Austin Glatthorn

@glatthorn.bsky.social

Musicologist & cultural historian, Royal Northern College of Music | Fellow, Royal Historical Society | Author, ‘Music Theatre and the Holy Roman Empire’ (CUP) | Current project: 'The Cambridge History of German Opera to the Early Nineteenth Century'

I've not been very active here recently, but I'm looking forward to seeing this forthcoming volume from the University of Chicago Press published soon. I was delighted to contribute a chapter (even if I don't really see myself as a 'Mozart scholar'!). press.uchicago.edu/ucp/books/bo...

Mozart and His World

A collection of essays that reinvigorates our understanding of some of Mozart’s best-loved works.One of the world’s most revered composers, Wolfgang Amadeus Mozart (1756–1791) wrote works in almost ev...

press.uchicago.edu

After spending a few years working as a journal editor and on a history of German opera for CUP, among other things, it has been great having a bit of time to focus on my own work again. I'm delighted to have gotten two chapters and an article off of my desk recently!

Corona Schröter’s ‘Fünf und Zwanzig Lieder’ (1786) lists subscribers, their locations, and the quantity ordered. Alongside 64 copies intended for 15 local noble patrons, 506 copies of her #songs reached musicians in at least 47 locations, summarised in the #map below.

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I enjoyed my tenure as Reviews Editor at 'Eighteenth-Century Music'. It was a wonderful experience, and I learned a lot from that role and my amazing colleagues. It was a difficult decision to step down, but I look forward to supporting the journal in this new capacity! And congrats, Annika!

RNCM Research@rncmresearch.bsky.social · 6mo ago

Two RNCM researchers, Dr Annika Forkert & Dr Austin Glatthorn (@glatthorn.bsky.social), have recently taken up prominent editorial roles for internationally renowned music journals, strengthening the RNCM’s global impact on music scholarship & research innovation 👇 🔗 www.rncm.ac.uk/news/rncm-re...

Side-by-side collage of headshots of Dr Annika Forkert (left) and Dr Austin Glatthorn (right)

📣 Call for Expressions of Interest 👇 The RNCM invites proposals from international early‑career researchers, particularly those addressing wind & brass band music, for the @britishacademy.bsky.social International Fellowships 2026. 📆 EoI deadline: 17 February 2026 🔗 www.rncm.ac.uk/news/call-fo...

Call for Expressions of Interest – British Academy International Fellowships at the RNCM - Royal Northern College of Music

Call for Expressions of Interest – British Academy International Fellowships at the Royal Northern College of Music The […]

rncm.ac.uk

Once upon a time in a university near you, in-person teaching was a thing, as you can see in this image of 1612. Young people with hats came together, regularly and voluntarily, prepared for classes, and enjoying a lively learning situation of *checks notes*, a 90 minutes monolog of someone else ...

The image of 1612 shows an academic scene of early modern Europe: a lecture hall with a professor on a professorial chair at the upper centre, a large groups of students present. 

This is one from a series of eighteen plates by the workshop of Crispijn van de Passe, depicting scenes of academic life, more here: https://www.britishmuseum.org/collection/object/P_1972-0722-6-3

At the first of my two remaining conferences of 2025. This one is in lovely Cascais, Portugal (the final one will be in Munich in December). It’s my first time in Cascais, and I’m really enjoying it so far.

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