Henning Hansen

@henninghansen.bsky.social

Book historian & research librarian at the Swedish National Heritage Board (@raa-se.bsky.social) & UiT The Arctic University of Norway. History of reading, Provenance, Cartography & Library history. @sharpweb.org aficionado.

Stunning engraving of Christina of Sweden’s 1655 triumphal entry into Rome (printed in Rome the same year). After abdicating her throne and converting to Catholicism, her arrival became one of the defining spectacles of the Counter-Reformation, quickly transformed into religious propaganda.

Engraving from the Rosenhane collection at the Swedish National Heritage Board.

Delightful title page by the German engraver Dirk Diricks (1613–1653). This Garden of Eden scene offers a splendid menagerie of animals. I’m particularly fond of the whale (a favourite motif among contemporary cartographers) and the frog, prominently placed close to Adam and Eve. #bookhistory #frog

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Blind tooled pigskin binding from 16C, reused for a Swedish 1646 Bible (Swedish National Heritage Board). With image of Lady Justice with the Latin motto "Iustitie quisquis picturam | lumine cernis dic deus est [iustus iustaque facta probat]" (text within brackets only implied).

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The Louvre heist reminds me of other times when cultural treasures disappeared. One story that stays with me is the loss of the Golden Horns of Gallehus, Denmark, stolen in 1802 by a goldsmith who melted them down. Engraving in Jacobæus' "Museum regium" [1696], The Swedish National Heritage Board.

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Välkommen till årets Rettigsymposium! Det äger rum den 26 november kl 13:15. Programmet bjuder på föredrag och samtal om aktuella forskningsprojekt knutna till Riksantikvarieämbetets arkiv och bibliotek. Evenemanget är kostnadsfritt och öppet för allmänheten – men föranmälan krävs: lnkd.in/dg_yv_Tv

Kopparstick ur Rosenhanesamlingen av Fredsbanketten i Nürnberg år 1649.

Why is it assumed that the 'lectrice' would skip the preface, unlike the 'lecteur'? Women’s reading has long been a concern. This 1833 example suggests that the way a woman read was as much a subject of critique as the content she read. Preface in Fournier & Arnould’s "Struensée" [Paris 1833].

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