Tessera

panke.gallery @pankegallery.bsky.social · 2d ago

Just saying: Olia Lialina at panke.gallery this September! Network Portraits – solo show panke.gallery/exhibition/n... panke.gallery, 10 September – 3 October 2026 Olia Lialina is among the best-known participants in the 1990s net·art scene – an early-days, network-based art pioneer.

Three cutout views of the same woman on a swing are arranged across a plain white background, capturing different moments of a swinging motion. She has shoulder-length dark hair, wears a black sleeveless top with a small white pattern, a white skirt with broad gray and black stripes, and black shoes. In the left image she swings toward the viewer, in the center her hair flies sideways as she reaches the highest point, and on the right she leans forward as the swing moves back. Only the chains and the top swing attachments are visible, creating the impression that the three figures are suspended in empty space.

Zentrum für Netzkunst Berlin @zfn.bsky.social · 3w ago

New book: Akribie & Obsession [Meticulousness & Obsession: Aesthetics and Practices of the Cybernetic Conjuncture]; Spector Books, Leipzig, 2026 [in German] www.spectorbooks.com/de/buch/akri... — part of Calculating Control: (Net)Art and Cybernetics; Berlin, April – October 2021 netzkunst.berlin/cc

Installation view inside a spacious industrial-style gallery with unfinished concrete walls and high ceilings. In the foreground, a vintage mechanical calculating machine sits on a white pedestal. Suspended from the ceiling behind it is a row of hanging panels displaying black-and-white portraits and explanatory texts. Large black wall panels with framed minimalist artworks are mounted on the back wall, creating a dialogue between historical technology, archival material, and conceptual art.

A person with curly hair, glasses, and large white over-ear headphones sits indoors, looking attentively toward something outside the frame. Behind them, large windows reveal a city street with parked cars, buses, leafless trees, and apartment buildings. The image is embedded within a diagram, with German labels such as "Kybernetik, Sozialismus, Postkolonialismus," "ökonomische Schwierigkeiten," "Umwelt," and "5 Untersysteme" surrounding the portrait, suggesting a conceptual map relating cybernetics, politics, and systems theory.

Zentrum für Netzkunst Berlin @zfn.bsky.social · 3w ago

📖 Akribie & Obsession – Ästhetiken und Praktiken der kybernetischen Konjunktur; Anneliese Ostertag, Tabea Rossol (Hrsg.) / Zentrum für Netzkunst; Spector Books, Leipzig, Juli 2026 www.spectorbooks.com/book/akribie... ISBN: 9783959055840, 120 Seiten

Fotografie einer aufgeschlagenen Buchdoppelseite mit dem Inhaltsverzeichnis. Links steht die Überschrift „Einleitung“, darunter folgen Beiträge von Birgit Schneider, Francis Hunger, Wolfgang Ernst, Alexander Amberger und Oliver Sukrow mit Seitenzahlen und mehrzeiligen Titeln zu Themen wie Schreibmaschinen, Kybernetik, Bürokratie, Medienarchäologie und Organisationswissenschaft. Rechts sind weitere Beiträge von Katharina Loeber, Christian Booss, Martin Supper, Roland Kayn, Michaela Wünsch und Maroš Krivý aufgeführt, unter anderem zu Cybersyn, Kybernetik, Fernsehen, Psychoanalyse und Stadtplanung. Am unteren rechten Seitenrand befinden sich die Einträge „Biografien“, „Anmerkungen“, „Bildnachweise“ und „Impressum“ mit römischen Seitenzahlen. Die Gestaltung ist typografisch klar, mit schwarzen und hellrosa Überschriften auf weißem Papier. Oben rechts ist die Seitenzahl 73 sichtbar.

panke.gallery @pankegallery.bsky.social · 4w ago

panke.gallery is on summer break. Enjoy the summer. See you in September!

A highly saturated, posterized tropical coastal landscape in vivid blocks of color. In the foreground, a wide sandy beach curves around a calm bay with deep blue water. Two small white sailboats float near the shore. A reddish-orange seawall or walkway runs diagonally across the lower right side of the image, bordered by lush green shrubs. Several tall palm trees lean over the coastline on the right, their dark trunks and bright green fronds contrasting against the sky. Across the bay, a large purple-blue volcanic mountain rises on the horizon beneath a bright turquoise sky. The entire image has a stylized, high-contrast digital aesthetic with simplified shapes and intense blues, greens, yellows, and reds, rather than natural photographic colors.

panke.gallery @pankegallery.bsky.social · last mo.

Thank you to everyone who joined us for the Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives! panke.gallery/event/dead-l... Dead Link Club is part of the research project Damnatio Memoriae by Tommaso Cappelletti & Noemi Garay.

A wide-angle view of a workshop in a bright studio shows ten participants gathered around long black and wooden tables arranged in a U-shape. Most are working on laptops, while others look at notes or talk quietly. In the foreground, two people sit on a large black bench using laptops, one wearing a beige cap and a dark oversized shirt, the other a white T-shirt and turquoise skirt. On the tables are glasses of water, a bowl of green grapes, notebooks, pens, chargers, extension cables, and power strips. Around the room, participants sit in relaxed postures, focused on collaborative work in a minimalist space with white walls and a grey floor.

Participants sit around tables during a workshop while a large projection fills the front wall with a webpage featuring pink, yellow, and orange gradients and text about internet preservation. Several people type on laptops while others look toward the screen. A participant with bright red hair in a black dress works on a laptop in the foreground, surrounded by notebooks, water bottles, glasses, grapes, and stationery. The room has white walls, exposed lighting, and speakers on stands beside the projection, creating the atmosphere of an intensive collaborative working session.

A group of participants sits in a semicircle facing a projected image of the online game Club Penguin, showing snowy islands and cartoon penguins. One person gestures toward the screen while the others watch attentively from chairs around the room. Several laptops remain open on the tables, suggesting an ongoing discussion or presentation. The minimalist workshop space has white walls, a grey floor, fluorescent ceiling lights, a ceiling-mounted projector, and speakers on stands on either side of the screen.

Participants sit in a circle outdoors in a graffiti-covered urban courtyard, holding an informal discussion. Several have laptops open on their laps while one person in a colourful patterned shirt speaks with animated hand gestures. Behind them, brick walls are densely covered with graffiti, murals, posters, and tags, with a vivid red neon-lit doorway creating a striking focal point. A person dressed in black stands in the background near the entrance, observing the scene. Trees partially frame the courtyard, contrasting with the colourful industrial surroundings and reinforcing the atmosphere of an artist gathering or workshop held outside.

Zentrum für Netzkunst Berlin @zfn.bsky.social · last mo.

We start today, and finish on Sunday: 48h Reading Group, 3–5 July 2026 at /rosa ➠ Detailed program by day: cryptpad.bitnik.org/pad/#/2/pad/... Participants are welcome to stay overnight at /rosa, provided they register in advance via info@netzkunst.berlin. panke.gallery/event/48h-re...

A close-up photo of several books spread across a bright green fabric surface. Visible book covers include Uncomputable and other publications related to digital culture and media theory. Overlaid in the center is bold white text with a black outline announcing: “48h Reading Group ‘Mapping the Internet’ 3–5 July at /rosa with !Mediengruppe Bitnik, eeefff, Evan Roth, Simon Weckert.” The image has an informal, documentary feel, with the books partially overlapping and serving as a backdrop for the event information.

A graphic poster with a pink background featuring black-and-white pixelated abstract shapes resembling fragmented digital graphics or a distorted map. Light blue sans-serif text reads: “48 STUNDEN READING GROUP” near the top and “MAPPING THE INTERNET” in the lower half. The minimalist composition combines glitch aesthetics, pixel art, and soft pastel colors, reinforcing the theme of digital networks and internet culture.

panke.gallery @pankegallery.bsky.social · last mo.

Today, 7 PM 📍 panke.gallery!

panke.gallery@pankegallery.bsky.social · 2mo ago

Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives panke.gallery/event/dead-l... panke.gallery, 30 June 2026 from 7 to 9 PM 📥 RSVP: panke.gallery/event/dead-l... or write to us at info@panke.gallery to register.

Promotional poster on a solid teal background. Near the top, the words “DEAD LINK” appear in large, dark teal, pixelated letters, partially blending into the background. Centered in the image is a large gravestone-shaped object rendered in grey stone with a rough, weathered texture. The gravestone is designed with stepped, pixel-like edges reminiscent of early computer graphics. The letters “RIP” are carved into its center in a blocky pixel font. A small broken stone fragment lies on the lower right side of the gravestone, suggesting damage or decay. Near the bottom left, the word “CLUE” appears in the same dark teal pixelated style as the title above, partially fading into the background. In the lower right corner, dark grey text reads “@panke.gallery” and beneath it “Tuesday 30th June 2026”. The overall aesthetic combines retro digital imagery, internet culture references, and the visual language of a cemetery monument.

panke.gallery @pankegallery.bsky.social · last mo.

This Tuesday: Dead Link Club – an evening of internet archaeology and speculation about digital afterlives. panke.gallery/event/dead-l... 🔗🪦 30 June 2026, 7-9 PM Bring a defunct website or a service that stopped responding, and let’s run a dead link autopsy together. RSVP: info@panke.gallery

panke.gallery@pankegallery.bsky.social · 2mo ago

Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives panke.gallery/event/dead-l... panke.gallery, 30 June 2026 from 7 to 9 PM 📥 RSVP: panke.gallery/event/dead-l... or write to us at info@panke.gallery to register.

panke.gallery @pankegallery.bsky.social · last mo.

Thank you to everyone who joined us yesterday at panke.gallery for Meme (Piñata) Reading Club – Activation with @fabiolaio.bsky.social on a hot summer evening. panke.gallery/event/meme-p... The event paired Fabiola's Meme Piñata with Meme Reading Club, a format created by @damjanski.bsky.social.

A speaker sits beside a table with a laptop and a large monitor displaying documentation of Fabiola Larios' pink installation. Behind them, a tall pink banner reads: "AMAZE BERLIN." The brick wall is covered in colorful graffiti, creating an urban backdrop for the outdoor presentation.

Audience members sit on chairs and benches in the courtyard of panke.gallery during an outdoor artist talk. A large monitor shows documentation of an installation while the speaker presents. The graffiti-covered brick building features a pink vertical banner reading "AMAZE BERLIN," with the panke.gallery sign visible on the left.

A group of visitors sits in a semicircle in the graffiti-covered courtyard of panke.gallery, watching a presentation on a monitor showing a bright green game screen. A pink banner reading "AMAZE BERLIN" hangs on the wall, while a glowing red circular neon artwork illuminates the entrance to the building on the right.

People stand beneath a pink, heart-shaped piñata decorated with printed internet memes, suspended between trees in a leafy outdoor area. One participant holds a long stick, preparing to hit the piñata, while the others watch and smile. Behind them are a metal footbridge, dense green vegetation, and a green emergency assembly point sign covered with stickers.

panke.gallery @pankegallery.bsky.social · last mo.

Tomorrow ➠ Meme (Piñata) Reading Club - Activation w/ @fabiolaio.bsky.social panke.gallery/event/meme-p... panke.gallery, 25 June, 7 PM The event mashes up Mexican artist Fabiola Larios's Meme Piñata with a session of the Meme Reading Club. Send us your meme before the event to info@panke.gallery

A woman stands indoors beneath a glowing heart-shaped installation, raising both arms toward it with a smile. She wears a black outfit with a lace-trimmed neckline and bracelets on both wrists. The large suspended artwork above her is made of layered pink and white lace forming a heart shape, with a bright neon pink double-heart outline glowing at its center. The surrounding space is illuminated in purple and magenta light. Behind her are tall glass windows and doors, a luggage cart, hanging decorative objects, exposed light bulbs, and a potted palm, creating an atmospheric nighttime setting.

Close-up of a suspended heart-shaped artwork made from multiple layers of pink and white lace. At its center, a bright neon pink double-heart outline glows against a reflective surface, casting a purple light onto the delicate lace textures. Another similar lace heart is partially visible in the foreground on the right, while blurred hanging decorations and string lights appear in the background. The installation combines soft textile materials with vivid neon illumination.

transmediale/@transmediale.bsky.social · last mo.

transmediale open studio June 24, 18:00 Presentations 19:00 Come and meet our residents Ahreum Lee, Martyna Marciniak, @aaa-e-ee.bsky.social , and Laura Benech this Wednesday at the open studio! Join us from 18:00 and learn more about their ongoing research .ೃ࿔ ▶︎ transmediale.de/en/event/ope...

A promotional poster for a transmediale open studio event on a vivid orange background. Large black text at the top reads "transmediale/ open studio" with two crossing diagonal lines between the words. A large circular image, duotone-printed in lavender and orange, shows an overhead or wide-angle view of a studio workspace with equipment, screens, and objects scattered across it. Over the circle, the names of four participating artists are listed in large black text: Martyna Marciniak, Amanda E. Metzger, Ahreum Lee, and Laura Benech. At the bottom, a lavender banner displays the event details: 24.06.2026, 18:00, free admission, transmediale studio.

panke.gallery @pankegallery.bsky.social · last mo.

Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives panke.gallery, Tuesday, 30 June 2026 from 19:00 – 21:00 As capacity is limited, we kindly ask you to register for this event: panke.gallery/event/dead-l...

panke.gallery@pankegallery.bsky.social · 2mo ago

Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives panke.gallery/event/dead-l... panke.gallery, 30 June 2026 from 7 to 9 PM 📥 RSVP: panke.gallery/event/dead-l... or write to us at info@panke.gallery to register.

panke.gallery @pankegallery.bsky.social · 2mo ago

Meme (Piñata) Reading Club – Activation with @fabiolaio.bsky.social panke.gallery/event/meme-p... 📍panke.gallery, Thursday, 25 June 2026 at 19:00 The event mashes up Mexican artist Fabiola Larios's Meme Piñata with a session of the Meme Reading Club, a format created by @damjanski.bsky.social.

Close-up of a hanging art installation featuring layered pink heart shapes decorated with white lace. At the center, a glowing purple neon heart frames a small mirrored surface. Additional lace-covered pink hearts hang in the background along black cables. White walls and soft purple lighting surround the installation, giving the scene a romantic, dreamlike appearance.

Zentrum für Netzkunst Berlin @zfn.bsky.social · 2mo ago

Join us for the 48h Reading Group at our project space /rosa as part of 48 Hours Neukölln, 3-5 July 2026. 48-stunden-neukoelln.de/de/programm/... Throughout the weekend, sessions w/ artists Simon Weckert, Evan Roth, eeefff, and !Mediengruppe Bitnik will explore the theme of Mapping the Internet.

A close-up photograph shows several books and publications arranged on a bright green fabric surface with visible folds and wrinkles. The books overlap each other and are partly obscured by large promotional text placed in the centre of the image. On the left side, a publication with a purple and grey cover featuring a geometric pattern is partially visible. Fragments of white text can be read, including "...L VOI" near the top and "...idopolit..." and "...del Ver..." lower down. In front of it lies a white book with the title "UNCOMPUTABLE" printed in dark blue capital letters along the top edge. The lower part of its cover shows an abstract black-and-white illustration and the partial text "R. G..." near the bottom. To the right is another book with a predominantly dark blue and turquoise cover featuring rows of small white text resembling computer code or data tables, overlaid with abstract streaks of cyan, purple, and pink. A cream-coloured page or book edge peeks out from behind it on the far right. Superimposed over the books is large, bold white text with a thick black outline that reads: "48h Reading Group "Mapping the Internet", 3-5 July at /rosa, with !Mediengruppe Bitnik, eeefff, Evan Roth, Simon Weckert". The overall impression is of an announcement for a reading group focused on internet culture, media art, and digital practices, presented against a vivid green textile background.

panke.gallery @pankegallery.bsky.social · 2mo ago

text ~ image ~ sound / Project Space Festival Berlin 2026 panke.gallery/event/text-i... panke.gallery, 17 June 2026 📷 Galya Feierman instagram.com/p/DZvloQmgG7m projectspacefestival.berlin/en/kalender/... ➠ with Alma Alloro, Alexandra Cardenas, @aaa-e-ee.bsky.social, @julianneaguilar.bsky.social

A visitor stands in a sparsely furnished gallery, facing a wall-mounted flat screen displaying a nearly blank white image with a small block of faint text near the top. The person is photographed from behind and wears a short olive-brown sleeveless dress, sheer black tights, and knee-high dark boots. A black handbag with silver chain details hangs from one shoulder. Curly dark hair is tied into a loose bun, and a large white star-shaped earring is visible. A small tattoo appears on the upper arm. The gallery has white walls and a dark floor, creating a quiet, minimal atmosphere that emphasizes the act of viewing the digital artwork.

A visitor dressed entirely in black stands with their back to the camera, facing a large white projection in a gallery space. The projected artwork consists of fragmented grey text across the middle of the screen reading, "Information is in any case inelvitably incom..." with the word "inevitably" misspelled. Fainter lines of smaller text appear near the bottom, resembling an exchange generated by an artificial intelligence system discussing syllables and corrections. The person has short, tousled blond hair and wears wide-legged trousers and a long dark jacket. The dark floor and bright projection create a contemplative contrast between viewer and text-based digital artwork.

A performer stands behind a table of electronic equipment during a live audiovisual performance in a dimly lit venue. She wears black clothing and has dark hair gathered into a high bun. In front of her is an open laptop covered with numerous colourful stickers, connected by cables to audio devices and a small white electronic unit. Behind her, a large projection fills the wall with lines of computer code, vivid green and blue graphics, and fragments of text including the phrase, "May this noise be prayer." The image captures the concentration and technical complexity of experimental digital music performance.

A close-up portrait shows a singer performing into a handheld microphone in an intimate venue covered with layered graffiti and stickers. She wears bright blue-framed glasses, red lipstick, and a metallic silver camisole-style top with thin straps. Her dark hair is styled in two side buns decorated with small accessories. A chunky necklace rests around her neck, and her long turquoise fingernails wrap around the microphone. Her eyes are closed and her expression is intense and absorbed, suggesting an emotional moment in the performance. The dark, densely marked background contrasts with the spotlight illuminating her face and upper body.

transmediale/@transmediale.bsky.social · 2mo ago

text ~ image ~ sound panke.gallery 17 June, 19:00 – 23:00 Join us this evening as our artist-in-residence @aaa-e-ee.bsky.social will participate in the experimental evening text ~ image ~ sound at @pankegallery.bsky.social as part of the Project Space Festival 🌀 ▶︎ panke.gallery/event/text-i...

15:57Claude responded: A split promotional graphic for Project Space Festival 2026.A split promotional graphic for Project Space Festival 2026. The left half features a black background with the text "Project Space Festival" arranged in a curved arc in small white letters, and below it the words "text ~ image ~ sound" in spaced-out monospace white type. The right half displays the words "PROJECT SPACE FESTIVAL 2026" in large bold letters on a white background, where each letter is filled with a different photograph of art spaces, gallery interiors, outdoor installations, and event scenes — creating a typographic collage effect. The photographs show a variety of venues and artworks in colourful, diverse settings.

panke.gallery @pankegallery.bsky.social · 2mo ago

Meme (Piñata) Reading Club - Activation with Fabiola Larios panke.gallery/event/meme-p... panke.gallery, 25 June 2026, 7 PM The event mashes up Mexican artist Fabiola Larios's Meme Piñata with a session of the Meme Reading Club. Send us your meme before the event to: info@panke.gallery

A wide outdoor view of a graffiti-covered urban courtyard in autumn. In the foreground, a large tree with multiple dark trunks spreads its branches across the upper half of the image, its leaves turning yellow and green. The ground is covered with scattered brown and golden fallen leaves. Suspended from a thin rope hanging from a tree branch is a large heart-shaped piñata made of bright pink material patterned with small graphic designs. The piñata is decorated with an eclectic collage of internet imagery and memes, including several cats, dogs, cartoon faces, emojis, a troll face, a simple line drawing of a smiling figure, and other digitally sourced images layered across its surface. Behind it stands a weathered industrial building covered in colourful street art, graffiti tags, posters, and murals. Near the centre is a dark entrance framed by a glowing circular red neon light. To the right, a large painted slogan reads, "Kauf Dich Glücklich OUTLET." The scene combines the atmosphere of an alternative art space with internet visual culture, contrasting the handmade pink heart piñata against the gritty, graffiti-filled courtyard.

transmediale/@transmediale.bsky.social · 2mo ago

transmediale open studio June 24, 18:00 Presentations 19:00 The transmediale open studio is next week! 🥂 Join us next Wednesday and learn about the current research of our residents Ahreum Lee, Martyna Marciniak, Amanda E. Metzger, and Laura Benech .ೃ࿔ ▶︎ transmediale.de/en/event/ope...

A promotional poster for a transmediale open studio event on a vivid orange background.A promotional poster for a transmediale open studio event on a vivid orange background. Large black text at the top reads "transmediale/ open studio" with two crossing diagonal lines between the words. A large circular image, duotone-printed in lavender and orange, shows an overhead or wide-angle view of a studio workspace with equipment, screens, and objects scattered across it. Over the circle, the names of four participating artists are listed in large black text: Martyna Marciniak, Amanda E. Metzger, Ahreum Lee, and Laura Benech. At the bottom, a lavender banner displays the event details: 24.06.2026, 18:00, free admission, transmediale studio.

panke.gallery @pankegallery.bsky.social · 2mo ago

Tomorrow at panke.gallery: text ~ image ~ sound / Project Space Festival Berlin 2026 panke.gallery/event/text-i... 🗓 WED, 17 June 2026, 7–11 PM w/ Alma Alloro, Alexandra Cardenas, @aaa-e-ee.bsky.social, @julianneaguilar.bsky.social projectspacefestival.berlin/en/kalender/... [images] Alma Alloro

A photograph of a music production workstation viewed from above. A large monitor dominates the upper part of the image, displaying a grid of repeated abstract geometric patterns composed of thick cobalt-blue lines and solid blue rectangles on a white background. The motifs resemble minimalist architectural forms or maze-like symbols arranged in a tiled layout. Along the left edge of the screen is a dark interface panel from visual performance software, filled with sliders, knobs, buttons, and thumbnail previews of colourful graphic presets. The top menu bar of the computer is visible, showing small system icons and the date and time: "Fri Jun 12 10:36." In front of the monitor, a laptop running Ableton Live is open. Its Arrangement View shows multiple tracks in different colours, including yellow, purple, green, and pink clips placed across a timeline. Device controls and waveform-style modulation curves are visible at the bottom of the screen. To the right, partially cropped, sits a compact hardware device with several black knobs connected by red and black cables. The scene conveys an active audiovisual studio setup combining generative visuals and electronic music production.

Close-up photograph of a compact electronic synthesizer and modulation unit on a cluttered studio desk. A person's left hand enters from the left side of the frame, adjusting a black rotary knob using fingers with bright turquoise nail polish. The synthesizer's control panel is cream and dark blue, densely packed with sliders, knobs, push buttons, and small red indicator LEDs. Labels such as "AMP," "INS-FX," "ARPEGGIATOR," "CHORD," and "SOLO" are printed on the surface, suggesting functions related to sound shaping and sequencing. Several sliders are set at different positions, and a few buttons glow red-orange, indicating active settings. Behind the instrument, a tangle of black, white, and turquoise cables hangs against the wall. A black power adapter rests among the wires. On the right edge of the image, the yellowed keys of a vertical keyboard instrument are visible, partly cropped out of the frame. The photograph captures a hands-on moment of electronic music making within a densely wired home studio environment.

panke.gallery @pankegallery.bsky.social · 2mo ago

text ~ image ~ sound / Project Space Festival Berlin 2026 panke.gallery/event/text-i... 📍 panke.gallery 🗓️ Wed, 17 June 2026, 7–11 PM w/ Alma Alloro, Alexandra Cardenas, @aaa-e-ee.bsky.social, and @julianneaguilar.bsky.social projectspacefestival.berlin/en/kalender/... ➠ images: Amanda E. Metzger

Light gray background with a centered line of metrical symbols near the top, consisting of short black horizontal dashes and curved marks arranged in a rhythmic pattern. Beneath them, in large black serif type, the sentence reads: “I am a mullti-boldylmind, a self in the form of a netlwork.” Several words contain apparent misspellings, including “mullti-boldylmind” and “netlwork.” Near the bottom center, a block of smaller black sans-serif text reads: “Ah, good point! I just rephrased it a bit to fit the rhythm, but I can keep your exact wording and still put it into the hexameter pattern. Let me try again, keeping your original lines: ‘I am a multi-body mind, a self in the force, a network in all.’ This way, it stays close to what you had, but keeps the rhythmic pattern.” The composition resembles a minimalist presentation slide or documentation image examining poetic meter and AI-generated revisions.

Light gray background with a centered sequence of black metrical symbols near the top, made up of horizontal dashes and curved marks indicating poetic rhythm. Below them, in large black serif type, appears the sentence: “Inlformaltion is in alny case inlelviltalbly inlcomlplete.” The text intentionally or accidentally contains numerous inserted letters and spelling distortions. Near the bottom center, a paragraph of smaller black sans-serif text reads: “Ah, yes, got it. Thank you for that clarification. So, let me try again, really emphasizing that two-syllable ‘any.’ It would be: ‘IN for MA tion is, in ANY case, in EV i TA bly in COM plete.’ So now, ‘any’ is properly two syllables, and the rhythm should fit those long-short-short patterns.” The image presents a visual dialogue about fitting English text into a classical metrical structure.

Light gray background with a centered row of black metrical symbols near the top, alternating horizontal dashes and curved marks to indicate poetic feet. Beneath them, in large black serif type, is the sentence: “I am a mullti-boldylmind, a self in the form of a netlwork.” The words “mullti-boldylmind” and “netlwork” appear misspelled or deliberately altered. Near the lower center, in smaller italic black sans-serif text, appears the question: “But didn’t you say that the rhythmic pattern that I had was already six feet and the sentence that you just recited is not the sentence I gave you?” The image has a sparse, conceptual layout and appears to document a discussion about poetic meter, rhythm, and textual alteration.

juliannes.website @julianneaguilar.bsky.social · 2mo ago

So honored to be a part of this! Thank you @pankegallery.bsky.social for featuring my work "julianne's dreams" in this event

panke.gallery@pankegallery.bsky.social · 2mo ago

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026 panke.gallery/event/text-i... 📍 panke.gallery 🗓️ Wed, 17 June 2026, 7–11 PM w/ Alma Alloro, Alexandra Cardenas, @aaa-e-ee.bsky.social, and @julianneaguilar.bsky.social projectspacefestival.berlin/en/kalender/...

Black square graphic with minimalist typography. The words “text”, “image”, and “sound” appear in large, light gray lowercase letters arranged diagonally from upper left to lower right against a solid black background. The word “text” is positioned near the upper left, “image” below it, and “sound” lower right. Two gray tilde symbols (~) float between the words, suggesting a conceptual connection or transformation between text, image, and sound.

panke.gallery @pankegallery.bsky.social · 2mo ago

Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives panke.gallery/event/dead-l... panke.gallery, 30 June 2026 from 7 to 9 PM 📥 RSVP: panke.gallery/event/dead-l... or write to us at info@panke.gallery to register.

Promotional poster featuring a close-up view of a grey stone surface with a rough, cracked texture. Carved deeply into the stone in a pixelated, video game-style typeface is the text: “AN EVENING OF INTERNET ARCHAEOLOGY, COLLECTIVE MEMORY AND SPECULATION ABOUT DIGITAL AFTERLIVES.” The letters appear engraved into the stone and cast subtle shadows, emphasizing their depth. At the bottom left, white serif text reads “Dead Link Club”. At the bottom right, white serif text reads “30th June 7pm @panke.gallery”. The entire image uses shades of grey and resembles an engraved monument or memorial plaque, reinforcing themes of digital history, preservation, loss, and remembrance.

panke.gallery @pankegallery.bsky.social · 2mo ago

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026 panke.gallery/event/text-i... 📍 panke.gallery 🗓️ Wed, 17 June 2026, 7–11 PM w/ Alma Alloro, Alexandra Cardenas, @aaa-e-ee.bsky.social, and @julianneaguilar.bsky.social projectspacefestival.berlin/en/kalender/...

Poster announcing “PROJECT SPACE FESTIVAL 2026.” The title is set in large bold capital letters arranged across the page, with each letter filled by a different photograph of artist-run spaces, exhibitions, installations, performances, gatherings, and gallery interiors. The collage-like typography forms the words “PROJECT SPACE FESTIVAL” above the year “2026.” The background is light gray, while the letters are outlined in black and contain colorful images ranging from white gallery rooms and outdoor events to media installations and architectural spaces. The overall design functions as both a festival title and a visual survey of participating project spaces.

Zentrum für Netzkunst Berlin @zfn.bsky.social · 3mo ago

Rotbots distant.gallery/rotbots 3 more workshops: 5 June w/ @realclusterfuck.bsky.social 13 June w/ @iocose.bsky.social 2 July w/ @bitnik.bsky.social Feel free to apply! – initiated by @networked.work, Fabian Hampel, Zentrum für Netzkunst, and the Networked Materiality class at AdBK Nürnberg

distant.gallery

Zentrum für Netzkunst Berlin@zfn.bsky.social · 3mo ago

Open call docs.google.com/document/d/1... What happens when work is automated? ROTBOTS invites artists & critical makers to build content machines that don't optimize labor, but disrupt it. @lav.io @tega.bsky.social @realclusterfuck.bsky.social @iocose.bsky.social @bitnik.bsky.social @networked.work

A layered collage-style image. In the background, a large close-up of an animated elderly monkey’s face with white hair and a stern expression fills the frame. Across the center, bold white capital letters outlined in bright pink spell “ROTBOTS.” At the top left, a close-up shows strawberries shaped like small mice being sliced with a knife on a wooden surface, with red juice spread like liquid. At the top right, a small inset shows hands with painted nails tapping or pressing on an object in an ASMR-style setup with microphones nearby. At the bottom right, another inset shows a person wearing a head-mounted device and holding a microphone near a window, while smaller fragmented video clips appear to the left, including a performer speaking and abstract digital imagery. The overall composition mixes playful, unsettling, and media-art elements.

panke.gallery @pankegallery.bsky.social · 3mo ago

A MAZE. / Berlin – international Games and Playful Media Festival, 13–16 May 2026 ▶︎ 2026.amaze-berlin.de 🕹 A MAZE. / Berlin is back in 2026 for the 15th time, bringing together a worldwide community of arthouse game developers, artistic world builders, digital artists and playful media creators. 👾

A MAZE. / Berlin 2026

Get your early bird tickets and save the dates for A MAZE. / Berlin 2026 on May 13 — 16, 2026.

2026.amaze-berlin.de

Zentrum für Netzkunst Berlin @zfn.bsky.social · 3mo ago

Open call docs.google.com/document/d/1... What happens when work is automated? ROTBOTS invites artists & critical makers to build content machines that don't optimize labor, but disrupt it. @lav.io @tega.bsky.social @realclusterfuck.bsky.social @iocose.bsky.social @bitnik.bsky.social @networked.work

panke.gallery @pankegallery.bsky.social · 3mo ago

∆ (delta), a work by Amanda E. Metzger, was presented in an exhibition that has just closed at panke.gallery and can still be experienced anywhere with four or more people and a sufficiently large space: delta.metzger.love Developed as part of Arts at CERN in collab w/ Pro Helvetia. 📷 G. Feierman

A hand wearing a black sleeve and silver rings holds a smartphone against a gray background. On the phone's screen, a blurred blue-toned image of a moving hand appears. Surrounding the phone in the real scene is a faint, glowing, circular wireframe shape, resembling a soft halo or digital ripple projected onto the surface beneath. The composition contrasts the physical hand and device with the abstract, ghost-like form around them.

panke.gallery @pankegallery.bsky.social · 3mo ago

∆ (delta) – an exhibition by Amanda E. Metzger at panke.gallery 📌 open through 30 April · Wed–Thu, 15:00–19:00 panke.gallery/exhibition/d... 𝚫 (delta) is developed as part of Connect, Arts at CERN's residency programme in collaboration with Pro Helvetia. 📷 Galya Feierman

Close-up of a smartphone mounted vertically in a black clamp holder on a stand. A charging cable is plugged into the bottom. The screen shows an abstract, softly blurred image resembling a nebula or cloudy sky with small white dots scattered across it. The background is neutral and out of focus, suggesting a gallery or studio space.

A smartphone on a stand in the foreground displays a blue screen with a white circular, wave-like geometric pattern. Several other similar stands with mounted phones are visible in the background, connected by cables lying across the floor. The setting appears to be a minimalist gallery space with white walls and a grey floor.

A wooden pedestal stands in the foreground with a metal plate displaying a QR code. Around it, several smartphone stands are arranged, each holding a device and connected by cables. The background remains minimal, with a white wall and exposed wiring, reinforcing the exhibition or installation environment.

panke.gallery @pankegallery.bsky.social · 3mo ago

A big thank you to everyone for coming to the opening: ∆ (delta) – an exhibition by Amanda E. Metzger. Supported by Arts At CERN and Pro Helvetia. 📷 Galya Feierman Pics from the opening: instagram.com/panke.gallery 🗓️ open through 30 April · Wed–Sat · 15:00–19:00 panke.gallery/exhibition/d...

Inside a minimalist gallery, several people stand and walk across a dark floor. A thin, glowing white geometric projection sits on the ground near the center. In the foreground, a man in a green jacket and black cap looks down at his phone, while others in coats and hats face the wall, observing the space.

A group of people gathers outside a graffiti-covered building with a sign reading “panke.gallery.” They stand in a loose semicircle on a rough, urban courtyard, listening to a woman with her back to the camera. The walls are covered in colorful street art, and the setting feels informal and industrial.

A woman with short dark hair and bangs speaks animatedly outdoors, gesturing with both hands. She wears a black leather jacket and stands in front of a vibrant graffiti wall with a glowing red neon circle partially visible behind her. She appears to be addressing an audience.

A wider view of the same outdoor gathering shows a group of people facing a woman who is speaking in the center. The courtyard is surrounded by heavily graffiti-covered walls, with a bright red neon circle mounted on the building behind her. Some attendees stand, one person sits on the ground with a small dog, and the atmosphere suggests an informal art talk or tour.

panke.gallery @pankegallery.bsky.social · 3mo ago

Tonight at 6 PM. Welcome!

panke.gallery@pankegallery.bsky.social · 4mo ago

∆ (delta) – an exhibition by Amanda E. Metzger Opening: panke.gallery, Thursday, 23 April 2026, at 18:00 (guided tour of the exhibition with the artist at 19:30) panke.gallery/exhibition/d... Exhibition: 23–30 April 2026 Amanda E. Metzger: amandaemetzger.net

A minimalist indoor scene shows four smartphones mounted on black stands at different heights, arranged in a loose cluster in front of a plain white wall and door. Each phone displays the same blue screen with a soft, circular, abstract waveform or ring pattern in the center. The stands have flexible arms and visible cables hanging down, giving a slightly technical, installation-like feel. The overall composition is clean and monochromatic, with the bright blue screens standing out against the neutral background.