posters around that time, I'm guessing self-printed/silkscreened. Here's another... Muhal Richard Abrams - Intergral performs Centering poster ca. 1970, First Unitarian Church, 57th and Woodlawn, Chicago, Illinois, 22nd April. Photo by Nathan Keay

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There’s at least 56 different #vinyl pressings of BELLS / Albert Ayler listed on Discogs, but not this particular version. It seems to be early to mid 1970s. Says “translucent” on back but the disc is black. The blank side has a stock ESP label most pressings don’t seem to have.

Albert Ayler Brlls frontSide A labelBlank side labelESP-DISK' presents the Town Hall recording of
'Bells'
with Albert Ayler, sax, Donald Ayler, trumpet;
Charles Tyler, sax;
Lewis Worrell, bass;
Sonny Murray, percussion.
TRANSPARENT DISK COMPLETE ON ONE SIDE
ESP-DISK' 1010
STEREO
Recorded live at
Town Hall
May 1, 1965.
Reviews Of In-Person Performances
Town Hall, New York City
Albert Ayler is certainly orig-
inal. His tenor saxophone tempos, is harsh and guttural,
with a of
be
called freak effects
what
Oliver's day.
He plays with a vehemence either
him or
pulling him into the music
with
almost brute force. The effect can be oddly exhilarating.
On slow tempos, Ayler favors a vibrato
mind Charlic
Barnet's old take-off on Freddy Martin. is an archaic sound, and the phrasing that
roes with i-drawn-out noics,
sentimental melodic emphasis is quite in
ксоршь•
Trumpeter Don Ayler
plays like his
orotact ways tast tenore loud, stacalo,
and broadly emphatic.
He did not
solo at stow chipo brothers.
Altoist Tyler fits the
His sound is not unlike Albert's
but more grating and less controlico-of his overtones were involuntary, whereas tenorist meant every note he played
The music that goes with this definitive instrumental approach is no less personal.
It resembles at times—in texture as well and melody-
music of a
village brass band or a military drum-and
CULA
music
In spite of its abrasiveness,
"country" might be the
and friendly:
harmonics are stark and almost primitive, with occasional forays into bagpipe ellects.
Ayler's
group
first, quite brici,
played two pieces. ended
with a prolonged
of repeated noes paled sebly on try
repeated
notes played strictly on
beat. The effect was not unlike a surrealistic parody of those famous Jazz at the Philharmonic finales, replete with screaming trumpet and honking saxophones.
Or
perhaps the image was of a rhythm-and-lues band gone berserk.
The second piece. though sprawiing and too long, was nevertheless filled with excit-
A slow tenor
lowed by a bass interlude
solo
was fol-
and then a call
…

So it appears that a far right Oregon street thug with a penchant for the German far right (past and present) is now a de facto assignment editor for Bari’s CBS. He’s the MAGA maniac who cooked up that bogus mental health “evidence” re. Talarico.

Nick Field@nickfield.bsky.social · 2d ago

"Weiss also tasked staff with pursuing the theory that Democratic Texas Senate candidate James Talarico was in a mental health facility after he disappeared from the campaign trail for over a week in October" www.semafor.com/article/10/1...

So thrilled about this release I was afraid my expectations would eclipse the actual record. No, it's just incredible, a wide range of phenomenal sounds across 13 tracks plus super-detailed liner notes & terrific photos, an heroic LP. Mekong Shellac (Sublime Frequencies, 2026)

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