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panke.gallery

@pankegallery.bsky.social

https://panke.gallery ➠ a dialogue between established & emerging artists dealing with digital & net-based art · /rosa project space in collaboration with @zfn.bsky.social

355 Posts651 Follower 159 Folgt

panke.gallery @pankegallery.bsky.social · 15h ago

An Interview with Olia Lialina by @postanikameier.bsky.social Right Click Save Magazine www.rightclicksave.com/article/an-i... The net art pioneer says the tech industry is working to make the digital world increasingly invisible, prompting her to demonstrate her belief in the care of digital art.

An Interview with Olia Lialina - Right Click Save

The net art pioneer, who has always treated the web as a medium, says the tech industry is working to make the digital world increasingly invisible, prompting her to demonstrate her belief in the care...

rightclicksave.com

panke.gallery @pankegallery.bsky.social · yesterday

Dead Link Club – special session on the occasion of Olia Lialina's exhibition Network Portraits 📍 panke.gallery 🗓️ TUE, 29 SEP 2026, 7 PM panke.gallery/event/dead-l... Dead Link Club is part of the research project and event series Damnatio Memoriae by @tomatocappelletti.bsky.social & Noemi Garay.

Promotional graphic for the Dead Link Club at panke.gallery. A glittering dark-blue book or tomb-like object decorated with rhinestones, hearts, roses, a cross, and the letters “RIP” stands in a moonlit cemetery surrounded by stars and blue flowers. Pixelated white text at the top reads “DEAD LINK,” while the bottom reads “CLUB” and “Tuesday 29th September 2026 @panke.gallery.”

Minimalist white promotional graphic for the Dead Link Club. Large pale-blue pixelated text reads “AN EVENING OF INTERNET ARCHAEOLOGY, COLLECTIVE MEMORY AND SPECULATION ABOUT DIGITAL AFTERLIVES.” Small text at the bottom reads “Dead Link Club, Tuesday 29th September 2026, @panke.gallery.”

Black promotional graphic with a starry background and large yellow text. It announces a special Dead Link Club session held in connection with Olia Lialina’s exhibition “Network Portraits” at panke.gallery. The text explains that works from the exhibition will be used as a starting point to examine how the infrastructures of the web have changed. “Dead Link Club” appears in gray at the bottom left.

White promotional graphic for the Dead Link Club. Large blue pixelated text reads “BRING A DEAD LINK TO THE FUNCTION.” Below, blue serif text invites visitors to bring an Olia Lialina-inspired dead link, select a few links during the session, and conduct a “dead link autopsy” together. “Dead Link Club” appears in small pale-blue text at the top.

panke.gallery @pankegallery.bsky.social · 2d ago

┗ #Sakrowski, head curator at panke.gallery, Berlin Photo: Eva & Franco Mattes, September 2026

Exterior of panke.gallery in Berlin at dusk. The gallery entrance is set in a dark, heavily graffitied brick facade, with a large illuminated “panke.gallery” sign above the doorway. Curator Sakrowski stands just inside the open entrance, dressed in dark clothing and looking down at a smartphone. The glass door and surrounding walls are covered with layers of graffiti and tags, while warm interior light contrasts with the dark blue tones outside.

panke.gallery @pankegallery.bsky.social · 3d ago

Network Portraits – solo show by Olia Lialina 📍 panke.gallery, 10 SEP – 3 OCT 2026 panke.gallery/exhibition/n... 🗓️ open: Wed–Sat, 3–7 PM Curated by Noemi Garay & Sakrowski + more pics: instagram.com/panke.gallery ↓ Dead Link Club Session 🗓️ TUE, 29 SEP 2026, 7 PM panke.gallery/event/dead-l...

A red, apple-shaped Hannspree monitor mounted on a white gallery wall. The screen displays a fragmented digital image of a person in a red top and turquoise skirt, flanked by two abstract, distorted human figures. The monitor has green speaker grilles and a green stem and leaves, emphasizing its apple-like design.

A gallery wall installation featuring colorful, outlined labels and text arranged along a large curved blue dotted line. Visible labels include “Linking to each other,” “Web master,” “Making a page for your dog,” “Frontend developer,” “For UI,” “Scrolling the feed of generated cats and dogs,” “Undo,” and “Unlock.” Some labels contain web addresses and interface-related terms. The installation extends around a corner of the gallery wall.

panke.gallery @pankegallery.bsky.social · 6d ago

Dead Link Club – special session on the occasion of Olia Lialina's exhibition Network Portraits 📍 panke.gallery 🗓️ TUE, 29 SEP 2026, 19:00 panke.gallery/event/dead-l... We will start with One Terabyte of Kilobyte Age, based on the archive of GeoCities, and see where the investigation takes us.

A stylized graphic on a teal background showing a gray, pixelated tombstone with “RIP” carved into it. A broken piece of the tombstone lies beside it, with faint pixelated text reading “DEAD LINKS” above and “CLIQUE” below.

A vertical photograph of a large computer monitor mounted on a white gallery wall. The screen displays a web browser showing a woman in a black top and sheer skirt sitting on a swing suspended against a bright blue sky. Part of a framed text piece is visible on the wall to the right.

panke.gallery @pankegallery.bsky.social · last wk.

Thank you to everyone who came, and especially to @sofixian.bsky.social and @evanroth.bsky.social for their presentations! 📷 Fenja Cambeis follow the link – Gallery Surfing Session with Sofi Xian & Evan Roth panke.gallery/event/follow... panke.gallery, 15 September 2026

Two presenters stand in front of a white wall covered with colorful outlined shapes, arrows, and text resembling elements of an early web interface. The wall is marked “1993” in large black letters. The presenter on the left wears a black turtleneck, wide black trousers, and white sneakers. The presenter on the right wears a plaid shirt, dark trousers, gray sneakers, and a patterned cap.

Two presenters sit behind a white table during a presentation, each holding a microphone. Several laptops, an audio mixer, cables, and speakers are visible around them. A large green screen fills the background. The presenter on the left wears black clothing and white sneakers, while the presenter on the right wears a plaid shirt, dark trousers, gray sneakers, and a patterned cap.

A large white projection structure displays a computer desktop and a web browser showing a grid of colorful images. In the background, a presenter sits at a table with a laptop and microphone in front of a large green screen. A bottle and other equipment are on the table.

A presentation is taking place in a gallery space. One presenter sits behind a table with a laptop and microphone in front of a large green screen, while another presenter is partially visible beside them. Several people sit and stand in the foreground watching the presentation. Two speakers on stands flank the presentation area.

panke.gallery @pankegallery.bsky.social · last wk.

Network Portraits – solo show by Olia Lialina 📍 panke.gallery, 10 SEP – 3 OCT 2026 panke.gallery/exhibition/n... Curated by Noemi Garay & Sakrowski 📷 Fenja Cambeis + more pics: instagram.com/panke.gallery 🗓️ Open: Wed–Sat, 3–7 PM

A wide view of Olia Lialina’s solo exhibition at panke.gallery in Berlin. A large white exhibition wall features a colorful diagram of interconnected web-related terms and a dotted blue line, with several digital screens displaying webpages and online artworks. A small red, heart-shaped screen is mounted on the right. The gallery has white walls, exposed ceiling pipes, fluorescent lighting, and a gray floor.

A wide view of Olia Lialina’s exhibition installation. Against a white gallery wall are printed diagrams and documents, a vintage beige computer on a wooden desk with a black chair, and a large vertical screen displaying a woman sitting on a swing against a white background. Additional small printed works are mounted on the wall, with a long printed document extending down from the right side.

Close-up of a red, heart-shaped handbag mounted on a white gallery wall as part of Olia Lialina’s exhibition. The handbag is decorated with small multicolored studs and has a small rectangular screen embedded in its center, displaying a webpage. A long gold-colored chain hangs from both sides, forming a loop below the bag.

A wide view of Olia Lialina’s exhibition installation. A wall-mounted screen on the left displays an image of a swimmer in a pool. In the center, colorful overlapping geometric shapes form a diagram labeled “Net Art Generations,” with “1993” above it. On the right, a large diagram of interconnected web-related terms continues across the wall. Printed documents are mounted and displayed on the far left and right.

panke.gallery @pankegallery.bsky.social · last wk.

Thank you to everyone who came to tonight's surfing session, and to both artists for the amazing presentation. follow the link – Gallery Surfing Session with @sofixian.bsky.social & @evanroth.bsky.social – 15 September 2026 panke.gallery/event/follow... 📍 panke.gallery

A wide photograph of a gallery event with an audience seated on black benches facing two presenters at a table. The presenters sit behind laptops in front of a large green screen, with two speakers on stands on either side. A projected browser window is visible on a white screen in front of the audience. The industrial gallery space has white walls, exposed ceiling pipes, and cables.

A closer photograph of two presenters seated behind laptops at a white table in front of a large green screen. One presenter is looking at a laptop, while the other holds a microphone. Two speakers on stands flank the green screen, and audio equipment and cables are visible around the table. Several audience members are partially visible in the foreground.

𝘴𝘰𝘧𝘪𝘢 @sofixian.bsky.social · 2w ago

this is today! please tune in or stop by if you are in Berlin (at 19h) @evanroth.bsky.social @pankegallery.bsky.social www.panke.gallery/event/follow...

follow the link · panke.gallery

panke.gallery seeks to open up a dialogue between established and emerging artists whose work comes out of the connections between digital or net-based art and club culture, especially in the recent h...

panke.gallery

panke.gallery @pankegallery.bsky.social · 2w ago

Interview with Olia Lialina on the occasion of her exhibition at panke·gallery: Net·Art Pioneer Olia Lialina on the Practice of Preservation · by Shanti Escalante-De Mattei www.artnews.com/art-news/new... September 14, 2026

Net.Art Pioneer Olia Lialina on the Practice of Preservation

Olia Lialina is the subject of "Network Portraits”, a three-decade-spanning survey now on view at Berlin’s Panke Gallery through October 3.

artnews.com

panke.gallery @pankegallery.bsky.social · 2w ago

follow the link – Gallery Surfing Session with Sofi Xian & @evanroth.bsky.social 📍 panke.gallery, Tuesday, 15 September 2026 from 7 to 10 PM panke.gallery/event/follow... See you there! [pics] 🖼️ Images from artworks by Xian and Roth.

A large gallery installation covers the walls and floor with thousands of small, colorful photographic and printed images arranged in dense grids and collages. A woman in a long black dress stands near the center, facing the wall and viewing the work.

A dark exhibition space contains a large installation of multiple vertical screens arranged in a loose, symmetrical composition. The screens display pink and red-tinted images of trees and landscapes, while cables hang from the screens to electronic equipment on the floor.

Three small humanoid robots are positioned on a rocky overlook above a turquoise lake surrounded by dense green forest and mountains. One silver robot sits in the foreground, another blue robot sits farther back on the left, and a white robot stands on the right.

An art installation resembling a bouquet of white and pale pink tulips stands in a transparent container. Green stems and leaves are interwoven with visible wires and electronic components, while a small transparent electronic control device rests on the white surface beside it.

panke.gallery @pankegallery.bsky.social · 2w ago

follow the link – Gallery Surfing Session with Sofi Xian & @evanroth.bsky.social 📍 panke.gallery, TUE, 15 SEP, 7-10 PM panke.gallery/event/follow... See you there! ↓↓↓ Network Portraits – solo show by Olia Lialina 📍 panke.gallery, Wed–Sat, 3–7 PM panke.gallery/exhibition/n... Welcome!

A wide view of an empty, industrial-style gallery space with white walls, exposed pipes, fluorescent ceiling lights, and a bare concrete floor. Large black text across the center reads “follow the link,” with smaller text underneath: “gallery surfing session with Sofi Xian & Evan Roth.” At the bottom of the image, white text reads: “15 September 2026 @ panke.gallery.”

A vertical photograph of a computer monitor mounted on a white gallery wall. The screen displays a web browser with a blue-toned webpage showing a woman in a black top and blue skirt, sitting on a swing against a blue sky. A small framed text work is partially visible on the wall to the right of the monitor.

panke.gallery @pankegallery.bsky.social · 2w ago

Network Portraits – solo show by Olia Lialina 📍 panke.gallery, 10 September – 3 October 2026 Curated by Noemi Garay & Sakrowski panke.gallery/exhibition/n... 🗓️ Open: Wed–Sat, 3–7 PM Welcome!

Olia Lialina stands in an exhibition space at panke.gallery in Berlin, in front of a large wall installation about net art generations. She wears glasses, a white T-shirt with a bright green circular graphic, loose black trousers, and white sneakers. Behind her, the white walls feature colorful outlined triangles labeled “1st,” “2nd,” “3rd,” “last,” “PANDEMIC,” and “AI,” alongside a diagram of interconnected interface-like labels and arrows headed “1993.” The dark gray floor and black baseboards contrast with the white walls.

panke.gallery @pankegallery.bsky.social · 2w ago

The exhibition is now open! Thank you to everyone who came to the opening last night, to Olia for the presentation, and to everyone who helped make it happen. Come visit the exhibition Wed–Sat, 3–7 PM. We'd love to see you! Network Portraits – solo show by Olia Lialina panke.gallery/exhibition/n...

A crowded exhibition space with visitors gathered around a presentation. Olia Lialina stands near a wall-mounted screen and points toward a large diagram titled “Net Art Generations.” Fluorescent tube lights and exposed pipes run across the ceiling, with a projector mounted overhead.

A vintage beige Sony Trinitron CRT monitor sits on a wooden table beside a black computer or media device and mouse. The screen displays an early web page with two pixelated figures against a black background. A large printed flowchart is mounted on the wall to the left.

A wall-mounted Hannspree television in a distinctive red apple-shaped casing displays a digital artwork with fragmented, pixelated figures of people against a white background. The television has green speaker grilles and a brown stem at the top.

A diagram titled “Net Art Generations” shows several overlapping colored triangular outlines labeled “1st,” “2nd,” “3rd,” and “last.” A large blue inverted triangle and a large magenta upright triangle extend downward, with the words “PANDEMIC” and an upside-down “NET ART” near the bottom.

transmediale/@transmediale.bsky.social · 2w ago

Network Portraits Exhibition opening 10 September, 19:00 panke.gallery Olia Lialina’s solo exhibition Network Portraits opens tonight at @pankegallery.bsky.social , exploring the labour and transformations required to keep websites and digital cultures alive. ▶︎ www.panke.gallery/exhibition/n...

Network Portraits · panke.gallery

panke.gallery

panke.gallery @pankegallery.bsky.social · 2w ago

Tonight at 19.00: Network Portraits – solo show by Olia Lialina ➠ panke.gallery, opening: Thursday, 10 September 2026 at 19.00 panke.gallery/exhibition/n... Olia Lialina will be present and will introduce her works. Curated by Noemi Garay & Sakrowski. Welcome!

A swimmer wearing dark goggles swims freestyle in a bright indoor swimming pool, captured mid-stroke with one arm extended forward and the face partly submerged. Red, blue, and white lane dividers run horizontally across the pool, with reflections of windows shimmering on the water. The image is displayed in a web browser window.

A web browser new-tab page showing a grid of frequently visited websites. Several square tiles display large initial letters or small website icons, with site names such as “bram,” “sebastians…,” “anthonyan…,” “jonaslund,” “evan-roth,” “faithholland,” and “kimasendorf.” The browser interface and navigation bar are visible at the top.

panke.gallery @pankegallery.bsky.social · 3w ago

follow the link – Gallery Surfing Session with Sofi Xian & @evanroth.bsky.social panke.gallery TUE, 15 SEP 2026, 7-10 pm panke.gallery/event/follow... Sofi Xian and Evan Roth come together to navigate their own work through the lens of a shared influence: pioneering net artist Olia Lialina.

panke.gallery @pankegallery.bsky.social · 3w ago

Network Portraits – solo show by Olia Lialina panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... ➠ opening: Thursday, 10 September 2026 at 19.00 Olia Lialina will be present and will introduce her works. Curated by Noemi Garay & Sakrowski. 🌐 Welcome!

Screenshot of a Windows desktop running Netscape Navigator. The browser displays Olia Lialina’s net.art work Agatha Appears on a mostly black screen. A small collage-like figure of a woman, assembled from fragmented images including a smiling face, appears near the lower left. Along the left edge, a narrow vertical panel shows repeated small grayscale images. A JavaScript warning dialog overlays the artwork, reading: “No, definitely, your legs are too long,” with an OK button. The browser’s classic 1990s toolbar, address bar, and Windows taskbar are visible.

panke.gallery @pankegallery.bsky.social · 3w ago

Network Portraits – solo show by Olia Lialina 🗓️ panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... 🖱️ opening: Thursday, 10 September 2026 at 19.00 💾 curated by Noemi Garay & Sakrowski 🌐 Welcome!

Screenshot of a web browser displaying Olia Lialina's net.art work Summer. Against a smooth vertical gradient from deep blue at the top to pale grey at the bottom, a woman sits on a black swing suspended by two long chains from the top edge of the page. She faces forward, holding the chains with both hands, her legs together and bent slightly forward. The browser address bar shows https://emiliegervais.com/olia/summer/, while the bottom-left status bar displays kimasendorf.com.

Screenshot of a browser's New Tab page showing fifteen thumbnail previews of Olia Lialina's Summer distributed in a five-by-three grid. Each thumbnail shows the same blue-to-grey gradient background and the woman on a swing, but captured in different positions, including upright, sideways, and upside down. The tiles are labelled with different website domains, including raquelmyers.com, anthonyantonellis.com, sebastianschmieg.com, saskia-aldinger.com, entropy8.com, leegte.org, reas.com, ritual.technology, gli.tc, constantdullaart.com, k0ala.net, emiliegervais.com, thxalot.org, jamesbridle.com, and bukk.it.

panke.gallery @pankegallery.bsky.social · 3w ago

Great Divide: Karin Sakrowski & MIK NIM brings together Karin Sakrowski's woodcut prints from her East Berlin period in the 1980s with MIK NIM's new video, sound, and installation works. Rabbit & Tiger Gallery · Seoul, Korea · 6-23 September 2026 · curated by 이채원 www.instagram.com/rabbitandtig...

panke.gallery @pankegallery.bsky.social · 4w ago

Network Portraits – solo show by Olia Lialina 🗓️ panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... 🔔 opening: Thursday, 10 September 2026 at 19.00 Curated by Noemi Garay & Sakrowski

Pixelated full-body image of a woman with long dark hair, wearing a red sleeveless top, a turquoise-blue skirt, black tights and black boots. She stands facing forward with both arms raised and bent outward, as if dancing with a hula hoop. A thin dark green hula hoop circles diagonally around her waist and skirt. White background.

Pixelated full-body image of a woman with long dark hair, wearing a strapless white dress with a fitted bodice and a wide, flared skirt. She stands facing forward with her arms lowered at her sides, slightly bent at the elbows. Her lower legs and dark shoes are visible beneath the skirt. White background.

Pixelated full-body image of a woman with long dark hair, wearing a cropped patterned top, dark trousers and black pointed shoes. She is holding and playing an accordion across her torso, with one arm extended outward and the other bent toward the instrument. Her body is tilted slightly to one side, suggesting movement or dancing. White background.

igor štromajer · intima.org @intima.bsky.social · 4w ago

This September is extra special at @pankegallery.bsky.social as we open a solo exhibition by Olia Lialina – an absolute must see! panke.gallery/exhibition/n... ➠ THU, 10 SEP at 19.00 🖥️ Olia's 'My boyfriend came back from the war' running in Netscape Navigator 2.02 (via WineVDM) on my Windows 11

Cropped screenshot (Olia Lialina’s net.art work My Boyfriend Came Back from the War) of Netscape Navigator 2.02 showing a black webpage with a small, heavily pixelated black-and-white photograph positioned toward the upper right. The photograph depicts a window or doorway divided into rectangular panes, with dark vegetation or indistinct objects visible in the lower sections.

panke.gallery @pankegallery.bsky.social · 4w ago

Posters all over Berlin! Network Portraits – solo show by Olia Lialina panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... ➠ opening: Thursday, 10 September 2026 at 19.00 Curated by Noemi Garay & Sakrowski

A nighttime street scene in Berlin with a large utility cabinet in the foreground covered with a poster for “Network Portraits: Olia Lialina”, advertising the exhibition at panke.gallery from 10 September to 3 October 2026. The poster shows Olia Lialina sitting on a swing. Behind it is a brightly lit urban intersection with traffic, streetlights, and the illuminated red “ALEXA” shopping center sign.

A daytime Berlin street scene showing three copies of a “Network Portraits: Olia Lialina” exhibition poster attached to a row of large utility cabinets. The posters show Olia Lialina sitting on a swing and advertise the exhibition at panke.gallery, 10 September to 3 October 2026. Behind the cabinets is a residential and commercial building with a red “SPÄTI AM LEOPOLD” sign.

A daytime Berlin street scene showing two “Network Portraits: Olia Lialina” exhibition posters attached to a large utility cabinet. The posters feature Olia Lialina sitting on a swing and advertise the exhibition at panke.gallery, 10 September to 3 October 2026. Behind the cabinet is a historic white building with the sign “KLEO APOTHEKE”, parked cars, and a small café or takeaway storefront.

panke.gallery @pankegallery.bsky.social · 4w ago

Network Portraits – solo show by Olia Lialina ➠ opening: Thursday, 10 September 2026 at 19.00 panke.gallery/exhibition/n... panke.gallery, 10 September – 3 October 2026 Curated by Noemi Garay & Sakrowski [1st 📷 by Lea Roewer]

A woman with long dark hair sits against a white wall, surrounded by tall stacks of books about the internet and web design. She holds an open book titled “Publish It on the Web!” and smiles toward the camera. The book stacks include titles about the World Wide Web, HTML, JavaScript, multimedia, web navigation, and other early internet technologies.

Zentrum für Netzkunst Berlin @zfn.bsky.social · last mo.

Akribie & Obsession [Meticulousness & Obsession: Aesthetics and Practices of the Cybernetic Conjuncture]; Spector Books, Leipzig, 2026 [in German] www.spectorbooks.com/de/buch/akri... — part of Calculating Control: (Net)Art and Cybernetics; Berlin, April – October 2021 netzkunst.berlin/cc

Vintage mechanical calculating machine labeled “Mercedes,” with rows of black and white numbered keys, metal levers, and a mechanical number display. The machine is photographed at an angle on a small white table.

Open white LP record sleeve containing a black vinyl record and several black-and-white graphic inserts or sleeves. The upper artwork features dense vertical fields of fine white lines and numbers on a black background, while another visible design consists of large geometric white lines forming a cross-like pattern. The LP sleeve is placed on a purple surface.

Gallery installation with numerous large white sheets mounted on white walls. Each sheet contains dense arrangements of red graphic symbols, including human figures, buildings, industrial structures, objects, and repeated patterns. The works are displayed in rows across two adjoining walls.

Vintage Bondi Blue iMac G3 displaying an early web page for the Natural Selection search engine. A translucent turquoise-and-white keyboard is positioned in front of the computer, with several framed photographic portraits visible on the wall behind it.

panke.gallery @pankegallery.bsky.social · last mo.

Network Portraits – solo show by Olia Lialina panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... ➠ opening: Thursday, 10 September 2026 at 19.00 Curated by Noemi Garay & Sakrowski

A pixel-art woman with short light hair stands against a black background, wearing a black sleeveless top and a long flowing skirt. The skirt is composed of bright green computer-like symbols, letters, numbers, and geometric characters arranged in horizontal rows.

A pixel-art woman with short light hair stands against a black background, wearing a dark sleeveless top and a long flowing blue skirt. The skirt is covered with bright blue computer-style characters, including numbers and rows of text-like symbols, creating a digital pattern.

A pixel-art woman with short light hair stands against a black background, wearing a dark sleeveless top and a long flowing skirt. The skirt contains a colorful, low-resolution photographic image of a smiling person's face and upper body, surrounded by vivid red, orange, yellow, pink, blue, and purple areas.

A pixel-art woman with short light hair stands against a black background, wearing a sleeveless top and a long flowing gray skirt. The skirt is patterned like a Minesweeper game board, with gray grid squares, numbered cells, and black mine symbols, including one red-highlighted mine.

panke.gallery @pankegallery.bsky.social · last mo.

Network Portraits – solo show by Olia Lialina www.panke.gallery/exhibition/n... 📍 panke.gallery 🗓️ 10 September – 3 October 2026

Exhibition poster for "Network Portraits: Olia Lialina", showing a pixelated woman in a black top and silver skirt swinging beneath the large blue title "Network Portraits". The poster announces the exhibition from 10 September to 3 October 2026 at panke.gallery, Gerichtsstr. 23, Hof 5, 13347 Berlin. Opening: Thursday, 10 September 2026 at 19:00.

panke.gallery @pankegallery.bsky.social · 2mo ago

Just saying: Olia Lialina at panke.gallery this September! Network Portraits – solo show panke.gallery/exhibition/n... panke.gallery, 10 September – 3 October 2026 Olia Lialina is among the best-known participants in the 1990s net·art scene – an early-days, network-based art pioneer.

Three cutout views of the same woman on a swing are arranged across a plain white background, capturing different moments of a swinging motion. She has shoulder-length dark hair, wears a black sleeveless top with a small white pattern, a white skirt with broad gray and black stripes, and black shoes. In the left image she swings toward the viewer, in the center her hair flies sideways as she reaches the highest point, and on the right she leans forward as the swing moves back. Only the chains and the top swing attachments are visible, creating the impression that the three figures are suspended in empty space.