Ben Miller

@extinctmonsters.bsky.social

Thinking about the art and history of paleontology in museums. Exhibit developer at the Field Museum, opinions my own. he/him Website: extinctmonsters.net

if establishment candidates want to start winning primaries again all you have to do is say that rich people have too much money and that youll prosecute trump admin staffers and republicans that have broken the law

I must have a writing deadline coming up because I found time to finish a months old blog post. A discussion of the "twin exhibits" on the end-Cretaceous extinction and Paleogene recovery currently at AMNH and the Field Museum: extinctmonsters.net/2026/08/03/t...

Two museums, two exhibits, one story

“Twin films” is a term that refers to a pair of movies released by different studios around the same time, which have similar plots or are inspired by the same source material. Museums …

extinctmonsters.net

I must have a writing deadline coming up because I found time to finish a months old blog post. A discussion of the "twin exhibits" on the end-Cretaceous extinction and Paleogene recovery currently at AMNH and the Field Museum: extinctmonsters.net/2026/08/03/t...

Two museums, two exhibits, one story

“Twin films” is a term that refers to a pair of movies released by different studios around the same time, which have similar plots or are inspired by the same source material. Museums …

extinctmonsters.net

Shout-out to the kids I overheard asking really excellent questions about the Field Museum exhibits as I was touring around today. (I only jumped in to help a couple times.) Keep looking for those answers to things that don't make sense yet!

The only taxidermied blue whale in the world, 1865 CE, now housed at the Natural History Museum in Sweden. The public was allowed to enter the whale up until a couple was found having sex inside it. Now the whale’s jaws are opened only for special occasions, such as Swedish election days.

Malm whale in Sweden

Thinking about the spectacular mix of irrelevance, tastelessness, historical inaccuracy, and aesthetic unpleasantness that is the “children of stardust” conclusion to the NCMNS fossil exhibit. (The rest of the exhibit quite nice).

Life sized diorama of colorless but clearly white colonial family finding a fossil in their tobacco field.Close up of text panel, which attempts to say something about how everything is connected in a way that is so broad as to be meaningless

My colleagues at the Field recently completed this display with Native collaborators. It replaces a section of Ancient Americas that previously included items removed from graves. A small but important step in the right direction.

Corner exhibit featuring photos and text. Large overhead quote says: "Museums literally...stole our objects and the songs and stories that went with those pieces."
-Jaalen EdenshawWhite panel and collage with photos of old museum displays and catalog excerpts. Intro text: This gallery addresses an injustice that began over a century ago... ...and explains why many of the cases in this exhibition are covered. It speaks frankly about how the Museum's past actions have injured Native American Tribes, communities, and individuals.
It describes what we are doing today to address the damage we have caused, and looks to the future for ways to work more collaboratively with the Native peoples whose heritage we hold.Dark display case with outlines of objects including a fan, drum, and basket. Main text: Museums collected and displayed things we shouldn't have
TIVE
This case shows how the Field Museum's past collecting and display practices were unethical and disrespectful. Under the Native American Graves Protection and Repatriation
Act (NAGPRA) Tribes can request that museums repatriate Funerary Objects, Sacred Items, and
Objects of Cultural Patrimony. These items should never have been removed from their communities, treated as specimens, or put on display without consentFour smell stations beneath a white text panel: What do these plants have to do with covered cases?
We invite you to breathe in the aromas of cedar, sage, sweetgrass, and tobacco. When visiting items and human remains that have been held by the Museum for so long, some tribal representatives conduct smudging ceremonies, in which they use the smoke of these plants for care and cleansing. Respecting Native American cultural practices is just one way the Museum can fulfill its duty of care.