Harry Sargent

@harrysargent2.bsky.social

Former contributor to Areo Magazine, currently in Liberal Currents. Feeling good these days. Writes about history, philosophy and international relations. If i’m acting like a jerk tell me to log off! Enjoys 🏳️‍🌈🏳️‍⚧️perspectives…

The trick to apologizing is to make it vague and general, like “i’m sorry for all the times I let you down as a husband”. Everyone gets bogged down the specifics otherwise, like who used whose toothbrush to clean the tumble dryer filter…

Samuel Moyn’s idea that IL and the US constitution need an overhaul isn’t wrong… But, short of a divine revelation, the powers involved won’t agree on principles let alone the small print for such a change… WADR to Moyn, he doesn’t have the prophetical charisma of a Jesus or a Tolstoy…

I find sovereignty to be of ambiguous benefit: Crimes have been committed in violation of sovereignty for sure, but “sovereignty” has also been used to deflect international criticism of human rights abuses…

Wittgenstein *a wild look in his eyes, brandishing a red hot fire poker*: “Go on then, name a universal moral principle… you cant can you?!” Me *sweating*: To be honest, I find it hard to think straight under such duress…

*Odyssey spoilers* . . . . For me the whole diverse casting controversy is a misdirection. It’s not what the film is about… The film exposes the one absolute truth in human history: Dogs are better than people.

It’s a millstone around the neck of British culture that there must be something distinctively *British* about it. Elgar’s cello concerto is just good and you don’t have to be British to like it… Richard Curtis’s London, where it’s always snowing, has a lot to answer for…

***The Odyssey Possible Spoilers*** I noticed something really cool in the score: The theme for Elgar’s Nimrod, which appeared in Dunkirk, is hinted at in the sacking of Troy but this time never melodically resolves.