EPOCH

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Fiction, poetry, essay, comics, etc., “yrs in quality literature” since 1947. www.epochliterary.com

Something you may not know, all our issues since volume 54 are available as high-quality PDFs to read on your tablet or e-ink device, for just a few bucks. If you want to support us, this is a great way...these are terrific magazines at an unbeatable price, and you get them immediately

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Hello, a couple of notes about submissions! First, we are getting a lot of snail-mail subs without SASE included, and also a lot of emails asking why we haven't responded to subs sent last year. These are correlated! We really need the SASE or a stamped postcard if you want a response.

We have reached our paid submissions cap for issue 74.1! The free weekend, however, is still to come. I wonder if it will be the weekend soon. I wonder if that will be the one...

We are already more than halfway to our cap for this cycle, so if you have something for us, send it along! The free weekend (coming soon...maybe?) has its own separate cap, so, don't worry that you might miss it. Although that will also fill up fast...

EPOCH Magazine Submission Manager

We are open for electronic submissions only during the months of August and January. Each submission costs $3, and a portion of each fee, after processing costs, is donated to the Cornell Prison Educa...

epoch.submittable.com

...and here's a new craft piece from assistant poetry editor Samantha Samakande. "If listlessness or boredom threatens to make a meal of you, stare into its dank, gaping mouth, and even if it means letting it have its course."

One Poet’s Pep Talk to Herself — EPOCH

Rembrandt, Seated Young Woman Reading, c. 1639-40 Courage might mean sitting in solitude for hours, with nothing to do but have faith that somewhere on a back burner in your mind, an idea isbrewing....

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Two new posts up on the blog today, as we prepare for our August submission period! First, assistant fiction editor Fia Zhang Swanson interviews novelist Banana Yoshimoto. "Writing novels is neither fun nor therapy for me."

Interview: Banana Yoshimoto — EPOCH

“If you depict the sensory world deeply enough, there is a place where everyone stands on the same horizon. There, the reader is alone, yet sharing the same sensations as the author. This can ease the...

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"I will never use it, of course, because I like making things, and I don’t hate myself, even when the things I make don’t turn out so good. If you hate yourself and everything you do, you will love AI, because it negates the self, and when you use it, you are doing nothing."

EPOCH@epochliterary.com · 3mo ago

73.2 is at the printer, and 74.1 opens for submissions in two weeks! Please note we have a new AI policy that you can read on our submission page (TL;DR: we don't want AI-generated text), and a blog post from our editor on the subject, linked below.

73.2 is at the printer, and 74.1 opens for submissions in two weeks! Please note we have a new AI policy that you can read on our submission page (TL;DR: we don't want AI-generated text), and a blog post from our editor on the subject, linked below.

On AI, in EPOCH and Elsewhere — EPOCH

Human beings are made to be moved. We respond to patterns. AI generates patterns. When there is nothing of substance there, we use our imagination to fill in whatever will give us what we need. It’s n...

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Today on the blog: assistant editor Hafsa Zulfiqar interviews poet I. S. Jones about her new book BLOODMERCY: "I have always loved declarative lines in a poem, especially as a woman, there is a very strong and commanding power and being able to say something and then it is so."

Interview: I. S. Jones — EPOCH

This past November, I had the pleasure of speaking to the amazing I.S. Jones over the phone. I first discovered Jones in the summer of 2023 when I had the opportunity to study under her for a five-wee...

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We've just added Timi Sanni's lovely review of Gbenga Adesina's collection Death Does Not End at the Sea. Timi: "For the speaker of Adesina’s poems, there is a silence in the language of the dead that must ring out in the song of the living."

The Memory of Water: a Review of Gbenga Adesina’s Death Does Not End at the Sea — EPOCH

The images evoke a profound sense of displacement that unmistakably recalls the Middle Passage—the forced transatlantic crossing that carried millions of enslaved Africans into the Americas. That hist...

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New on the blog: Lara Stecewycz's interview with Askold Melnyczuk: "A poem must carry the nourishment in every line—even if the morsel of meaning can't itself be contained by a single line or stanza. The whole must feel somehow inevitable."

Interview: Askold Melnyczuk — EPOCH

“When I was about nine I contracted an illness—eventually diagnosed as pericarditis (water around the heart) which kept me from attending school for over two years. […] This unstructured time gave me ...

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Our apologies, we aren't tabling at AWP this year due to a bureaucratic snafu. But the new issue is up for sale, PDF or print! And if you see one of our editors wandering tableless around the hall, give 'em a high five

Volume 73, Number 1 — EPOCH

Volume 73, Number 1. D.M. Aderibigbe, Hussain Ahmed, Miriam Åkervall, Amir Ahmadi Arian, Jill Barrie, Alexandra Bernhardt, Shlagha Borah, TR Brady, Hedgie Choi, Brock Clarke, Kami Enzie, Ana Emilia Fe...

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