This Thursday DCMI presents: “Automating Servitude: How Platforms Exploit Women’s Work,” with Julia Ticona (@jticona.bsky.social). Professor Ticona is the author the brilliant book Left to Our Own Devices: Coping with Insecure Work in a Digital Age (Oxford 2022) and much more. Grucci Room 3:30pm.
Julia Ticona
@jticona.bsky.social
Assistant Prof. UPenn Annenberg, Mama, Researcher, Teacher, Writer - Labor, Tech, Women, Care.
The “childification” of AI and “parentification” of its users is a whole thing…
“She compares her work to the efforts of a parent raising a child. She’s training Claude to detect the difference between right and wrong while imbuing it with unique personality traits.”
JOB FAIRY: Reminder that I am hiring a Senior Researcher (2 years postdoctoral experience - 5 year post) for the ERC funded LivePlatforms research project exploring how people make livelihoods in platform work in Ireland. Please apply or share widely! Closing date Jan 5. www.ucd.ie/ics/vacancie...
LivePlatforms: Livelihoods in the Platform Economy Ecosystem
LivePlatforms: Livelihoods in the Platform Economy Ecosystem
ucd.ie
“What AI imperils is not human creativity itself but the ability to make a living from creative endeavor,” Caitlin Petre and @jticona.bsky.social write. “The AI industry claims that it wants to democratize creativity, but the real goal is dominance.” www.nytimes.com/2025/12/16/o...
Opinion | The Starving Artist vs. A.I.: Guess Who Is Winning?
nytimes.com
We’ve been talking with writers, artists, and actors, and they’re not worried about AI’s abilities, they’re mad that it stole its creativity from them and worried that it’s now being used in ways that threaten to dry up the pipeline of creative jobs that gave many their start.
“The threat is monumental but the outcome is not inevitable,” write Caitlin Petre and Julia Ticona. “The actions that artists, audiences and regulators take in the next few years will shape the future of the arts for a long time to come.”
From @jticona.bsky.social and Caitlin Petre, some great insights for policy and organizing from their interviews with artists grappling with the economic and labor impacts of AI
Opinion | Will Creative Work Survive A.I.?
nytimes.com
New from me and the brilliant Caitlin Petre - an essay for @nytimes about the now-or-never efforts to secure a future for paid creative work in the age of gen AI, and why they matter. www.nytimes.com/2025/12/16/o...
Opinion | Will Creative Work Survive A.I.?
nytimes.com
Call for Papers! "Technology and Inequality in Culture, Media, and the Arts"-a special issue of Poetics, coedited with @jticona.bsky.social + Angèle Christin www.ias.edu/stsv-lab/pla...
Technology and Inequality in Culture, Media, and the Arts
Call for Papers Technology and Inequality in Culture, Media, and the ArtsA Special Issue of Poetics: Journal of Empirical Research on Culture, the Media and the Arts
ias.edu
"No taxes on tips" was supposed to help low-wage workers, but because of the platforms used for tipping and Trump's steamrolling of data protections, it may instead have dire consequences for them. @hannahwohl.bsky.social, Lindsey Cameron, & I in Newsweek today. tinyurl.com/yc27dah7
The Hidden Dangers of Eliminating Taxes on Tips | Opinion
Instead of holding consumers accountable for sharing their data responsibly as privacy laws currently do, we must hold platform companies and our government accountable for the responsible stewardship...
newsweek.com