Dr Rita J. Dashwood

@rjdashwood.bsky.social

Literary Scholar and Historian of the 18th and 19th Centuries | FWO Senior Postdoctoral Fellow at Ghent University, The Heiress: Women, Property and Economics | Author of Women and Property Ownership in Jane Austen + Reading the Romantic Ridiculous

OMG semi-affordable paperback edition of my and @rjdashwood.bsky.social’s ridiculous book is available to pre-order from today! Coleridge falling down a mountain! Austen feeling silly! The Woman of Colour as more comedy than tragedy! Somehow, BBC’s Ghosts! How to work with Lake District museums!

Reading the Romantic Ridiculous

Reading The Romantic Ridiculous aims to take Romantic Studies from the sublime to the ridiculous. Building on recent work that decentres the myth of the solitary genius, this duograph theorises the ri...

routledge.com

It’s almost affordable for normal people in paperback form and is, I think, a good book on Romanticism, humour, selfhood, community, and Romantic legacies today - Rita and I had fun writing it and we hope some of that comes across reading it! It would look great on your university library’s shelf!

Dr Andrew McInnes@drbeard79.bsky.social · 6mo ago

Academic friends! I have received the most humbling royalty statement ever from Routledge in which I could count the sales of @rjdashwood.bsky.social and my book Reading the Romantic Ridiculous on one hand 🥺 Please help by pre-ordering the paperback version I discovered is out at the end of May!

So happy to see my article, ‘A Much Maligned but Clever Lady: Mary Verney, Who Saved Claydon House,’ published in the new issue of Jane Austen’s Regency World Magazine. Read to find out why the first thing that Mary Verney did when she inherited Claydon House was to tear down two thirds of it 😉

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So happy to see my monograph out! I’m so thankful to everyone at UWP for their amazing work and support through this process 🖤

University of Wales Press@uniwalespress.bsky.social · 8mo ago

'Theological Monsters: Religion and Irish Gothic' by @madelinepotter.bsky.social is out now! This book places monstrosity at the centre of the process of gathering knowledge of the divine and reassess the relationship between Gothic literature and Catholicism. 📚 www.uwp.co.uk/book/theolog...

This book explores how monsters articulate questions about the sacred in nineteenth-century Irish Gothic literature. The relationship between religion and Gothic literature has traditionally been approached through denominational readings, but this study proposes how Irish Gothic texts from Charles Maturin’s Melmoth the Wanderer to Le Fanu’s ‘Carmilla’ and Bram Stoker’s Dracula resist being inscribed into particular doctrinal frameworks. Abandoning allegorical interpretations, Theological Monsters proposes that real-life theologies do not translate into the fictional ones articulated across these texts. The focus is on revealing how the bodies of monsters make real and tangible otherwise abstract concepts associated with God and the afterlife, and on identifying monstrosity as a valuable way to uncover knowledge of the divine in nineteenth-century Irish Gothic literature. What follows is an original reassessment of three canonical writers – Maturin, Le Fanu and Stoker – highlighting their fictional theological exercises.

Happy 250th anniversary to the greatest author who has ever lived. It’s only two days before my viva anniversary and I can’t think of anyone else I would rather have spent four years with - and many others before and since. Here’s to many more years of having fun with Austen 🥳

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Got £50 from Routledge today which *might* be profit on Reading the Romantic Ridiculous? Fancy finding out what £50-worth of fuss is about (including low Coleridge, silly Austen, and my own and Charlotte Smith’s vulnerabilities)? You can buy / request it for your library here:

Reading the Romantic Ridiculous

Reading The Romantic Ridiculous aims to take Romantic Studies from the sublime to the ridiculous. Building on recent work that decentres the myth of the solitary genius, this duograph theorises the ri...

routledge.com

2 years ago I was in Brussels for my FWO interview 😊 Cut to right now and I’m halfway through my project at Ghent University, The Heiress: Women, Property and Economics, 1780-1900 (Yes, they were advertising the new Queen Charlotte Bridgerton show and no, sadly she doesn’t feature in my project 😄)

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Reading the diaries of a nineteenth-century female estate owner where she writes that she lectured a female servant for getting married and “not being proclaimed.” Why would her mistress lecture her for not proclaiming her banns? Because something could have been found out about the groom? Curious🧐

I had such a great time today watching @ihatejoelkim.bsky.social’s Fire Island with my MA students as part of my Jane Austen in Popular Culture module 😊🏳️‍🌈 (Though it was a little disconcerting to realise, during one of my favourite scenes, that they had never listened to Britney Spears’s Sometimes!)

a close up of a woman 's face with a phone in her ear

ALT: a close up of a woman 's face with a phone in her ear

media.tenor.com