isn’t there a manhole he can fall into or something?
ez “dyke ghoulfriend”
@ezrez.bsky.social
filmworker/projectionist • lesbian antisocial forest gump • oakland, ca
my account is now art, politics, local events, film, film promo, and nudes
artificial intelligence fucked my dad and it didn't even get him off. worst, laziest pounding of his life. forgot it was a gay thing halfway through. when it started bellowing out a repetitive numbered list of gods he put his boxers back on and left
the mondo films are a fascinating part of film history, a deeply racist and exploitative part of history that should never be celebrated or repeated. if you think Goodbye Uncle Tom has any artistic merit, you should die.
ez “dyke ghoulfriend”@ezrez.bsky.social · 8h agohe unironically likes Jacopetti and Prosperi movies
its nice that its seems like most people into horror fucking hate Eli Roth
you should understand my politics by my Cracker Backer button with the little white hood
ngl, its a miracle i never overdosed in my twenties
ez “dyke ghoulfriend”@ezrez.bsky.social · 17h agoyou can get drug deals if you have the sort of face where people just give you coke and stuff
its funny being a mediocre to functional guitarist and having to play lead guitar for my stuff out of necessity. don’t do much worse than most indie rock stuff
Rock albums from the early to late 2000s should have to be remixed by law, the compression is fucking criminal
this is why i spent two and a half years at the theater, that and learning the distribution and programming side of the film industry, its all for becoming a 35mm projectionist
ez “dyke ghoulfriend”@ezrez.bsky.social · 21h agoRan 35mm for the first time, didn’t do any change overs but its really cool, very Frankenstein with the carbon arc lamps
I’m sorry for constantly plugging my staff pick but hey we went from 10% sold to over 50% and hopefully it’ll get to 70 or 80 by showtime, so it got the job done
Ran 35mm for the first time, didn’t do any change overs but its really cool, very Frankenstein with the carbon arc lamps
it takes a lot to shock me, but consider me shocked. this is fucking insane, i love this for them
CSketch@csketch.bsky.social · yesterdayOh my god I think I found the video.
can’t sleep. might as work on the score to the short film we’re in preproduction for
Some guy asked if he could drink and smoke weed at the theater then said “i have a nice body” and when i told him no he got sad and asked “i don’t have a nice body?” awww no pussy?
The original Taking of Pelham One Two Three is coming to the Roxie this Wednesday on glorious 35mm film! It’s my staff pick! I’ll be doing an intro! Check it out! roxie.com/film/staff-p...
Staff Pick: The Taking of Pelham One Two Three (35mm)
Ezzy’s Staff Pick! Nerve-demolishing suspense delivered at an intoxicating pace as merciless hijackers led by cold-blooded Robert Shaw take over a NYC subway and demand $1,000,000 in ransom.
roxie.com
ez “dyke ghoulfriend”@ezrez.bsky.social · 3w agoMy staff pick is coming up! This Aug 5th at the Roxie on 35mm, one of the best New York films ever made, The Taking Of Pelham One Two Three (1974)! See Walter Matthau bicker with Robert Shaw! See 70s disdain for city government! Listen to bitchy New Yorkers bitch at each other! Link to come!
Live from the California Democrats conference: our party has endorsed Proposition 40, the Billionaire Tax! @billionairetaxnow.bsky.social
we stumbled on a car show at the lumber yard up the street!
just because you’re big doesn’t mean you can take hits
There was a very strong “the machine built for eating people must get back to eating people as soon as possible” vibe coming from halls of power and platforms of influence.
the Mountain Goats@themountaingoats.bsky.social · 3d agoI agree strongly with this -- in that difficult moment, the possibility of collective effort was conceivable. Not everybody felt it, but many did. I think the political class did not like this one bit.
finally got a kick in the ass to be a better writer and rework my whole album, not in rewriting it but editing and rearranging the songs to be tighter and less conventional, more modernist than traditional