Bojana Kunst

@bkunst.bsky.social

performance art theorist, philosopher · professor at the Institute for Applied Theatre Studies at @jlugiessen.bsky.social · author of Artist At Work and The Life of Art: Transversal Lines of Care · https://intima.org/kunst

My favorite non-artist, this Wednesday in Frankfurt: artist talks with Carolin Brendel and Igor Štromajer nodeforum.org/announcement... 🗓️ WED, 19 AUG 2026, 19:00 📍 display – Raum für digitale Praxis, Berliner Str. 60, Frankfurt d-i-s-p-l-a-y.de/en/events/no...

igor štromajer · intima.org@intima.bsky.social · 2mo ago

NODE+CODE 24, Feral Circuits – w/ Carolin Brendel & Igor Štromajer nodeforum.org/announcement... 19 Aug 2026, display Frankfurt d-i-s-p-l-a-y.de/en/events/no... ~ Artist Talks: intimate digital entanglements between nonhuman life and electronics intima.info/2026/08/03/n...

Promotional poster for the NODE+CODE meetup titled “Feral Circuits.” The poster uses a bright orange background with pale mint-green typography and geometric circuitry-like graphics. The title reads “Feral Circuits,” followed by “Carolin Brendel + Igor Štromajer.” The NODE+CODE logo appears prominently in the center. The lower section announces “Meetup, 19. August 2026.” The left side contains a large abstract pattern of horizontal and vertical mint-green lines, rectangles, and grid-like forms resembling an electronic circuit or technical diagram.

On Monday, I'll kick off the summer school in Zurich with my keynote lecture – Instituting Supervision: Between Care and Study. — The Doctoral Supervisors' Summer School, 17-21 August 2026, 3rd Cycle Research, hosted by Zurich University of the Arts, Institute for the Performing Arts and Film (IPF).

Graphic with a two-column layout in pale yellow and ochre. On the left, a coral rectangle at the top contains the large number “3” and the heading “3rd Cycle Research – Institute for the Performing Arts and Film.” Below is a paragraph describing 3rd Cycle Research at the Institute for the Performing Arts and Film (IPF) as a dynamic, peer-to-peer research community supporting experimental artistic and art-based research, creative encounters, critical thinking, new forms of knowledge creation, and transdisciplinary collaboration.

On the right, on an ochre background, black text identifies the Zürcher Hochschule der Künste, Department Darstellende Künste und Film (DDK), Institute for the Performing Arts and Film (IPF), Zürich, followed by “ZHdK PhD Centre.” The lower section displays the ZHdK logo and the text “Zürcher Hochschule der Künste / Zurich University of the Arts.”

We stopped in Karlsruhe and visited ZKM, where we saw the surprisingly intelligent and subtle Silver Egg exhibition and, of course, the ever-inspiring permanent collection. By the way, after many years, we got to see Stelarc's Exoskeleton again!

A selfie of two visitors standing inside ZKM Karlsruhe. On the left, a bald man with a short white goatee wears a black Adidas T-shirt and oversized round black sunglasses with bright turquoise lenses. On the right, a woman with short brown hair and blue-framed glasses smiles at the camera, wearing a light blue striped shirt over a dark top. Behind them is a large illuminated welcome sign displaying "Willkommen", "Welcome", and "Bienvenue" beneath the ZKM Karlsruhe logo.A large transparent spherical vessel, about the size of a person, is partially filled with vivid green liquid. Condensation covers the inside of the dome, while thick transparent tubes and polished metal pipes connect to the front of the structure, giving it the appearance of a futuristic laboratory device or bioreactor. The installation is displayed in a spacious gallery with wooden parquet flooring.Stelarc's Exoskeleton robotic installation fills a dark gallery space. The large metallic machine resembles a giant six-legged spider, with articulated hydraulic legs extending from a central circular platform. A tall framework rises from the center, carrying cables, sensors, and mechanical arms. Bright spotlights highlight the silver structure, casting dramatic shadows across the parquet floor and black walls.A digital artwork composed of five rectangular screens arranged in an irregular vertical formation against a black wall. The displays show luminous white particle clouds swirling across deep blue backgrounds, creating abstract, fluid forms that appear to flow seamlessly from one screen to the next. The minimalist presentation emphasizes the glowing motion and fragmented composition.

Every day is International Women's Day! ("Militarism on Trial", Frankfurt, 1914. Rosa Luxemburg was prosecuted for her anti-militarist speech and for agitating against the military. The caricature depicts the trial through an inverted perspective: Rosa is the one putting militarism on trial.)

A black-and-white political caricature from 1914 titled "Militarism on Trial." In the center background, Rosa Luxemburg stands behind a raised podium, pointing an accusing finger toward the foreground. Below her, a military officer in a pointed helmet sits with his back to the viewer on a bench labeled "Anklagebank" (Defendant's Bench). Between them, two rows of benches labeled "Zeugenbank" (Witness Bench) are filled with skeletons wearing military uniforms, facing each other. Two court officials are seated at the desk next to Luxemburg, appearing to take notes. The scene is framed by a formal courtroom setting, creating a powerful visual reversal where the anti-war activist acts as the prosecutor of the military.

For the catalogue of the exhibition "Ulay and Marina Abramović: Art Vital" at Cukrarna Gallery, curated by Alenka Gregorič and Felicitas Thun-Hohenstein, I wrote an essay titled Kinetic Power Relations. www.e-flux.com/announcement... The exhibition opens on 29 November 2025.

Catalogue: ART VITAL—12 Years of Ulay/Marina Abramović - Announcements - e-flux

ART VITAL—12 Years of Ulay/Marina Abramović explores the twelve-year collaboration between the two pioneering figures of performance art through an exhibition, a photobook, and a comprehensive catalog...

e-flux.com

❤️‍🩹 Once again, the best festival of the best art students in the world, and beyond, is here: 💥 𝗗𝗶𝘀𝗸𝘂𝗿𝘀 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝟮𝟬𝟮𝟱 diskursfestival.de/en 𝗙𝗼𝗿𝗲𝘀𝗵𝗼𝗰𝗸𝘀 Gießen, 6–9 November 2025

Bright yellow poster with bold blue and white graphics for the Diskurs Festival 2025. In the center, there is a photo of a smashed white layer cake with black polka dots and a single broken candle sticking out. Above the cake, in a jagged blue frame, the text reads “DISKURSFESTIVAL 6.–9.11.2025.” In the top right corner, another starburst shape says “FORESHOCKS!” in blue letters. On the left, a blue badge reads “BUY FESTIVAL PASS PASS PASS.” Along the bottom, small blue icons label sections “HOME,” “CALENDER,” “CONTACT,” “TEAM,” and “BLOG.” Logos of sponsors and institutions, including Gießen Kulturamt, Hessische Theater Akademie, and Justus-Liebig-Universität Gießen, are aligned at the bottom. The design uses only yellow, blue, white, and black, creating a loud, pop-art feel.

A woman's library, filled with men's words: the paradox of the Duchess Anna Amalia Library in Weimar / Herzogin Anna Amalia Bibliothek. 📕 📘 📗 📙 📚 📓 📒

View of the historic Rococo Hall inside the Duchess Anna Amalia Library in Weimar. The room is grand and oval-shaped, lined with floor-to-ceiling shelves filled with antique books in faded leather bindings. The walls are painted pale blue with white stucco ornamentation and gilded gold accents on the railings, columns, and cornices. A curved upper gallery wraps around the room, supported by arches and balustrades decorated with intricate gold leaf. Marble busts of scholars and historical figures stand at intervals along the balcony. Above, a richly decorated ceiling features an oval skylight with painted artwork and sculpted flourishes. Soft natural light shines through tall arched windows, supplemented by hanging lantern-style lamps that add a warm glow. The overall atmosphere is solemn, elegant, and reverent — a sanctuary of knowledge preserved in exquisite 18th-century style.View of the historic Rococo Hall inside the Duchess Anna Amalia Library in Weimar. The room is grand and oval-shaped, lined with floor-to-ceiling shelves filled with antique books in faded leather bindings. The walls are painted pale blue with white stucco ornamentation and gilded gold accents on the railings, columns, and cornices. A curved upper gallery wraps around the room, supported by arches and balustrades decorated with intricate gold leaf. Marble busts of scholars and historical figures stand at intervals along the balcony. Above, a richly decorated ceiling features an oval skylight with painted artwork and sculpted flourishes. Soft natural light shines through tall arched windows, supplemented by hanging lantern-style lamps that add a warm glow. The overall atmosphere is solemn, elegant, and reverent — a sanctuary of knowledge preserved in exquisite 18th-century style.View of the historic Rococo Hall inside the Duchess Anna Amalia Library in Weimar. The room is grand and oval-shaped, lined with floor-to-ceiling shelves filled with antique books in faded leather bindings. The walls are painted pale blue with white stucco ornamentation and gilded gold accents on the railings, columns, and cornices. A curved upper gallery wraps around the room, supported by arches and balustrades decorated with intricate gold leaf. Marble busts of scholars and historical figures stand at intervals along the balcony. Above, a richly decorated ceiling features an oval skylight with painted artwork and sculpted flourishes. Soft natural light shines through tall arched windows, supplemented by hanging lantern-style lamps that add a warm glow. The overall atmosphere is solemn, elegant, and reverent — a sanctuary of knowledge preserved in exquisite 18th-century style.View of the historic Rococo Hall inside the Duchess Anna Amalia Library in Weimar. The room is grand and oval-shaped, lined with floor-to-ceiling shelves filled with antique books in faded leather bindings. The walls are painted pale blue with white stucco ornamentation and gilded gold accents on the railings, columns, and cornices. A curved upper gallery wraps around the room, supported by arches and balustrades decorated with intricate gold leaf. Marble busts of scholars and historical figures stand at intervals along the balcony. Above, a richly decorated ceiling features an oval skylight with painted artwork and sculpted flourishes. Soft natural light shines through tall arched windows, supplemented by hanging lantern-style lamps that add a warm glow. The overall atmosphere is solemn, elegant, and reverent — a sanctuary of knowledge preserved in exquisite 18th-century style.

Off to Rome to talk about dark things. My lecture, 𝗧𝗵𝗲 𝗗𝗮𝗿𝗸 𝗦𝗶𝗱𝗲 𝗼𝗳 𝗔𝗿𝘁, will take place on 8 September, at 18:30 at La Pelanda – Mattatoio di Roma, Teatro 1. 20th Short Theatre Festival, 5–14 September 2025 𝘽𝙤𝙟𝙖𝙣𝙖 𝙆𝙪𝙣𝙨𝙩 𝙚 𝙞𝙡 𝙡𝙖𝙩𝙤 𝙤𝙨𝙘𝙪𝙧𝙤 𝙙𝙚𝙡𝙡'𝙖𝙧𝙩𝙚 www.shorttheatre.org/en/eventi/bo... Rome, Italy

Bojana Kunst e il lato oscuro dell'arte - Short Theatre

CLASSE is a project of transmission, compromise, blending and mixing, invented pedagogies and radical imagination.

shorttheatre.org