@goodnekovibes.bsky.social

Mostly just here to say nice things to film folk I like to follow.

@bjcolangelo.bsky.social is one of those critics I'm always excited to see come across my feed and she's a @screendrafts.bsky.social guest I will always listen to. Now's a great time to support her!

Amelia Emberwing@thatwitchmia.bsky.social · 3w ago

Our buddy @bjcolangelo.bsky.social needs a little help from her friends (and I'm a bully). BJ needs what is, essentially, a full mouth replacement thanks to cancer radiation. We can't eliminate the dental trauma, but we can help with the life-altering debt. www.gofundme.com/f/bj-needs-a...

CFF is the only genre fest that kept virtual access post-pandemic AND screens out AI users. They also run as a nonprofit and could really use the financial support! There's some wonderfully mindbending stuff this year and one of their features is sitting as my film to beat for 2026.

Chattanooga Film Festival@chattfilmfest.org · last mo.

Every year because we don’t ever want money to be a barrier to people having fun at our festival we launch our BACK HALF BADGE. $113 and your eyes get a whole ass buffet of badass genre cinema including five more of our nightly secret screening series REDEYE.

As soon as QR takeover hit my local branches, I bailed. If I'm gonna risk unenforced talking and phone use at the theater, I might as well pay less per month and have friends to suffer with by joining AMC.

Julian Singleton 🎃@juliansingleton.bsky.social · 4mo ago

@davidehrlich.bsky.social raises the alarm once more on the absolute enshittification of Alamo since the Sony takeover–with the QR-code nightmare we're all living in as the end-stage for Alamo's current union-busting, audience-repelling environment. www.indiewire.com/features/com...

So thanks to seeing this post, I decided to try Qobuz since they pay slightly more rotaltues than Tidal and have an AI policy. Moved my tracks over and while I lost a few things, this is the only streamer that still has Naatu Naatu and that is worth its weight in gold. SOLD.

Rob Sheridan@rob-sheridan.com · 5mo ago

I took @bcmerchant.bsky.social's advice and have been trying Qobuz, which pays artists the most and feels like a streaming service for adults. Tasteful presentation, good editorial features, a focus on audio quality, transparent AI policies, & a free trial of Soundiiz to transfer your Spotify stuff.

It's always exciting to hit upon an author whom, with the first book you've read, you're ready to put all their works on your to-read list. Just discovered @nuzo.bsky.social through her recent book Futility. Nigerian folk horror done with a mean, humorous bite. Loved this.

Cover of Nuzo Onoh's book Futility,

I saw something similar in the end credits for Tinsman Road when it screened at Brooklyn Horror Fest. It got a huge round of cheers and applause. It really earns the filmmakers some goodwill to make clear their stance.

🎥 Kathy 📼 Fennessy 📽️@kcfennessy.bsky.social · 8mo ago

At a recent @seattlecritics.bsky.social screening of PNW short films at Northwest Film Forum, Wes Hurley's film Shelly's Leg, which ends with a no-AI disclaimer, elicited an enthusiastic cheer from the audience. There's a hunger to support artists who eschew AI *and* include unambiguous messaging.