Simon Spanton

@simonguy.bsky.social

"I strongly feel that this is an insult to life itself." Wandering. Wondering. Freelance SFFH editor. Commissioning for The Broken Binding. Living in Edinburgh. Views my own and independent of my employers. Photos my own unless otherwise etc.

"Once I heard the deep voice of 'Dad', who sounded as if he was talking through a greasy bowler hat. In the night I was awake and floating. As I went up, the blankets fell to the floor. I could feel nothing below me—and nothing above until came near the ceiling and it was hard to breathe there."

A photo of the 1981 Virago Modern Classics edition of The Vet's Daughter by Barbara Comyns. The cover shows a detail from Lilies by Walter Crane.

"The stork they rode flew high and fast over swift-unfolding brown and gray November landscapes, but still perhaps Somehow within other borders, for Lilac naked on her back felt neither warm nor cold."

A photo of a copy of the 2015 Gollancz edition of Little, Big by John Crowley. The cover art is by Lauren Mortimer.

"Last came Anarchy: he rode On a white horse, splashed with blood; He was pale to the lips, Like Death in the Apocalypse. And he wore a kingly crown; And in his grasp a sceptre shone; On his brow this mark I saw— 'I AM GOD, AND KING, AND LAW!'" Happy birthday, Percy.

A photo of the Oxford 1988 reprint of Shelley's Poetical Works. The cover shows "Shelley composing 'Prometheus Unbound' in the baths of Caracalla" (which seems an unlikely scenario, frankly) by Joseph Sevérns.

"The sun, still rising far north with summer, had sprung clear of the hills and shone full into his eyes as he turned a little to face it, in a golden dazzle that touched as though in greeting the Mark of the Horse Lord on his forehead."

A photo of a copy of The Best of Rosemary Sutcliff, an omnibus that contains Warrior Scarlet, The Mark of the Horse Lord and Knight's Fee.

"This is the story that Y and I used to tell, used to tell in the quiet of the night, in the hours of the quiet of the night, and the moonlight would come, moving forward, moving close; used to whisper to each other in the night..."

A photo of a copy of the 2017 Penguin Modern Classics edition of Dark Tales collection by Shirley Jackson. The cover uses a black and white photo of a cat sat by a thin curtain in a window. The photo was taken by Wojciech Zwolinski.

"Call it what you like. It's the unknown land, the beginning of the labyrinth. The place of mystery. The realm guarded not against Man but against Man's curiousity. The inaccessible place. The unknowable, forgotten past." Happy birthday Robert Holdstock. Wonderful writer and individual.

 A photo of copies of Mythago Wood, Lavondyss, The Hollowing and The Fetch by Robery Holdstock.