Dimitrij Mlekuz Vrhovnik

@dimitrij.bsky.social

archaeology...Neolithic...theory...landscape...animals...movement...psychoanalysis...Lacan...Žižek...Anthropocene https://dimitrij.splet.arnes.si

Geoglyphs on the Goriški Kras: TITO, FLRJ, the hammer and sickle. Signs written not simply on the landscape, but with it. Stone, soil and vegetation become the medium. And the medium, inevitably, is political. New fragment on Feral Methods: dimitrij.splet.arnes.si/2026/09/19/t...

The Medium Is the Message

Geoglyphs are signs inscribed into the landscape by cutting into the ground, arranging stones, or piling up earth. Their medium is the Earth itself. Once made, they become part of its surface and begi...

dimitrij.splet.arnes.si

It’s quite something seeing the (long) list of people who claim to work on social justice issues in archaeology who are prepared to go to EAA in Athens this year, sometimes sharing sessions with people involved in illegal excavations in the West Bank. bdsmovement.net/news/europea...

European Association of Archaeologists Is Welcoming Scholars Knowingly Participating in a War Crime

The EAA is welcoming scholars from Hebrew University, which is partially built on land illegally expropriated from Palestinians in Israeli-occupied East Jerusalem, to its annual meeting, Sept 2-6.

bdsmovement.net

If you have memories, photographs, stories or legends about dogs on excavations, surveys, field camps or archaeological projects, please share them here. I suspect there is a whole unofficial history of archaeology told through its dogs. #archaeology #dogs dimitrij.splet.arnes.si/2026/08/22/f...

Field Dogs

What does an archaeological excavation look like to a dog? A fragment about field dogs, archaeological distance, attention, sociality, and the gaze that puts archaeologists back into the frame.

dimitrij.splet.arnes.si

Field Dogs, piece about dogs as part of archaeological fieldwork: hanging around trenches, following routines, noticing excitement, waiting through boredom, sharing camps, meals, dust, and all the strange rhythms of excavation. dimitrij.splet.arnes.si/2026/08/22/f...

Field Dogs

What does an archaeological excavation look like to a dog? A fragment about field dogs, archaeological distance, attention, sociality, and the gaze that puts archaeologists back into the frame.

dimitrij.splet.arnes.si

In the house of archaeology there lives an Odradek. New essay on Kafka, the Lepenski Vir archive, and why every archaeological order leaves something behind that quietly waits to return. Feral methods: dimitrij.splet.arnes.si/2026/08/09/o...

Odradek

An essay on Kafka’s Odradek, the Lepenski Vir archive, and the unsettling afterlife of archaeological interpretation. Every act of ordering leaves something without a place.

dimitrij.splet.arnes.si

New essay: "Triptych III: The Archive" The archive doesn't store archaeological memory. It produces it and then disappears, so its accumulated decisions present themselves as "archaeology itself." On why the discipline can't see the apparatus it sees through. dimitrij.splet.arnes.si/2026/06/29/t...

Triptych III: The Archive

The archive appears, at first, to be the final stage of memory. Memory organises traces; the archive preserves those organisations. Yet this is only half the story. Once memory acquires hard material ...

dimitrij.splet.arnes.si