Oksana Nesterenko

@erlenadlu.bsky.social

Musicologist in New York Writing a book about sacred music in the Soviet Union extendedtechniques.com www.montclair.edu/~nesterenkoo

One interesting addition in NYC this July is Roulette's "No Fun" Festival. It feels like most names with "new," "contemporary," "experimental" and "weird" are already taken and they want to make sure that people who like easy (fun?) music don't show up. extendedtechniques.com/2026/07/01/n...

NYC Calendar July 2026

July 1-August 2ClinamenA visual and sound installation by Céleste Boursier-MougenotVENUE: Park Avenue ArmoryADMISSION: starting at $30 WEDNESDAY, July 17PM Teiku Album release with Blacks’ My…

extendedtechniques.com

What an amazing edipode! So great to hear about the collaboration of two inspiring scholars of theatre and history. (Also, I'm looking forward to reading "The Perfect Tuba" book.)

Drafting the Past@draftingthepast.bsky.social · last mo.

What fun to talk with @charlesomalley.bsky.social and @scottwstern.bsky.social about how they navigated sharing a writing project and a life, and the fabulous book, SHAKESPEARE'S MARGARET (@wwnorton.com) that resulted. Listen to our conversation here: podcasts.apple.com/us/podcast/c...

Laurie Anderson - the artist of saying exactly the words we need to hear today - speaking about the relationship between love and power. The deepest, most meaningful, and most effective showmanship I've seen. (Fair enough, I'm not a denizen of shows.) Priceless and free of charge. @Central Park

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On this platform, I've been trying to follow only colleagues in music and arts criticism and academics working in disciplines related to my work. Yet all I see in my thread are complaints about politics! (And occasionally, some personal news.) Is there a time of the day to read something meaningful?

I spent an entire concert in earplugs for the first time in my life, but the performance was still mesmerizing. From a trance-like drumbeat, to gradually changing timbres and reverberations, to the guitarists' excitement, to Reg Bloor's energetic conducting, final dance, and theatrical collapse.

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Paul Pinto’s Octet is unlike anything you’ve heard before, unless you’ve heard Julia Wolfe’s Forbidden Love, or Roman Grygoriv and Illia Razumeiko’s Mariupol. Still, the shower of flying pencils was a new experience for me. Imagine what he will do in his opera? (Livestream in comments.)