Hannah Lee Stockdale (LOOKING 4 WORK)

@hanoodles.bsky.social

storyboard artist available for work! prev @ Cartoon Network, A24, Paramount (Craig of the Creek, Apple & Onion, etc) she/her www.hannahleestockdale.com let's talk about dogs

I love how the previous generations of storyboard artists were allowed to draw silly cartoon characters on flat wobbly backgrounds, but now we have to learn how to draw the most realistic anime proportions and perspective ever to even be considered for a job

One animator put it plainly: “You have no idea how frustrating it is to see press release after press release touting how much money our animated film made and how many nominations we got; then [the studio] turns to people who have worked here forever and says, ‘We don’t need you anymore.’” Heh.

Hollywood Can’t Survive Without Animation. So Why Won’t the Industry Respect It?

Animated films made billions in 2026 while Pixar and Netflix cut jobs. Inside animation's paradox and its long shut-out from the best picture race.

variety.com

Happy #PortoflioDay! I’m available for full-time or freelance storyboard and revisionist roles beginning in August! I have over 5 years of professional experience and can hit the ground running. Thanks! www.hannahleestockdale.com

Hannah Lee Stockdale (LOOKING 4 WORK)@hanoodles.bsky.social · 4mo ago

It's #PortfolioDay again! I'm an experienced storyboard revisionist available for full-time or freelance work! I also love to paint! www.hannahleestockdale.com

My 'looking for work' image- shows a cartoony Hannah riding a horse, declaring her availability for work. Shows my work exp. and contact info

The team aspect of animation is by far my favorite part. Sitting in a pitch room w/ the whole crew cracking up during a pitch is so fun & special. Helping out on record days w/ the recording crew & voice actors. Seeing ideas you pitched to the showrunners make it to final. Why forsake that?

Making an animated series is arduous work, often times it’s a miserable experience but the one thing that makes it all worth it is knowing I’m making a crew of actual, talented humans suffer and sometimes die by screaming orders at them. Take that away and what’s even the point??

I was right about NFTs and I'll be right about gen AI in animation. If you try to justify it in your production it's going to be a stain on your reputation.

Animation is a team sport but I guess your peers become obstacles instead of collaborators when can't work for peanuts or volunteer their time to contribute to the vision. But why would you ever give them up for a fucking planet killing souless technology if you were into making art?

This should be painfully obvious but apparently it needs saying: If you're an "aspiring" artist and you openly talk shit about other creators, your career is over before it started. You've permanently ruined your chances by proving to be too much of an asshole to work in this space. Hit the bricks.

I think there's a contingent of people who happily harass individual artists over corporations that are objectively worse because they don't care about the right thing. They just care about feeling like they made an impact. Any impact. And they'll come up with any reason to justify it.

so much now in the US and its industries is that white men are upset that people other than them were finding success and realizing maybe they aren’t god’s gift, so they’re destroying everything that worked because they’re big baby assholes who can’t share so now everything is shit for everyone.