Limpid Tone

@drawaline.bsky.social

Mainly music

If I'm right, quite a bit of decision theory has to be rethought. Anything that starts by understanding choices in restaurants or hardware stores in terms of binary attitudes can't be the full story. Perhaps we need to start with constraints that directly apply to choices from menus. (FIN)

"Even more strikingly, her retelling not only describes, with astonishing precision, the interplay of instruments, voices and rhythms, but also captures the symphony’s meaning as a fully realised aesthetic experience."

Psyche Magazine@psyche.co · 6mo ago

Read movingly by Anderson for the event series Letters Live, Hellen Keller’s words resonate over a century later, offering a reminder that the fullness of life may be experienced with all our senses

Raoul Koczalski Plays Chopin Release: 2012 Is this what they call the "Real Chopin"? Did Chopin really leave behind a pattern of “genuine interpretation” in a roundabout way? Who knows! But one thing's for sure: Koczalski's playing is in a league of its own.

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Katharina Wolpe Plays Schubert's Impromptus Recording: 1996 | Release: 2011 Schubert’s Impromptus take on a quiet grandeur in Wolpe’s hands, her "limpid tone, natural rhythm, and clear phrasing" offering a nuanced interpretation. "Epic impromptus," described by a friend.

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