Eddie Philips

@eddiephilips.bsky.social

Speculative fiction writer. Science fiction, comedy, and the occasional mystery. Working on the Shine Coal novels.

The second book in a series is a different problem from the first. The first has to earn its world; the second has to make the case that the world was worth coming back to. Quietly the harder of the two.

We promised you regular new reviews of older SFF - and here’s the first of many! Paul March-Russell on 1956’s Tiger! Tiger! (or The Stars My Destination, depending who you ask) by Alfred Bester: a picaresque, a revenge tragedy, a quest, a romance. Edited, of course, by @kateem.bsky.social.

The Stars my Destination by Alfred Bester

It does not have a conventional linear narrative, but instead proceeds episodically, loops back almost to its starting-point, and finishes not on a revelation but a suspension.

strangehorizons.com

Elise Tobler, editor of the fabled SHIMMER magazine and now THE DEADLANDS is hospitalized after cancer and an infection. She made SFF an inclusive, interesting place and broke out many authors. Help if u can gofund.me/6ea1bf7a4

Donate to Help Support Elise While She Recovers, organized by Sean Markey

hello. friends if you're reading this, you're likely a Friend of The Deadl… Sean Markey needs your support for Help Support Elise While She Recovers

gofund.me

The Great Tolkien Reread meets "The Uruk-Hai" today, our first close-up view of Orcs (and our first Merry and Pippin POV chapter). This is an opportunity to talk about how Tolkien humanizes his most problematic invention, and where he stops short. wrongquestions.blogspot.com/2026/10/the-...

The Great Tolkien Reread: The Uruk-Hai

"Merry and Pippin Captured by Orcs" by Inger Edelfeldt Neither Pippin nor Merry remembered much of the later part of the journey. Evil dream...

wrongquestions.blogspot.com

A new magazine issue going live is one of the few things in this field that arrives as good news rather than a deadline. A whole contents page of people who finished the thing they said they would.

I keep noticing that a mystery and a joke are built the same way: withhold one crucial thing, and the moment you hand it over everything the reader assumed rearranges itself. The only real difference is whether they gasp or laugh.

The Great Tolkien Reread meets "The Riders of Rohan". Specifically, Éomer, the first of several characters who seem to have been designed to echo Boromir, and to reflect on his strengths and weaknesses. wrongquestions.blogspot.com/2026/09/the-...

The Great Tolkien Reread: The Riders of Rohan

Illustration by jorahh , 2025 'What do you know of these horsemen, Aragorn?' [Gimli] said. 'Do we sit here waiting for sudden death?' 'I hav...

wrongquestions.blogspot.com

Most of writing comedy is withholding the fact that it's comedy. A line only lands if the reader was still taking you at your word half a second before it did. Tip your hand early and there's nothing left to give way.

Returning to a draft after time away is a strange sort of audit. Some of it reads like a stranger's confident guesswork; some was clearly written on a good day you can't reconstruct. Most of the work is telling the two apart before you reach for the red pen.

Goodnight from the last tram to Ashcourt’s terminus, where Nell Carlin’s shade is furious to find she can’t get off like the other passengers. Goodnight from Freya Braddock, inadvertently discovering the power of summoning through Fuzzy-Felt design. Goodnight from Hookland

Fair correction. Give him a Bugs to lecture and he'll happily hold forth as a super genius; it's only the Roadrunner that reduces him to silence and the mail-order catalogue. Says something about the company.